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New Essays in Ecofeminist Literary Criticism
  • Language: en
  • Pages: 204

New Essays in Ecofeminist Literary Criticism

"The present volume gathers new essays in ecofeminist literary criticism and theory that extend this critical trajectory for ecocriticism in the context of social eco-feminist theory and practice."--BOOK JACKET.

The Art of Seeing Things
  • Language: en
  • Pages: 312

The Art of Seeing Things

A collection of essays by noted naturalist John Burroughs in which he contemplates a wide array of topics including farming, religion, and conservation. A departure from previous John Burroughs anthologies, this volume celebrates the surprising range of his writing to include religion, philosophy, conservation, and farming. In doing so, it emphasizes the process of the literary naturalist, specifically the lively connection the author makes between perceiving nature and how perception permeates all aspects of life experiences

Indians, Environment, and Identity on the Borders of American Literature
  • Language: en
  • Pages: 198

Indians, Environment, and Identity on the Borders of American Literature

  • Type: Book
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  • Published: 2008-08-04
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  • Publisher: Springer

The authors discussed in this book, including James Fenimore Cooper, William Faulkner, Toni Morrison, Alice Walker, and Leslie Marmon Silko, place this cross-cultural contact in nature, not only collapsing cultural and racial boundaries, but also complicating divisions between 'wilderness' and 'civilization.'

Fantasies of Self-Mourning
  • Language: en
  • Pages: 230

Fantasies of Self-Mourning

  • Type: Book
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  • Published: 2019-01-07
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  • Publisher: BRILL

In Fantasies of Self-Mourning Ruben Borg describes the formal features of a posthuman, cyborgian imaginary at work in modernism. The book’s central claim is that modernism invents the posthuman as a way to think through the contradictions of its historical moment. Borg develops a posthumanist critique of the concept of organic life based on comparative readings of Pirandello, Woolf, Beckett, and Flann O’Brien, alongside discussions of Alfred Hitchcock, Chris Marker, Béla Tarr, Ridley Scott and Mamoru Oshii. The argument draws together a cluster of modernist narratives that contemplate the separation of a cybernetic eye from a human body—or call for a tearing up of the body understood as a discrete organic unit capable of synthesizing desire and sense perception.

At Home in Nature
  • Language: en
  • Pages: 381

At Home in Nature

"Gould's attention to the ironies and ambivalences that abound in the practice of homesteading provides fresh and insightful perspective."—Beth Blissman, Oberlin College "This luminously written ethnography of the worlds that homesteaders make significantly broadens our understanding of modern American religion. In richly textured descriptions of the everyday lives and work of the homesteaders with whom she lived, Gould helps us understand how the tasks of clearing land, making bread, and building a garden wall were ways of taking on the most urgent issues of meaning and ethics."—Robert A. Orsi, Harvard University "This is a fascinating, authoritative, and accessible look at one of Ameri...

Sanctified Landscape
  • Language: en
  • Pages: 229

Sanctified Landscape

The Hudson River Valley was the first iconic American landscape. Beginning as early as the 1820s, artists and writers found new ways of thinking about the human relationship with the natural world along the Hudson. Here, amid the most dramatic river and mountain scenery in the eastern United States, Washington Irving and James Fenimore Cooper created a distinctly American literature, grounded in folklore and history, that contributed to the emergence of a sense of place in the valley. Painters, led by Thomas Cole, founded the Hudson River School, widely recognized as the first truly national style of art. As the century advanced and as landscape and history became increasingly intertwined in...

Gut Feelings
  • Language: en
  • Pages: 236

Gut Feelings

With this collection of personal essays, Merrill Gerber, a widely and well-published novelist and short story writer, has painted a vivid portrait of herself as a writer and offered an honest glimpse of the inspiration for her own creative process. Through vibrant narratives that self-consciously waver on an ambiguous border between memoir and fiction, Gerber transfixes the reader with genuine accounts of her philosophies and samples of her life. The final three pieces of the collection, originally written as fiction, are included here as memoir to demonstrate her contention that the deepest truths in life can be and often are the greatest source from which to draw the best told lies in fiction. This book will appeal to teachers and students of writing as a study on the craft of writing as well as the general reader interested in the writing process.

The Environment and the Press
  • Language: en
  • Pages: 358

The Environment and the Press

This history of environmental journalism looks at how the practice now defines issues and sets the public agenda evolving from a tradition that includes the works of authors such as Pliny the Elder, John Muir, and Rachel Carson. It makes the case that the relationship between the media and its audience is an ongoing conversation between society and the media on what matters and what should matter.

A Place for Humility
  • Language: en
  • Pages: 286

A Place for Humility

Emily Dickinson and Walt Whitman are widely acknowledged as two of America’s foremost nature poets, primarily due to their explorations of natural phenomena as evocative symbols for cultural developments, individual experiences, and poetry itself. Yet for all their metaphorical suggestiveness, Dickinson’s and Whitman’s poems about the natural world neither preclude nor erase nature’s relevance as an actual living environment. In their respective poetic projects, the earth matters both figuratively, as a realm of the imagination, and also as the physical ground that is profoundly affected by human action. This double perspective, and the ways in which it intersects with their formal i...

Digressions in Deep Time
  • Language: en
  • Pages: 335

Digressions in Deep Time

“Deep time” is a term which attempts to capture temporal scales far beyond human comprehension. These are stretches of time epitomised by geological and cosmic scale processes, vast enough to make the entirety of human existence appear as little more than a footnote. The past few years have seen a boom in texts dedicated to the study of deep time, extending across a broad range of disciplines which fall markedly outside of its geological roots. These studies are unified by two ideas in particular: that deep time thinking and ecocriticism should be considered in conjunction, and that literature and the arts play a vital role in fostering a deep time awareness. Digressions in Deep Time is ...