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Volumes 9 and 10 contain descriptions of Casanova's first visits to England, Prussia, Russia, and Poland. In all these countries he gained access to the Courts. Frederick the Great of Prussia and Catherine the Great of Russia join the roster of potentates entertained and charmed by the adventurer. Though beginning to age, and ruing it, Casanova still manages to exert a powerful attraction on women.
The children who read fairy books, or have fairy books read to them, do not read prefaces, and the parents, aunts, uncles, and cousins, who give fairy books to their daughters, nieces, and cousins, leave prefaces unread. For whom, then, are prefaces written? When an author publishes a book ‘out of his own head,’ he writes the preface for his own pleasure. After reading over his book in print—to make sure that all the ‘u’s’ are not printed as ‘n’s,’ and all the ‘n’s’ as ‘u’s’ in the proper names—then the author says, mildly, in his preface, what he thinks about his own book, and what he means it to prove—if he means it to prove anything—and why it is not a ...
When the learned first gave serious attention to popular ballads, from the time of Percy to that of Scott, they laboured under certain disabilities. The Comparative Method was scarcely understood, and was little practised. Editors were content to study the ballads of their own countryside, or, at most, of Great Britain. Teutonic and Northern parallels to our ballads were then adduced, as by Scott and Jamieson. It was later that the ballads of Europe, from the Faroes to Modern Greece, were compared with our own, with EuropeanMärchen, or children’s tales, and with the popular songs, dances, and traditions of classical and savage peoples. The results of this more recent comparison may be bri...
“One of the playwrights our country, and our language, has produced.” – Tony Kushner “Quirky, disturbing, and inexplicably beautiful theatrical poetry.” – Cary M. Mazer, Philadelphia City Paper “Congdon writes like a woman possessed.” – Nels Nelson, New York Daily News An immensely inventive and challenging writer, Constance Congdon is one of America’s finest playwrights, endowed with great compassion, keen insight and an unfailing comic sensibility. Throughout the plays in her first collection, she demonstrates a range rare in writers in any age, from a somber meditation on life in the postnuclear age (No Mercy) to madcap social satire (Losing Father’s Body), from an e...
Literature in English is a term that has recently appeared to include both English literature in the traditional sense of the word and all the newly emerging literatures written and published in English whose authors may represent various ethnic and cultural backgrounds. This series as well as our yearly Literature in English Symposium (LIES) organized by the Department of English Literature and Literary Linguistics, the School of English at Adam Mickiewicz University Poznań (Poland), respond to the current interest in wider mapping of English literature. Each year the symposium is devoted to a particular topic linked with the interests of an invited writer, whose presentation we also publish. This volume is devoted to the issue of self-fashioning and self-representation as it is the main area of interest of Andrew Miller.
As well as editing the famous Fairy Books, Andrew Lang created a diverse oeuvre of short story collections, novels, poetry and a scholarly corpus of essays and non-fiction books. This Delphi edition offers a comprehensive range of Lang’s prolific works, with thousands of beautiful illustrations, as well as the usual bonus texts. (Current version: 2) * the complete Fairy Books, all fully-illustrated with their original Victorian artwork – first time in digital print * special contents table for the Fairy Books * ALL the novels, with contents tables * images of how the books first appeared, giving your eReader a taste of the Victorian texts * many short story collections, with beautiful il...
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A series of adventures wilder and more fantastic than the wildest of romances, written down with the exactitude of a business diary; a view of men and cities from Naples to Berlin, from Madrid and London to Constantinople and St. Petersburg; the 'vie intime' of the eighteenth century depicted by a man, who to-day sat with cardinals and saluted crowned heads, and tomorrow lurked in dens of profligacy and crime; a book of confessions penned without reticence and without penitence; a record of forty years of "occult" charlatanism; a collection of tales of successful imposture, of 'bonnes fortunes', of marvellous escapes, of transcendent audacity, told with the humour of Smollett and the delicat...
Musaicum Press presents to you an Arthur Machen collection, which has been designed and formatted to the highest digital standards and adjusted for readability on all devices. Arthur Machen (1863-1947) was a Welsh author and mystic of the 1890s and early 20th century. He is best known for his influential supernatural, fantasy, and horror fiction. His novella The Great God Pan has garnered a reputation as a classic of horror (Stephen King has called it "Maybe the best [horror story] in the English language"). Historian of fantastic literature Brian Stableford has suggested that Machen "was the first writer of authentically modern horror stories, and his best works must still be reckoned among...