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A comprehensive selection of poems and essays spanning the career of one of China's most celebrated 20th-century poets."You can write poetry and then again you can't. It comes into this world of its own accord, not by the will of the poet."Gu Cheng Gu Cheng (1956-1993) is one of China's most celebrated contemporary poets. His early death ended a literary career that was influenced by the Cultural Revolution and that reawakened the lyricism of Chinese poets during the 1980s. Offering a unique blend of brooding imagism and political innuendo, Gu Cheng's poetry traces complex changes in the poet's lifefamilial, psychological, culturaland also radiates an innocence and a touching melancholy. His...
One of contemporary China's best-known and most inventive poets.
In ancient China a monster called Taowu was known for both its vicious nature and its power to see the past and the future. Since the seventeenth century, fictive accounts of history have accommodated themselves to the monstrous nature of Taowu. Moving effortlessly across the entire twentieth-century literary landscape, David Der-wei Wang delineates the many meanings of Chinese violence and its literary manifestations.
Recent archaeological finds in China have made possible a reconstruction of the ancient history of Sichauan, the country's most populous province. Excavated artifacts and newly recovered texts can now supplement traditional textual materials. Combing these materials, Sage shows how Sichauan matured from peripheral obscurity to attain central importance in the formation of the Chinese empire during the first millennium B.C.
In ancient China a monster called Taowu was known for both its vicious nature and its power to see the past and the future. Over the centuries Taowu underwent many incarnations until it became identifiable with history itself. Since the seventeenth century, fictive accounts of history have accommodated themselves to the monstrous nature of Taowu. Moving effortlessly across the entire twentieth-century literary landscape, David Der-wei Wang delineates the many meanings of Chinese violence and its literary manifestations. Taking into account the campaigns of violence and brutality that have rocked generations of Chinese—often in the name of enlightenment, rationality, and utopian plenitude—this book places its arguments along two related axes: history and representation, modernity and monstrosity. Wang considers modern Chinese history as a complex of geopolitical, ethnic, gendered, and personal articulations of bygone and ongoing events. His discussion ranges from the politics of decapitation to the poetics of suicide, and from the typology of hunger and starvation to the technology of crime and punishment.
First Published in 2009. Routledge is an imprint of Taylor & Francis, an informa company.
Regarded as China's finest contemporary poet, Gu Cheng (1956-1993) has captivated readers worldwide. While critics were calling him the harbinger of a troubled and new Obscure movement, the generation that came of age during the Cultural Revolution was taking his poems to heart. Nameless Flowers traces Gu Cheng's work from the lurid early lyrics that made him a literary star to the late expressions of dark beauty that predicted his second exile and tragic death. Though rooted in classical Chinese poetry, Gu Cheng's poems show traces of Western influences as diverse as Walt Whitman, Federico Garcia Lorca, and entomologist Jean Henri Fabre. His poems embrace animate and inanimate beings from t...
"The Hidden Land" means that a large amount of land in the Ming dynasty (1368–1644) was "hidden" or unknown, since the land was managed by both the administrative and the military systems, and only the former was made public while the latter was being hidden due to confidentiality issues. This is one of the author’s creative findings as a result of his solid textual research and rigorous argumentation. Since the Ming state management system had a great impact on the land, the population, the taxes and corvée, the imperial examinations, the justice, the grass-roots organizations and the frontier ethnics during the 500 years from Ming to Qing (1636–1912), the views on the garrisons and guards (weisuo) in the military system are of great help to review the essential issues of the period, which were often misunderstood or neglected before. In addition, the author introduces the present situation, existing problems and basic historical materials in the Ming study which will be beneficial to the Ming researchers and enthusiasts.
"Nameless Flowers: Selected Poems of Gu Cheng traces the poetry of Gu Cheng from the lurid early lyrics that made him a literary star to the late expressions of dark beauty that predicted his second exile and tragic death. Though rooted in classical Chinese, particularly the Taoism of Chuang Tzu, Gu Cheng's poems show traces of western influences as diverse as Whitman, Lorca, and entomologist Jean Henri Fabre. His poems embrace animate and inanimate beings from the vast Chinese masses and Mongolian plains down to insects and pebbles."--Jacket.