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A wonderful collaboration, containing the poetry of Linda Joy Burke, Lenett Nefertiti Allen, Jaki-Terry, and Chezia Thompson-Cager. This mesmerizing collection of verse is as diverse and inspiring as the women who wrote these poems.
V. 1. International dimensions of Black women's writing -- .
Cane one of the major works of the Harlem Renaissance and Jean Toomer's imagist masterpiece, is now a part of the canon in Afro-American literature. Teaching Jean Toomer's 1923 Cane is a unique literary tool that explores the brilliance and far-sighted vision of Toomer, allowing Cane to be taught holistically as a discovery process, using the blues motif and the poetic essay. This book's text and figures ground a discussion of Cane's enigmatic and figurative language, connecting the Harlem Renaissance to the Negritude Movement and to later Afro-centric literary movements. This book also reviews P.B.S. Pinchback's legacy as a non-Negro, able to pass easily in white society, the influence of Ouspensky, H. L Mencken's critical work, The Paris Brotherhood, and «Saccaharum officinarum-G.» Like the lunar arcs dividing Cane, the book works as an instructional map. The pictures from the first complete production also tell a remarkable story.
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A poetry triptych featuring masterful demonstrations of the poem as lyric, narrative, and metonymic moment, this work choreographs a rich text before delivering it to the page. By constructing dynamic, multitiered images that carry on a crosscultural, interregional, multidimensional dialogue about animals, an overall theme of the ways in which musk, performance, and poetry can be brought together begins to emerge. The boundaries of these different mediums reverberate against each other to create unpredictable and enlightening discoveries.
Twenty-four essays take diverse approaches (thematic, feminist, historicist, cultural materialist, etc.) to the theme of culture (including its expression in literature, art, mass media, etc.) and identity (self, regional, or national) in Latin America (five essays), the Caribbean (ten essays) and Europe (nine essays). Paper edition (unseen), $16.95. Annotation copyright by Book News, Inc., Portland, OR
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Alice Walker has described the Barbadian American novelist Paule Marshall as "unequaled in intelligence, vision, craft, by anyone of her generation, to put her contributions to our literature modestly." Such praise has echoed through reviews and analyses of Marshall's work since the 1959 publication of Brown Girl, Brownstones, a novel followed by The Chosen Place, the Timeless People (1969), Praisesong for the Widow (1984), and Daughters (1991). Places of Silence, Journeys of Freedom is the first study of Paule Marshall's work to focus explicitly on her contribution to feminism. It is also the first to identify one of her original contributions to narrative art-a technique of "superimposition" or "double exposure" through which her books have explored topics now at the heart of feminist debate. Centered around the subject of voice and silence, these issues include the interrelation between women's power and powerlessness, the interpenetration of the political and economic world with the world of the psyche, and the mechanisms through which oppressions on the basis of race, class, and gender operate as mutually shaping forces.
In spite of the double burden of racial and gender discrimination, African-American women have developed a rich intellectual tradition that is not widely known. In Black Feminist Thought, Patricia Hill Collins explores the words and ideas of Black feminist intellectuals as well as those African-American women outside academe. She provides an interpretive framework for the work of such prominent Black feminist thinkers as Angela Davis, bell hooks, Alice Walker, and Audre Lorde. The result is a superbly crafted book that provides the first synthetic overview of Black feminist thought.