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The Nile Delta
This is the first volume on the history of the Nile Delta to cover the c.7000 years from the Predynastic period to the twentieth century. It offers a multidisciplinary approach engaging with varied aspects of the region's long, complex, yet still underappreciated history. Readers will learn of the history of settlement, agriculture and the management of water resources at different periods and in different places, as well as the naming and mapping of the Delta and the roles played by tourism and archaeology. The wide range of backgrounds of the contributors and the broad panoply of methodological and conceptual practices deployed enable new spaces to be opened up for conversations and cross-fertilization across disciplinary and chronological boundaries. The result is a potent tribute to the historical significance of this region and the instrumental role it has played in the shaping of past, present and future Afro-Eurasian worlds.
Seneca's Affective Cosmos
What is the role of emotion in the scientific, philosophical, and literary works of Seneca the Younger? Scholarship on Seneca has often historically treated emotion as an obstacle to moral progress in his thought--an inherently treacherous aspect of human experience which must be eradicated via reason. However, a growing body of scholarly work has come to recognize that Seneca made room for emotions in his philosophy, framing such sensations as fear and shame as ethically beneficial in certain circumstances. Seneca's Affective Cosmos: Subjectivity, Feeling, and Knowledge in the Natural Questions and Beyond extends such arguments to arrive at a surprising conclusion: Seneca is prepared to har...
Ethics and the Orator
Prologue: Quintilian and John of Salisbury in the Ciceronian tradition -- Rhetoric, emotional manipulation, and morality: the contemporary relevance of Cicero vis-a-vis Aristotle -- Political morality, conventional morality, and decorum in Cicero -- Rhetoric as a balancing of ends: Cicero and Machiavelli -- Justus Lipsius, morally acceptable deceit, and prudence in the Ciceronian tradition -- The classical orator as political representative: Cicero and the modern concept of representation -- Deliberative democracy and rhetoric: Cicero, oratory, and conversation
Some of My Best Friends
"A fearless and darkly comic essay collection about race, justice, and the limits of good intentions. In this stunning debut collection, Catapult editor-in-chief and award-winning voice actor Tajja Isen explores the absurdity of living in a world that has grown fluent in the language of social justice but doesn't always follow through. These nine daring essays explore the sometimes troubling and often awkward nature of that discord. Some of My Best Friends takes on the cartoon industry's pivot away from colorblind casting, the pursuit of diverse representation in the literary world, the law's refusal to see inequality, and the cozy fictions of nationalism. Isen deftly examines the quick, cosmetic fixes society makes to address systemic problems, and reveals the unexpected ways they can misfire. ...Isen interlaces cultural criticism with her lived experience to explore the gaps between what we say and what we do, what we do and what we value, what we value and what we demand."--Publisher's website.
Major Corrections
A trenchant analysis of the thought of Sebastiano Timpanaro, one of the most original leftist thinkers of the 20th century Sebastiano Timpanaro (1923-2000) was one of the most original leftist thinkers of the 20th century. His thought spans a unique range of subjects, from materialism to classical philology, from the Enlightenment to Freud, from science to socialism, from the history of linguistics to 19th century Italian literature. Timpanaro confronted this manifold material with addictive clarity and incisive honesty. This book is the first serious attempt in any language to introduce Timpanaro’s thought in its entirety. Drawing on original archival research, Geue shows the astonishing breadth of Timpanaro’s intellect and his eccentric dual profile as a Marxist and technical philologist. From this emerges not only a compelling portrait of a neglected radical thinker, but also a rallying call for the Left to revive its commitment to scientific truth and rigorous detail.
Seneca's Affective Cosmos
Chiara Graf examines the role of emotion in the scientific, philosophical, and literary works of Seneca the Younger, reading several of the Roman philosopher's key texts in dialogue with modern studies in affect theory.
Authorship’s Wake
Authorship's Wake examines the aftermath of the 1960s critique of the author, epitomized by Roland Barthes's essay, “The Death of the Author.” This critique has given rise to a body of writing that confounds generic distinctions separating the literary and the theoretical. Its archive consists of texts by writers who either directly participated in this critique, as Barthes did, or whose intellectual formation took place in its immediate aftermath. These writers include some who are known primarily as theorists (Judith Butler), others known primarily as novelists (Zadie Smith, David Foster Wallace), and yet others whose texts are difficult to categorize (the autofiction of Chris Kraus, Sheila Heti, and Ben Lerner; the autotheory of Maggie Nelson). These writers share not only a central motivating question – how to move beyond the critique of the author-subject – but also a way of answering it: by writing texts that merge theoretical concerns with literary discourse. Authorship's Wake traces the responses their work offers in relation to four themes: communication, intention, agency, and labor.
Virgil
Hailed in his lifetime and in every generation thereafter as the supreme Roman poet, Publius Vergilius Maro (70-19 BCE), otherwise known as Virgil, wrote three books of hexameter verse that defined the 'golden age' of Latin poetry. Virgil, as Alison Keith shows, has never gone out of critical or popular fashion. His ascent from the lesser genre of pastoral (the Bucolics) through a more ambitious didactic mode (the Georgics) to the soaring heights of epic (the incomparable Aeneid) inspired countless other authors, starting with his younger contemporary Ovid and continuing through the medieval writers Dante and Petrarch and the early modern poets Spenser and Milton. This wide-ranging introduction appraises a figure of central importance in the history of Western music, art and literature. Offering close readings of the Bucolics, Georgics and Aeneid, Keith places Virgil and his poetry in historical context before tracing their impact at key moments in the culture of the West. Emphasis is placed on reception, and on how Virgil has attracted modern interest from writers as diverse as T S Eliot and Ursula K Le Guin.
