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Of the Deepest Shadows & the Prisons of Fire
Of the Deepest Shadows and The Prisons of Fire is a literary canvas of leaders who have affected humanity in very serious and unquestionable ways. The core of this artistic engagement is the destiny of the black world. There are tangential departures into territories with crises the world cannot afford to ignore. The poet visits each leader, living or dead, with equal passion. His curious brush is delicate, ecstatic, melancholic or even celebratory depending on what image or circumstance he pans into view. This corpus comes with the characteristic anguish and tenderness of a very sensitive and caring mind...
Reflections & Retrospectives
A focus on some of the pioneers of African literary creation.
Black African Literature in English, 1997-1999
This volume lists the work produced on anglophone black African literature between 1997 and 1999. This bibliographic work is a continuation of the highly acclaimed earlier volumes compiled by Bernth Lindfors. Containing about 10,000 entries, some of which are annotated to identify the authors discussed, it covers books, periodical articles, papers in edited collections and selective coverage of other relevant sources.
Being Black, Being Human
Originally published: Ile-Ife, Nigeria: Obafemi Awolowo University Press, c1996. With new introd.
New Women's Writing in African Literature
African women writers have come a long way since the 1960s when they were hardly acknowledged or noticed as serious writers. In the past four decades their works have been steadily rising in quantity and quality. Today these writers are seriously redefining images of womanhood, providing new visions, and reshaping erstwhile distorted characterizations of African women in fiction. ERNEST EMENYONU is Professor of the Department of Africana Studies University of Michigan-Flint. North America: Africa World Press; Nigeria: HEBN
Postcolonial Identities and West African Literature
Anchored in postcolonial theory, this book highlights the concept of “postcolonial soliloquies” as an original idea in analyzing West African literature. It uses the political theory of “dialogue” to broaden the reader’s understanding of history, culture, identity and indigenous memories. The book shows how the novels of T. Obinkaram Echewa plunge into the known territory of colonial history with new boundaries.
Songs of Myself: Quartet
Songs of Myself: Quartet is deeply rooted in the indigenous African poetic tradition. The great udje poets first composed songs paying tribute to the god of songs, followed by songs of self-exhortation,and then songs mocking themselves before satirizing others. This collection incorporates some of these aspects of the oral poetic genre in its four-part structure. It deals with self-examination and the minstrel’s alter-ego as a way of attempting to know himself. So, there is self-mockery that justifies mocking others. The four parts of the collection are: “Pulling the Thread of the Loom,” “Songs of Myself,” “Songs of the Homeland Warrior,” and “Secret Love and Other Poems.”
We Have Crossed Many Rivers
We Have Crossed Many Rivers: New Poetry from Africa is a fascinating anthology of some of the finest contemporary poetic voices from twenty-nine African countries. Inspired by the examples of first generation African poets like Wole Soyinka, Christopher Okigbo, Dennis Brutus, and Mazisi Kunene, the poets in this anthology display rootedness in, and preoccupation with, the discourses of identity and political freedom. At the same time, they engage the more contemporary themes of human and economic rights, governance, the natural environment, love, family and generational relations representative of the African continent. Poems from Tanure Ojaide, Yewande Omotoso, Reesom Haile and Frank Chipasula are included and in all there are contributions from 68 poets.
Continental Shifts, Shifts in Perception
Continental Shifts, Shifts in Perception: Black Cultures and Identities in Europe presents some of the papers presented at the fourth AfroEurope@ns conference held in London in October 2013. An inter-disciplinary and groundbreaking research project and network, AfroEurope@ns covers literature, history, music, theatre, art, translation, politics, immigration, youth culture and European policies, perceptions of Africa and more, and has been bringing together leading scholars, critics, activists and artists for over ten years. A major contribution to the burgeoning subject of African-European Studies as a multi-disciplinary field of academia, this collection includes themes ranging from literat...
