You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A day-by-day chronicle of John Lennon and Yoko Ono 1968-1980 (Volume One)
Dan Richter took a year's leave of absence as lead performer at the American Mime Theatre and teacher at the American Academy of Dramatic Arts, to study mimetic forms around the world, and was swept up in the exploding counter-culture of the fabled 1960s. London is the main backdrop of the memoir. Richter starred in and choreographed the opening of Stanley Kubrick's 2001: A Space Odyssey. Friends with Allen Ginsburg, Gregory Corso and William Burroughs, he helped produce and read his poetry at the now legendary Albert Hall poetry `reading'. A close friend of Yoko Ono's, the focus of the memoir is the four years Richter lived and worked with John Lennon and Yoko Ono from 1969 to 1973. The Beatles, Eric Clapton, Rolling Stones, Andy Warhol, Bob Dylan and many other figures from rock and roll and arts worlds fill the pages of the memoir. It reveals an intimate insider's look, chronicling everything from battles with heroin addiction, John and Yoko's concerts, their political activities, films, the break-up of the Beatles, to the making of the album Imagine.
Us and Them chronicles the depth to which Canada and Canadians were part of The Beatles’ story—their formation, growth and break up. Entertaining and well researched, Us and Them places John, Paul, George and Ringo as a band and as solo artists in a uniquely Canadian setting; it blends rich stories, facts, analysis, and even dabbles in several plausible but little known accounts that create a new ripple in The Beatles’ history. After consuming Us and Them, readers will never again listen to albums Sgt. Pepper’s Lonely Hearts Club Band and the White Album, or singles “Come Together”, “Give Peace a Chance”, “All Things Must Pass”, “Imagine” and “Mull of Kintyre” without thinking about these masterworks in a Canadian context. Us and Them is a thorough account of the Fab Four's relationship with Canada, filling an important gap in their narrative and discography.
Paul McCartney has lived an extraordinary life in popular music and popular culture. His careers as a Beatle, as a solo musician and band leader in Wings, and in areas outside music have varied tremendously and are well-documented. That Was Me explores the impact of Paul McCartney as a musician outside the Beatles, identifying the continued excitement in generations of fans and listeners, and his perennial efforts to perform and record music. Richard Driver argues that his solo career is multi-faceted and extremely diverse, ranging from breaking sharply with the style and output of the Beatles to experimenting in orchestral and operatic music and returning to music designed to emulate and reproduce the style, success, and popularity of the Beatles. Through McCartney we can literally and symbolically view and revisit the popular music phenomenon that was the Beatles, and popular music from the 1950s to today.
This complete discography of Paul McCartney's solo and other post-Beatles work examines his entire catalog. It covers his studio and live albums and compilations, including the trance, electronic, classical and cover albums and selected bootleg recordings; all of the singles; videos and DVDs; and the 15 radio shows he made as Oobu Joobu. Each song is reviewed in depth, providing a wealth of information for both dedicated McCartney fans and those just discovering his music.
The ultimate fly-on-the wall memoir packed with revelations, intimate insights, and history-making moments from the tour manager, friend, lover, and confidante to some of the most revered rock icons of the 60's, 70's and 80's. Chris O’Dell wasn’t famous. She wasn’t even almost famous. But she was there. From witnessing music history in the recording studio with The Beatles to working for The Rolling Stones during their infamous 1972 American tour, Chris O'Dell has seen and worked for the most influential musicians in rock history during some of their most intimate and awe-inspiring moments. She was in the studio when the Beatles recorded The White Album, Abbey Road, and Let It Be, and ...
Lennon and McCartney: Painting with Sound explores the work of two of the most influential composers of the twentieth century. Five decades after the breakup of the Beatles, the music of John Lennon and Paul McCartney continues to fascinate and inspire. Evidence suggests that their uniquely eclectic approach can be traced back to the Liverpool College of Art. Following on that idea, this book explores the creative dialogue between John Lennon and Paul McCartney, both with the Beatles and on their own, that grew out of that early influence. The book is presented in three sections: I. Stretching the Canvas considers the Liverpool College of Art as the backdrop for John and Paul’s early colla...
Oral history of the making of Double Fantasy and account of Lennon's last days.