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What do you know about Carnatic music? South India`s dance styles? Handloom weavers of Andhra Pradesh? The Madras Sanskrit College? The art of Ivory carving? Temple murals? Who was Ramanuja? How have Christians contributed to art, literature and architecture in South India? What`s notable about Gangaikondacholapuram, Belur, or Islamic places of worship? What do we know irrigation practices in Ancient South India? The evolution of Malayalam literature? What is special about the cuisines of South India? These are some of the 500-odd topics on South India`s Heritage discussed in this book. It provides snapshots of the collective cultural experience of the people of South India, their heroes, th...
"Thanjavur paintings are among the most popular artworks that adorn the walls of Indian homes--avidly collected but little comprehended. This richly illustrated volume presents an enhanced understanding of the subject through an in-depth study of South Indian paintings of the 18th and 19th centuries in the Thanjavur and the allied Mysuru styles. The meticulously researched text showcases and engages with Kuldip Singh's unique collection of 300 paintings. Also included are painted prints, some reverse-glass works and a few lithographs. These cover a wide range of idioms and themes: from the domain of gods and goddesses and the sites and stories associated with their worship, we come down to t...
Krishnabhinandana is a Festschrift presentedtoDr.V.V.Krishna Sastry, arenowned archaeologist and historianon his 73th birthday falling on 23-10-2007. Thisprestigious volume contains awidespectrumof researcharticles covering archaeology, literature, art,architecture, epigraphy, numismatics, Buddhism,culture, philosophy and economic history. The volumecontaining a good collection of articles contributed byrenownedauthorswould,nodoubt,becomeanimportantsource of information and reference book for researchstudents and teachers as well.
We live in a world where material products have increasingly become vehicles for intangible symbolic and aesthetic messages. A very sizeable marketing and advertising industry produces only images and symbols---the immaterial dimension that `sells' material commodities. The economic boom that accelerated in the 1990s and crashed so spectacularly in 2008 was based largely on immaterial consumption, as capitalism tried to overcome the crisis of the Fordist regime by throwing itself into the new, so-called knowledge economy. --
This Conference Proceedings of the National Seminar entitled “Multidisciplinary Research and Practice” compiled by Dr. M. Kanika Priya records various research papers written by eminent scholars, professors and students. The articles range from English literature to Tamil literature, Arts, Humanities, Social Science, Education, Performing Arts, Information and Communication Technology, Engineering, Technology and Science, Medicine and Pharmaceutical Research, Economics, Sociology, Philosophy, Business, Management, Commerce and Accounting, Teacher Education, Higher Education, Primary and Secondary Education, Law, Science (Mathematics, Physics, Chemistry, Zoology, Botany), Agriculture and ...
Mirroring Romania's drastic transition from totalitarianism to Western-style freedom in the late 1980s, Mr. K Released captures the disturbingly surreal feeling that many newly liberated prisoners face when they leave captivity. Employing his trademark playful absurdity, Mat i Visniec introduces us to Mr. K, a Kafkaesque figure who has been imprisoned for years for an undisclosed crime in a penitentiary with mysterious tunnels. One day, Mr. K finds himself unexpectedly released. Unable to comprehend his sudden liberation, he becomes traumatized by the realities of freedom--more so than the familiar trauma of captivity or imprisonment. In the hope of obtaining some clarification, Mr. K keeps waiting for an appointment with the prison governor, however, their meeting is constantly being delayed. During this endless process of waiting, Mr. K gets caught up in a clinical exploration of his physical surroundings. He does not have the courage or indeed inclination to leave, but can move unrestricted within the prison compound, charting endless series of absurd circles in which readers might paradoxically recognize themselves.