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Staged by Clean Break, leading theatre company working with women prisoners.
A fresh and disturbing new play from the sure-fire, ever-fruitful Bush Theatre, London.
Chloë Moss's 'The Gatekeeper' is a darkly comic play about the disintegration of a family get-together. It was first performed at the Royal Exchange Theatre, Manchester, on 8 February 2012.
"Signals the arrival of a remarkable assured new talent" -Daily Telegraph
A Simon & Schuster eBook. Simon & Schuster has a great book for every reader.
A comprehensive study of walking canes from around the world, dating from the distant past to the modern-day. The book presents a historical context on both practical and ceremonial usage. At the same time, specially shot pictures showcase the celebrated A&D Collection of canes, while enlightening prose demonstrates the cane's enduring relevance to society. More than just a mobility aid, the cane has held numerous offices of significance. From the staff of the legendary Monkey King in the classic Chinese Journey to the West, or the stylised crosiers carried by high-ranking prelates from the Roman Catholic church, to the truncheon wielded by Mr Punch in puppet shows, canes are embedded in the...
'You can't pick your family but if you could I'd still pick you.' Sisters Connie and Ursula were once everything to each other. Years on, they're almost strangers. When a family bombshell is dropped, Connie is forced to retrace forty years of sisterhood and confront a web of secrets and conflicting loyalties. Spanning four decades, Chloë Moss's play Run Sister Run is a witty and heartfelt story of family, class and dependence. It was first produced in 2020 by Paines Plough, Sheffield Theatres and Soho Theatre, directed by Charlotte Bennett, Joint Artistic Director of Paines Plough.
Six of the UK's most exciting female playwrights expose the realities of a life trapped within the criminal justice system.
Will collect media coverage due to its collective writing by five acclaimed female dramatists.
'We make it clear in our literature that we are looking for extraordinary couples - progressive people who are open to radical ways of doing things.' Jo and Alex are the perfect professional couple - the ideal modern family. But at the centre of their comfortable lives a void has opened and Jo is desperate to find a solution. Her unorthodox search leads her to Gloria. Can Gloria help? Or is that not her aim at all?