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Equal parts muckraking novel, transnational love story, and socially engaged panorama, Cho Chongnae’s The Human Jungle portrays China on the verge of becoming the world’s dominant economic force. Against a backdrop of rapidly morphing urban landscapes, readers meet migrant workers, Korean manufacturers out to save a few bucks, high-flying venture capitalists, street thugs, and shakedown artists. The picture of China that emerges is at turns unsettling, awe-inspiring, and heart-breaking. Chongnae deftly portrays a giant awakening to its own raw, volatile, and often uncontrollable power. Translators Bruce Fulton and Ju-Chan Fulton have condensed three of Chongnae’s Korean novels, each of...
In this work, the smoldering hatred of the Korean War period resurfaces decades later in the form of a ruthless quest for justice. The main character, a successful Seoul businessman, has a secret past: unknown to his wife and son, he once led another life under another name as a ruthless communist partisan. After a lifelong search, the son of one of his wartime victims discovers his true identity, then proceeds calmly and deliberately to exact a terrible revenge.
Based on a true story of several Korean youths who were lured into the Japanese Imperial Army. Upon joining the Army, they were sent to Manchuria and then to Mongolia, where they were captured by Mongolian-Soviet forces. They were offered the option of joining the Soviet Army or being returned to the Japanese, at whose hands they faced execution. They joined the Soviet Army and were sent west to defend Moscow against the German offensive of 1942. The Koreans were then captured by the Germans, imprisoned in a POW camp and later captured by the Americans during the D-Day invasion.
Based on a true story of several Korean youths who were lured into the Japanese Imperial Army. Upon joining the Army, they were sent to Manchuria and then to Mongolia, where they were captured by Mongolian-Soviet forces. They were offered the option of joining the Soviet Army or being returned to the Japanese, at whose hands they faced execution. They joined the Soviet Army and were sent west to defend Moscow against the German offensive of 1942. The Koreans were then captured by the Germans, imprisoned in a POW camp and later captured by the Americans during the D-Day invasion.
An anthology of contemporary Korean fiction including: "The Wife and Children"; "The Post Horse Curse"; "Mountains"; "Kapitan Ri"; "The Winter"; and "A Dream of Good Fortune."
In this sweeping intellectual and cultural history of the minjung ("common people's") movement in South Korea, Namhee Lee shows how the movement arose in the 1970s and 1980s in response to the repressive authoritarian regime and grew out of a widespread sense that the nation's "failed history" left Korean identity profoundly incomplete.The Making of Minjung captures the movement in its many dimensions, presenting its intellectual trajectory as a discourse and its impact as a political movement, as well as raising questions about how intellectuals represented the minjung. Lee's portrait is based on a wide range of sources: underground pamphlets, diaries, court documents, contemporary newspape...
This is a comprehensive narrative history of Korean literature. It provides a wealth of information for scholars, students and lovers of literature. Combining both history and criticism the study reflects the latest scholarship and offers a systematic account of the development of all genres. Consisting of twenty-five chapters, it covers twentieth-century poetry, fiction by women and the literature of North Korea. This is a major contribution to the field and a study that will stand for many years as the primary resource for studying Korean literature.
This text examines the Pacific War, the Korean War and the Vietnam War, from the perspective of those who fought the wars and lived through them. The relationship between history and memory informs the book, and each war is relocated in the historical and cultural experiences of Asian countries.
Worm-Time challenges conventional narratives of the Cold War and its end, presenting an alternative cultural history based on evolving South Korean aesthetics about enduring national division. From novels of dissent during the authoritarian era to films and webtoons in the new millennium, We Jung Yi's transmedia analyses unearth people's experiences of "wormification"—traumatic survival, deferred justice, and warped capitalist growth in the wake of the Korean War. Whether embodied as refugees, leftists, or broken families, Yi's wormified protagonists transcend their positions as displaced victims of polarized politics and unequal development. Through metamorphoses into border riders who fly over or crawl through the world's dividing lines, they reclaim postcolonial memories buried in the pursuit of modernization under US hegemony and cultivate a desire for social transformation. Connecting colonial legacies, Cold War ideologies, and neoliberal economics, Worm-Time dares us to rethink the post-WWII consensus on freedom, peace, and prosperity.