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Face to Face with Orchestra and Chorus, Second, Expanded Edition
This guide is written for choral conductors who are presented with the daunting task of conducting a full-sized orchestra. It is a survival kit, featuring an overview of the orchestral instruments and their particular needs, rehearsal tips, and guidelines for proper baroque technique.
A Conductor's Guide to Choral-Orchestral Works
Surveys large choral-orchestral works written between 1900 and 1972 that contain some English text. Green examines eighty-nine works by forty-nine composers, from Elgar's Dream of Gerontius to Bernstein's Mass.
Mass in D
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Choral Masterworks
Michael Steinberg's highly successful listener's guides--The Symphony and The Concerto--have been universally praised for their blend of captivating biography, crystal clear musical analysis, and delightful humor. Now Steinberg follows these two greatly admired volumes with Choral Masterworks, the only such guide available to this most popular of musical forms. Here are more than fifty illuminating essays on the classic choral masterworks, ranging from Handel's Messiah, Bach's Mass in B Minor, and Beethoven's Missa solemnis, to works by Haydn, Brahms, Mendelssohn, and many others. Steinberg spans the entire history of classical music, from such giants of the Romantic era as Verdi and Berlioz...
Electra
Ralph Vaughan Williams’ incidental music for Gilbert Murray’s English translation of Euripides’ Electra is edited and arranged for orchestra by Alan Tongue. Vaughan Williams was brought into the production of three Greek plays by the dancer Isadora Duncan, with the public performance taking place at London’s Royal Court Theatre on Friday 31 May 1912. A preview of the production, appearing in The Globe, remarked of Vaughan Williams’ musical settings: “they are an attempt at something new, and something which is neither German nor French. This music is no experiment in style. It would seem, rather, as though the composer had disclaimed all styles and all schools, and found direct inspiration in the material of the poet’s inspiration, and the result is something of undeniable beauty.”
Choral Music in the Twentieth Century
Musical works for chorus are among the great masterpieces of 20th-century art. This guide, the first truly comprehensive volume on the choral music of the last century, covers the spectacular range of music for vocal ensembles, from Saint-Saens to Tan Dun. The book will be essential to every choral conductor and a valuable resource for choir members, choral societies and choruses.
Ode to the Passions
Alice Mary Smith (183984) was one of the few women composers in the early to mid-Victorian era to write in larger-scale genres. Moreover, she was able to have nearly all her works publicly performed. By 1878 Smith had turned her attention to works for chorus and orchestra: Ode to the Passions was the second of four choral pieces published before her untimely death. The work closely follows the text of William Collinss The Passions: An Ode for Music of 1746 and is in nine movements (some of which are linked), preceded by an orchestral introduction. Composed expressly for the Three Choir Festival held in 1882 in Hereford, it received wide acclaim and was subsequently performed in Bradford, in London (twice), and even reached Australia. Smith deliberately eschewed the harmonic language of the continental composers, and, no doubt because of this, her works fell out of popularity shortly after her death.
Credo
A choral worship cantata for SATB composed by Antonio Vivaldi.
A Conductor's Guide to Choral-orchestral Works, Twentieth Century, Part II
This innovative survey of large choral-orchestral works is a continuation of the author's previous study of twentieth century works with English texts. Green examines nearly one hundred works, from Rachmaninov's Vesna to Penderecki's Song of Songs. For each work, he provides a biography of the composer, complete instrumentation, text sources, editions, availability of performing materials, performance issues, discography, and bibliography of the composer and the work. Based upon direct score study, each work has been evaluated in terms of potential performance problems, rehearsal issues, and level of difficulty for both the choir and orchestra. When present, solo roles are described. The com...
Symphony no. 3 in D minor for alto solo, choirs and orchestra
For alto solo, women's chorus, boys' choir, and orchestra.
