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Sanctificum
Chris Abani finds the sacred in a charged and broken world, to "build meaning from detritus."
The Face
Nigerian-born author and poet Chris Abani gives a profound and gorgeously wrought short memoir that navigates the stories written upon his own face. Beginning with his early childhood immersed in the lgbo culture of West Africa, Abani unfurls a lushly poetic, insightful, and funny narrative that investigates the roles that race, culture, and language play in fashioning our sense of self
GraceLand
Graceland is a dazzling debut by a singular new talent The sprawling, swampy, cacophonous city of Lagos, Nigeria, provides the backdrop to the story of Elvis, a teenage Elvis impersonator hoping to make his way out of the ghetto. Broke, beset by floods, and beatings by his alcoholic father, and with no job opportunities in sight, Elvis is tempted by a life of crime. Thus begins his odyssey into the dangerous underworld of Lagos, guided by his friend Redemption and accompanied by a restless hybrid of voices including The King of Beggars, Sunday, Innocent and Comfort. Ultimately, young Elvis, drenched in reggae and jazz, and besotted with American film heroes and images, must find his way to a GraceLand of his own. Nuanced, lyrical, and pitch perfect, Abani has created a remarkable story of a son and his father, and an examination of postcolonial Nigeria where the trappings of American culture reign supreme. "A richly detailed, poignant, and utterly fascinating look into another culture and how it is cross-pollinated by our own. It brings to mind the work of Ha Jin in its power and revelation of the new."--T. Coraghessan Boyle
Becoming Abigail
A breathtaking novella from the award-winning author of Song for Night and GraceLand. —A New York Times Editors’ Choice “Moody, lyrical prose reminiscent of Toni Morrison’s Beloved . . . Though the fictional Abigail exists only on the pages of Abani’s novella, her character will seize the imagination of everyone who reads her story.” —Essence Magazine “Becoming Abigail, a spare yet voluptuous tale about a young Nigerian girl’s escape from prostitution is so hypnotic that it begs to be read in one sitting . . . Abigail is sensitive, courageous, and teetering on the brink of madness. Effortlessly gliding between past and present, Chris Abani spins a timeless story of misfortune and triumph.” —Entertainment Weekly Tough, spirited, and fiercely independent Abigail is brought as a teenager to London from Nigeria by relatives who attempt to force her into prostitution. She flees, struggling to find herself in the shadow of a strong but dead mother. In spare yet haunting and lyrical prose reminiscent of Marguerite Duras, Abani brings to life a young woman who lives with a strength and inner light that will enlighten and uplift the reader.
Hands Washing Water
“Chris Abani’s poetry resonates with a devastating beauty which cuts through to the heart of human strength.”—Pride Hands Washing Water is Chris Abani's fourth poetry collection—a mischievous book of displacement, exile, ancestry, and subversive humor. The central section, “Buffalo Women,” is a Civil War correspondence between lovers that plays on our assumptions about war, gender, morality, and politics. Sweetest Henri, I know we promised to be honest, one to the other, but your recent missive, though welcome as any epistle from you, filled me with a dread that clung like dampness to wet wood. I am terrified for your immortal soul, dear sweet Henri. This mad war of Lincoln is infecting you with a sickness too depraved to even address. . . Abani’s writing is ruthless, at times traumatic, and consistently filled with surprising twists and turns.
Song for Night
My Luck, a West African boy solider who has not spoken for three years, fights in a senseless war and embarks on a terrifying yet beautiful journey to find his lost platoon.
The Virgin of Flames
For Black, a mural artist in East L.A., the city's tumbledown landscape is his canvas. Residing in a ramshackle apartment above 'The Ugly Store', he lives for his art and obsesses over Sweet Girl, the transvestite stripper who serves as his muse. Black navigates life alongside the Los Angeles River, 'iridescent in its concrete sleeve', enlisting his friends - Iggy, the beautiful tattoo artist who has beguiled Hollywood's elite, and Bomboy, a wealthy Rwandan butcher - as he confronts his past and struggles to find his place in the world. Chris Abani touches on the far reaches of psychic pain, religious and sexual, and takes the reader on an unforgettable journey.
Kalakuta Republic
This powerful collection of poems details the harrowing experiences endured by Abani and other political prisoners at the hands of Nigeria's military regime in the late 1980s. Abani vividly describes the characters that peopled this dark world, from prison inmates such as John James, tortured to death at the age of fourteen, to the general overseers. First published after his release from jail in 1991, Kalakuta Republic remains a paean to those who suffered and to the indomitable human spirit. 'Reading Abani's poems is like being singed by a red hot iron.' Harold Pinter 'Abani's poetry resonates with a devastating beauty which cuts to the heart of human strength, survival and tyranny.' Pride...
Chris Abani
This is the first full-length book on the work of ‘global Igbo’ writer Chris Abani. The volume dedicates a chapter to each of Abani’s fiction books, the two novellas Becoming Abigail (2006) and Song for Night (2007), the three novels GraceLand (2004), The Virgin of Flames (2007), and The Secret History of Las Vegas (2014), which are read against the grain of Abani’s most important essays and poetical production. By combining close readings and more theoretical reflections, this volume provides a significant insight for both scholars and students interested in the literature produced by the emerging African voices in the twentieth-first century, in the debate about human rights, and in general in how aesthetics is deeply linked with ethics.
Smoking the Bible
An award-winning author of numerous books, Chris Abani moves between his Igbo ancestry and migration to the United States in poems that evoke the holiness of grief through the startling, central practice of inhaling an immolated Bible. Smoking the Bible is an arresting collection of poems thick with feeling, shaped by Chris Abani’s astounding command of form and metaphor. These poems reveal the personal story of two brothers—one elegizing the other—and the larger story of a man in exile: exile of geography, culture, and memory. What we experience in this emotionally generous collection is a deep spiritual reckoning that draws on ancient African traditions of belief, and an intellectual vivacity drawing on various wisdom literatures and traditions. Abani illustrates the connective geography between harm, regret, and release, as poems move through landscapes of Nigeria, the Midwestern United States, adulthood, and childhood. One has the sense of entering a whole and complex world of the imagination in reading this collection. There is no artifice here, no affectation; and these poems are a study in the very grace of image.
