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The clumsy elf Tinker becomes the chief mechanic for the Christmas Village Express and when the reindeer get sick a week before Christmas helps Santa deliver the toys on Christmas Eve.
The term 'Popular Music' has traditionally denoted different things in France and Britain. In France, the very concept of 'popular' music has been fiercely debated and contested, whereas in Britain and more largely throughout what the French describe as the 'Anglo-saxon' world 'popular music' has been more readily accepted as a description of what people do as leisure or consume as part of the music industry, and as something that academics are legitimately entitled to study. French researchers have for some decades been keenly interested in reading British and American studies of popular culture and popular music and have often imported key concepts and methodologies into their own work on ...
This book focuses on two commercial radio stations, Radio Luxembourg and Europe n°1, which were popular institutions in Western Europe throughout the Long Sixties, working across media and broadcasting transnationally. It argues that the existence of an overarching ‘dispositif ’ of commercial radio stations enabled them to operate on various dimensions and differentiated them from other broadcasters. The book therefore answers current calls in media history to look beyond national and single-medium borders and contributes to the cultural and media history of Western Europe.
In this exciting collection of noblebright fantasy, fresh new fantasy voices and award-winning authors explore grief and hope, sacrifice and heroism. Rediscover the best aspect of classic fantasy - the noblebright ideals that made heroes heroic, even when the world grew dark around them. Thieves, dragons, nightmares, fairy warriors, pookas, enchanted bear-men, and other magical creatures will delight you in these unique tales of possibility, courage, and hope. This anthology features stories from: Leslie J. Anderson, C.A. Barrett, Terri Bruce, Aaron DaMommio, M.C. Dwyer, Anthony Eichenlaub, Francesca Forrest, Chloe Garner, W.R. Gingell, Lora Gray, Kelly A. Harmon, Tom Howard, Rollin Jewett, Tom Jolly, Samuel Marzioli, Amanda Nargi, Aimee Ogden, Beth Powers, Darrell J. Pursiful, Charles D. Shell, April Steenburgh, Alena Sullivan, and Troy Tang. Edited by Robert McCowen and C. J. Brightley.
No other reference work is as wide-ranging or as contemporary Cross-disciplinary: useful to students of cultural disciplines other than French International authorship Extensively cross-referenced with annotated suggestions for further reading Possible departmental purchase as well as campus library
When the famous Royal Professor of Philosophy and Eloquence, Petrus Ramus (1515-1572), gave a lecture, one of his most promising pupils stood by, ready to tug on his coat if he made a mistake. That pupil was Ramus' future biographer Nicolas de Nancel (1539-1610), who recounted this anecdote in his Vita Rami (1599). Nancel's insertion of himself into his portrayal of Ramus' life is typical of early modern biographies of men of letters. The first study of biography in 16th-century France, this groundbreaking book offers valuable insights into biography's role as a form of social and cultural negotiation geared to advance the biographer's career.
Barbara Lebrun traces the evolution of 'protest' music in France since 1981, exploring the contradictions that emerge when artists who take their musical production and political commitment 'seriously', cross over to the mainstream, becoming profitable and consensual. Contestation is understood as a discourse shaped by the assumptions and practices of artists, producers, the media and audiences, for whom it makes sense to reject politically reactionary ideas and the dominant taste for commercial pop. Placing music in its economic, historical and ideological context, however, reveals the fragility and instability of these oppositions. The book firstly concentrates on music production in Franc...
What do photographs want? Do they need any accompaniment in today's image-saturated society? Can writing inflect photography (or vice versa) in such a way that neither medium takes precedence? Or are they in constant, inexorable battle with each other? Taking nine case studies from the 1990s French-speaking world (from France, North Africa and the Caribbean), this book attempts to define the interaction between non-fictional written text (caption, essay, fragment, poem) and photographic image. Having considered three categories of 'intermediality' between text and photography - the collaborative, the self-collaborative and the retrospective - the book concludes that the dimensions of their interaction are not simple and two-fold (visuality versus/alongside textuality), but threefold and therefore 'complex'. Thus, the photo-text, as defined here, is concerned as much with orality - the demotic, the popular, the vernacular - as it is with visual and written culture. That text-image collaborations give space to the spoken, spectral traces of human discourse, suggests that the key element of the photo-text is its radical provisionality.
The 1950s and 1960s were a key moment in the development of postwar France. The period was one of rapid change, derived from post-World War II economic and social modernization; yet many traditional characteristics were retained. By analyzing the eruption of the new postwar world in the context of a France that was both modern and traditional, we can see how these worlds met and interacted, and how they set the scene for the turbulent 1960s and 70s. The examination of the development of mass culture in post-war France, undertaken in this volume, offers a valuable insight into the shifts that took place. By exploring stardom from the domain of cinema and other fields, represented here by famo...