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“Signs, wonders, and witchcraft beset 17th-century France” in this “grim but spellbinding” novel of a mother searching for her son inspired by true events (Kirkus Reviews). France, 1673. A young woman from the country, Charlotte Picot must venture to the fearsome city of Paris in search of her last remaining son, Nicolas. Either fate or mere coincidence places the quick-witted charlatan Adam Lesage in her path. Adam is newly released from the prison galleys and on the hunt for treasure. But Charlotte, believing him to be a spirit she has summoned from the underworld, enlists his help in finding her child. Charlotte and Adam―comically ill-matched yet essential to one another―journey to Paris, then known as the City of Crows. Evoking pre-revolutionary France with all its ribaldry, superstition, and intrigue, “Womersley weaves a haunting tale of the drastic lengths people will go to achieve their deepest desires” (Publishers Weekly). “A gothic masterpiece.” ―Better Read Than Dead
2011 ABIA LITERARY FICTION BOOK OF THE YEAR WINNER OF THE 2011 INDIE AWARD FOR FICTION SHORTLISTED FOR THE 2011 MILES FRANKLIN AWARD It is 1919. The Great War has ended, but the Spanish flu epidemic is raging across Australia. Schools are closed, state borders are guarded by armed men, and train travel is severely restricted. There are rumours it is the end of the world. In the NSW town of Flint, Quinn Walker returns to the home he fled ten years earlier when he was accused of an unspeakable crime. Aware that his father and uncle would surely hang him, Quinn hides in the hills surrounding Flint. There, he meets the orphan Sadie Fox — a mysterious young girl who seems to know more about the...
'Who wants to be the same as everyone else? You don't want to be ordinary, do you?' Tom always imagined he was adopted. At 17, he flees ordinariness in small-town Australia for Melbourne and a run-down block named Cairo. There he meets Max Cheever. Enigmatic, artistic, anarchic: Max liberates Tom into a new world - of first love, first crimes - and the greatest art heist of the twentieth century. This is his family now. But of all this summer's lessons, the cruellest will be telling what is real from what is fake.
Around you the world is swirling - you pass through a submerged town; the bakery, a wheelbarrow, a bike floating on its side on the main street, its steeples and trees barely visible through the thick water. In the distance the wreck of the gunship HMS Elizabeth lolls on a sandbank a couple of miles from the shore. Oil slicks the canals of the capital and even now in the midst of the bombing, the old men still tell tales of mermaids in the shallows. A pool, empty of water save for a brackish puddle at one end that has escaped the summer heat. A mess of fine bones and hanks of fur - the remains of mice or possums that have tumbled in, lured perhaps by the water. Two boys stand by its edge, wa...
SHORTLISTED FOR THE 2006 VICTORIAN PREMIER'S AWARD FOR AN UNPUBLISHED MANUSCRIPT Lee, a petty criminal, wakes in a seedy motel with a bullet in his side and a suitcase of stolen money, his memory hazy as to how he got there. Soon he meets Wild, a doctor who is escaping his own disastrous life, and the two men set out for the safety of the countryside. As they flee the city, they develop an uneasy intimacy, inevitably revisiting their pasts even as they seek to evade them. Lee is haunted by a brief stint in jail; Wild is on the run from the legacy of medical malpractice. But Lee and Wild are not alone: they are pursued through the increasingly gothic landscape by the ageing gangster Josef, wh...
Ireland, 1971, John Egan is a misfit, 'a twelve year old in the body of a grown man with the voice of a giant who insists on the ridiculous truth'. With an obsession for the Guinness Book of Records and faith in his ability to detect when adults are lying, John remains hopeful despite the unfortunate cards life deals him. During one year in John's life, from his voice breaking, through the breaking-up of his home life, to the near collapse of his sanity, we witness the gradual unsticking of John's mind, and the trouble that creates for him and his family.
Winner of the Stella Prize for Fiction and the Tina Kane Emergent Writers Award. This is a story of the impact of loss, devotion and obsession, and the demise of one family.
The package is wrapped roughly in butcher's paper, retrained with string. Inside, is a tan leather journal crammed with tortured handwriting, a letter written in the decorative style of an adolescent girl, and a phallic curve of yellowed bone tattooed with an elaborate, snake-like engraving of a Chinese dragon. Tests on the hone confirm it is carved from the tooth of a Physter Macrocephalus, or sperm whale. Tests on the journal reveal its leather cover is made from the epidermis of a woman. An ancient man without a past hails a taxi driven by a petty criminal with no future. Reluctantly, the pair embarks on a journey in search of a legendary whaler and murderer known only as the Norseman. This is a one-way trip - but who's taking who for a ride? The Norseman's Song is a stylish blend of gothic mystery and modern crime noir. Evoking the spirit of Joseph Conrad and Edgar Allan Poe, Joel Deane creates a violent and lyrical vision of contemporary Australia with the pace and energy of a road movie and the haunting atmosphere of a nightmare.
Throughout Bobby Wabalanginy's young life the ships have been arriving, bringing European settlers to the south coast of Western Australia, where Bobby's people, the Noongar people, have always lived. Bobby, smart, resourceful and eager to please, has befriended the settlers, joining them as they hunt whales, till the land, and work to establish their new colony. He is welcomed into a prosperous white family and eventually finds himself falling in love with the daughter, Christine.But slowly - by design and by hazard - things begin to change. Not everyone is so pleased with the progress of the white colonists. Livestock mysteriously starts to disappear, crops are destroyed, there are 'accide...
There was a house on a hill in the city and it was full of us, our family, but then it began to empty. We fell out. We made a mess. We draped ourselves in blame and disappointment and lurched around, bumping into each other. Some of us wailed and shouted; some of us barely made a sound. None of us was listening, or paying attention. And in the middle of it all you, very quietly, were gone. Helen and John are too preoccupied with making a mess of their marriage to notice the quiet ways in which their daughters are suffering. Junie grows up brittle and defensive, Anna difficult and rebellious. When fifteen-year-old Anna fails to come home one night, her mother's not too worried; Anna's taken o...