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Though the current political situation in Palestine is more serious than ever, contemporary Palestinian art and film is becoming, paradoxically, increasingly funny.In Laughter in Occupied Palestine, Chrisoula Lionis analyses both the impetus behind this shift toward laughter and its consequences, arguing that laughter comes as a response to political uncertainty and the decline in nationalist hope. Revealing the crucial role of laughter in responding to the failure of the peace process and ongoing occupation, she unearths the potential of humour to facilitate understanding and empathy in a time of division. This is the first book to provide a combined overview of Palestinian art and film, sh...
Comedy in Crises provides a novel contribution to an emerging comedy studies field, offering a fresh approach and understanding toward both the motivation and reception of humour in diverse contemporary art contexts. Drawing together research by artists, theorists, curators, and historians from around the world (from Palestine, to Greece, Brazil, and Indigenous Australia), it provides new insight into how humour is weaponised in contemporary art – focusing on its role in negotiating complex cultural identities, the expectations of art markets, the impact of historical legacies, as well as its role in bolstering cultural resilience. In so doing, this book explores a vital, yet under-explore...
Comedy in Crises provides a novel contribution to an emerging comedy studies field, offering a fresh approach and understanding toward both the motivation and reception of humour in diverse contemporary art contexts. Drawing together research by artists, theorists, curators, and historians from around the world (from Palestine, to Greece, Brazil, and Indigenous Australia), it provides new insight into how humour is weaponised in contemporary art – focusing on its role in negotiating complex cultural identities, the expectations of art markets, the impact of historical legacies, as well as its role in bolstering cultural resilience. In so doing, this book explores a vital, yet under-explore...
Authoritarianism operates on a visceral level rather than relying on arguments. How can we counter authoritarian affects? This publication brings together more than 50 first-hand accounts of anti-authoritarian movements, activists, artists, and scholars from around the world, focusing on the sensuous and emotional dimension of their strategies. From the collective art and aesthetics of feminist movements in India, Iran, Mexico, and Poland, to sewing collectives, subversive internet art in Hong Kong, and even anti-authoritarian board games, the contributions open new perspectives on moments of resistance, subversion, and creation. Indeed, the handbook itself is a work of anti-authoritarian art. The editors behind the »International Research Group on Authoritarianism and Counter-Strategies« and »kollektiv orangotango« are: Aurel Eschmann, Börries Nehe, Nico Baumgarten, Paul Schweizer, Severin Halder, Ailynn Torres Santana, Inés Duràn Matute, and Julieta Mira.
Pursuing a new and timely line of research in world art studies, Humor in Global Contemporary Art is the first edited collection to examine the role of culturally specific humor in contemporary art from a global perspective. Since the 1960s, increasing numbers of artists from around the world have applied humor as a tool for observation, critique, transformation, and debate. Exploring how humorous art produced over the past six decades is anchored in local sociopolitical contexts and translated or misconstrued when exhibited abroad, this book opens new conversations regarding the functioning of humor and the ways in which art travels across the globe. With contributions by an impressive arra...
This collection of multi-disciplinary essays offers a fresh, perspective on Central Asian art and culture as it gains increased attention on both the local and international stage. Influenced by the golden ages of its history – from the ancient Scythians, through the glory of the Persians and Turks, and shaped by the Russian and later Soviet imperial powers – the region is revealed as exotic, dramatic, and universally topical. Contributions come from scholars and participants in the Central Asian cultural scene who specialise in different, often isolated, spheres. Their unifying theme is identity and its formation, including national, ethnic, cultural, religious and gender identities. Ar...
Introduction: Visual histories of occupation(s) / Jeremy E. Taylor -- The "visual occupation regime" in postwar East Germany, 1945-61 / Alexey Tikhomirov -- "Fagin in Berlin provokes a riot" : David Lean's Oliver Twist and perceptions of Jews in allied-occupied Germany / Emily Oliver -- Cultural memories of occupation in the Japanese cinema theatre, 1945-52 / Jennifer Coates -- Occupation, resistance and collaboration : triangulating Japan, the Philippines and Singapore through Fernando Amorsolo's Defend thy honor / Pearlie Rose S. Baluyut -- Art for security : the weaponizing of Israeli art in times of emergency / Maayan Amir -- Humour in states of occupation : contemporary art and cultural...
Isabelle Hesse identifies an important relational turn in British and German literature, TV drama, and film published and produced since the First Palestinian Intifada (1987-1993). This turn manifests itself on two levels: one, in representing Israeli and Palestinian histories and narratives as connected rather than separate, and two, by emphasising the links between the current situation in Israel and the Occupied Palestinian Territories and the roles that the United Kingdom and Germany have played historically, and continue to play, in the region. This relational turn constitutes a significant shift in representations of Israel and Palestine in British and German culture as these depiction...
Decolonial Imaginaries in Palestinian Experimental Film and Video focuses on an underexamined group of female Palestinian filmmakers, highlighting their relevance for thinking through a diverse set of issues relating to decolonial aesthetics, post-nationalism and gender, non-Western ecologies, trauma and memory, diasporic experiences of space, biopolitics, feminist historiography and decolonial temporalities. Positing that these filmmaker-artists radically counter dominant media images of Palestinians, deessentializing Palestinian identity while opening up history and the present to new potentialities and ways of imagining Palestinian futures, Decolonial Imaginaries in Palestinian Experiment...
During the uprisings of the Arab Spring between 2010 and 2012, oppositional movements used political humor to criticize political leaders or to expose the absurdities of the socio-political conditions. These humorous expressions in various art forms such as poetry, stand-up comedy, street art, music, caricatures, cartoons, comics and puppet shows were further distributed in the social media. This first comprehensive study of political humor in the uprisings explores the varieties and functions of political humor as a creative tool for resistance. It analyzes humorous forms of cultural expression and their impact on socio-political developments in different countries of the Middle East and North Africa with a special focus on the changing modes of humor.