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Louis I. Kahn's Trenton Jewish Community Center
  • Language: en
  • Pages: 204

Louis I. Kahn's Trenton Jewish Community Center

The Building Studies series examines important buildings through original documents, detailed text, photography, and drawings in an affordable format.

The Man who Built London Transport
  • Language: en
  • Pages: 296

The Man who Built London Transport

  • Type: Book
  • -
  • Published: 1979
  • -
  • Publisher: Unknown

None

The Bridge
  • Language: en
  • Pages: 330

The Bridge

  • Type: Book
  • -
  • Published: 1926
  • -
  • Publisher: Unknown

None

Author-title Catalog
  • Language: en
  • Pages: 1002

Author-title Catalog

  • Type: Book
  • -
  • Published: 1963
  • -
  • Publisher: Unknown

None

The Railroad Station
  • Language: en
  • Pages: 323

The Railroad Station

Profusely illustrated book chronicles the evolution of the architecture of the railroad station in both Europe and America from the 1830s to the 1950s. "Carefully documented by all the apparatus of exacting scholarship, and even better by a fascinating collection of more than 230 pictures." — The New York Times.

Sir John Vanbrugh
  • Language: en
  • Pages: 106

Sir John Vanbrugh

  • Type: Book
  • -
  • Published: 1924
  • -
  • Publisher: Unknown

Profile of the 18th century British architect, Sir John Vanbrugh.

The National Union Catalog, Pre-1956 Imprints
  • Language: en
  • Pages: 632

The National Union Catalog, Pre-1956 Imprints

  • Type: Book
  • -
  • Published: 1980
  • -
  • Publisher: Unknown

None

Books in Series
  • Language: en
  • Pages: 1858

Books in Series

  • Type: Book
  • -
  • Published: 1985
  • -
  • Publisher: Unknown

Vols. for 1980- issued in three parts: Series, Authors, and Titles.

Making Dystopia
  • Language: en
  • Pages: 539

Making Dystopia

In Making Dystopia, distinguished architectural historian James Stevens Curl tells the story of the advent of architectural Modernism in the aftermath of the First World War, its protagonists, and its astonishing, almost global acceptance after 1945. He argues forcefully that the triumph of architectural Modernism in the second half of the twentieth century led to massive destruction, the creation of alien urban landscapes, and a huge waste of resources. Moreover, the coming of Modernism was not an inevitable, seamless evolution, as many have insisted, but a massive, unparalled disruption that demanded a clean slate and the elimination of all ornament, decoration, and choice. Tracing the eff...