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This work offers important new perspectives on the violence and unrest that gripped Solomon Islands between late 1998 and mid-2003, a period known as the Ethnic Tension. Based on in-depth interviews and documents associated with the “Tension Trials,” it is the first detailed account of the conflict that engages directly with the voices of the men who joined the rival militant groups. These contemporary voices are presented against the backdrop of the socioeconomic and cultural history of Solomon Islands. The findings provide a refreshing corrective to the pervasive framing of the Isatabu uprising and the Malaitan response as essentially criminal and apolitical activities driven by the self-interest of those who participated in them. Alternative motives for the men who participated in the Solomons conflict are elucidated, foremost of which are their own conceptions of history and of the places of their respective peoples in the historical processes of colonization, development, and nation-building. Uneven development, relative deprivation and rapid socioeconomic and cultural change are highlighted as salient structural causes of the unrest.
In 1908, Arthur Maurice Hocart and William Halse Rivers Rivers conducted fieldwork in the Solomon Islands and elsewhere in Island Melanesia that served as the turning point in the development of modern anthropology. The work of these two anthropological pioneers on the small island of Simbo brought about the development of participant observation as a methodological hallmark of social anthropology. This would have implications for Rivers’ later work in psychiatry and psychology, and Hocart’s work as a comparativist, for which both would largely be remembered despite the novelty of that independent fieldwork on remote Pacific islands in the early years of the 20th Century. Contributors to this volume—who have all carried out fieldwork in those Melanesian locations where Hocart and Rivers worked—give a critical examination of the research that took place in 1908, situating those efforts in the broadest possible contexts of colonial history, imperialism, the history of ideas and scholarly practice within and beyond anthropology.
This volume brings together key findings of the long-term research project ‘Religious Individualisation in Historical Perspective’ (Max Weber Centre for Advanced Cultural and Social Studies, Erfurt University). Combining a wide range of disciplinary approaches, methods and theories, the volume assembles over 50 contributions that explore and compare processes of religious individualisation in different religious environments and historical periods, in particular in Asia, the Mediterranean, and Europe from antiquity to the recent past. Contrary to standard theories of modernisation, which tend to regard religious individualisation as a specifically modern or early modern as well as an ess...
A filmographic and bibliographic guide to the screen adaptations of the story of Carmen. 'Carmen' on Screen is a filmographic and bibliographic guide for scholars interested in the different versions of the story of Carmen in film since her original appearance in Mérimée's novella and its operatic adaptation byBizet. With over 110 screen versions between 1894 and 2005, it is the most adapted narrative in film. The volume offers: chronological listings of 82 feature films with credits and annotations of scholarly articles, selected citations of reviews and news articles, and listings of more general works on film adaptations of opera; works on the novella or on the opera; and, finally, lists of works on the 12 major female and 8 major male stars in the 82feature films. ANN DAVIES lectures in Spanish Studies and Film at the University of Newcastle; PHIL POWRIE is Professor of French Cultural Studies at the University of Newcastle.
The beautiful Austrian-born Romy Schneider was one of Europe's most popular film stars and a cult figure from the moment she played 'Sissi' (Empress Elisabeth of Austria) in the hugely popular Sissi trilogy in the mid-1950s. Although Schneider died in 1982, she continues to be one of the most popular stars in European cinema history. This book analyses her impressive career to place her within a range of European female stars, particularly Germanic and French, who defined cultural and ideological images of femininity on European screens. Schneider, who worked and was celebrated in Austria, Germany, Hollywood, and France, represents a fascinating case study to explore key questions of trans-E...