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Into All the World
Into All the World--the third volume from editors Mark Harding and Alanna Nobbs on the content and social setting of the New Testament--brings together a team of eminent Australian scholars in ancient history, New Testament, and the early church to take the story of Christianity into the Jewish and Greco- Roman world of the first century. In thirteen chapters, the contributors discuss all the post-Pauline New Testament writings, devoting attention to both their content and their context. They examine the impact of the growth of the church on both Jews and Gentiles, exploring issues such as the diaspora, minorities, the Book of Acts, and the Fourth Gospel. The book then proceeds to a discussion of the impact of Christianity on the Roman state, including consideration of the book of Revelation and the imperial cult. A final chapter investigates how the church was perceived by Clement of Rome at the end of the first century.
In the Name of Jesus
This volume offers a comprehensive examination of both historical and theological aspects of exorcism in Christianity's first two centuries.
Persecution in 1 Peter
In Persecution in 1 Peter, Travis B. Williams offers a comprehensive and detailed socio-historical investigation into the nature of persecution in 1 Peter, situating the epistle against the backdrop of conflict management in first-century CE Asia Minor.
Screening the Operatic Stage
"From the early days of radio broadcast to today's recorded simulcasts and live online productions, opera houses have embraced technology as a way to reach new audiences. But how do these new forms of remediated opera extend, amplify, or undermine production values, and what does the audience gain or lose in the process? In Screening the Operatic Stage, Christopher Morris critically examines the cultural implications of opera's engagement with screen media. Foregrounding a playful exchange and self-awareness between stage and screen, Screening the Operatic Stage analyzes how opera sees itself on video. Morris uses the conceptual tools of media theory to understand the historical and contemporary screen cultures that have transmitted the opera house into living rooms, onto desktops and portable devices, and across networks of movie theaters. These screen cultures reveal how inherently "technological" opera is as a medium, begging the question of whether it can be understood independently of technology. Ultimately, Screening the Operatic Stage shows how the technologies of televisual representation employed in opera reinforce its audience's expectations for the genre"--
The Canada Year Book
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Information Highways for a Smaller World and Better Living
This work discusses the issues among people creating computer communication technology, the people using computer communication, the people impacted by it, and the regulators responsible for balancing the interest of these multiple groups.
Models, Methods and Decision Support for Management
This title represents an ambitious undertaking, namely a broad view on the nature of intelligent decision making, which is characterized by the use of models and methods in the framework of decision support for management. With this title we want to reflect the scope of our field, but, at the same time, honor our colleague th Paul Stahly on the occasion of his 65 birthday. Paul Stahly has over decades invested his energy in developing the area of Operations Research from such a broad point of view. He has done this not only at his chairs at the HSG / University of St. Gallen and the University of Linz, but also on a broad international level as editor of ITOR and as influential member of all...
Biblical Women in Patristic Reception / Biblische Frauen in patristischer Rezeption
Biblische Frauen spielen eine bedeutende Rolle in verschiedenen Genres patristischen Schrifttums und in rabbinischen Texten: Etwa als Vorbilder für Frauen, manchmal auch für Männer, als Repräsentantinnen bestimmter Tugenden oder Laster, als Autoritäten in Streitfragen, als Ausgangspunkt für bestimmte Praktiken. Die Bilder, die die (fast immer männlichen) Autoren von den biblischen Frauen zeichnen, spiegeln stets den zeitgenössischen sozialen, kulturellen und religiösen Kontext wider, besonders im Hinblick auf weit verbreitete antike Vorstellungen über Frauen und über das Verhältnis der Geschlechter zueinander. Der Sammelband fragt nach der Präsenz und Sichtbarkeit bzw. Hörbarkeit und nach dem Bild biblischer Frauen in den spätantiken Texten. Er enthält Beiträge zu Rahab, zur ägyptischen Frau des Salomo, zur Geliebten des Hoheliedes, zu Judit, den vier Töchtern des Philippus und den Myrophoren der Evangelien, die Salben zu Jesu Grab bringen, und untersucht die Rezeption dieser biblischen Frauen in verschiedenen patristischen und rabbinischen Texten.
