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German video artist Christian Jankowski likes to play, as in these stills from his videos, in which he uses a bow and arrow to hunt for his daily necessities at a supermarket, invites passersby to sit in a storefront window and express their personal shame (with no time limit), is turned into a dove by a magician for the duration of a three-week exhibition, and asks TV fortune-tellers for predictions about his career as an artist.
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This title provides a comprehensive retrospective of Jankowski's work to date and presents almost all his pieces from the years 1992-2013 in chronologigal order.
Art today is defined by its relationship to money as never before. Prices of living artists' works have been driven to unprecedented heights, conventional boundaries within the art world have collapsed, and artists now think ever more strategically about how to advance their careers. Artists no longer simply make art, but package, sell, and brand it. Noah Horowitz exposes the inner workings of the contemporary art market, explaining how this unique economy came to be, how it works, and where it's headed. He takes a unique look at the globalization of the art world and the changing face of the business, offering the clearest analysis yet of how investors speculate in the market and how emerging art forms such as video and installation have been drawn into the commercial sphere. By carefully examining these developments against the backdrop of the deflation of the contemporary art bubble in 2008, "Art of the Deal" is a must-read book that demystifies collecting and investing in today's art market.
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With Strip the Auctioneer, Christian Jankowski landed a real coup, and surely not coincidentally at a time when another artist, in an unprecedented move, avoided the intermediary gallery trade and auctioned off his annual production directly. Is it really all about the elitist distribution strategies of the market, or rather about an organized sale by an artist and auctioneer at top prices? Christian Jankowski declares this spectacle and all its components to be a work of art. 'I must have used this hammer for, well, at least eight years - I would say some fifty to seventy sales. I started with a few lots in small sales, being the junior auctioneer, and then slowly but steadily I have grown into being one of the senior auctioneers. Several auction records were broken with this hammer, including the most important Dutch auction: a portrait of Mrs. M.J. de Lange by Jan Toorop, sold in 2005 to the Rijksmuseum in Amsterdam for 818,400 euros. I sold thousands of lots with this hammer.' - Arno Verkade, Auctioneer. English and German text.