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For Swiss architect Christian Kerez (*1962 in Maracaibo, Venezuela), a building project is a way to explore the essential qualities of architecture as well as what it is capable of. Accordingly, the title of his first sizable publication refers to processes, facts, and phenomena that usually remain hidden in constructed, mediatized architecture.Using current projects as examples--the Forsterstrasse apartment building (Zurich, 2003), the HmeW duplex (Zurich, 2007), the Leutschenbach School (Zurich, 2008), and the Museum of Modern Art in Warsaw (2012)--plans, sketches, correspondence, newspaper reviews, and film stills demonstrate how architecture can be recontextualized, interpreted, and presented. Christian Kerez has had his own architectural office in Zurich since 1995, where he has also been a professor at the Swiss Federal Institute of Technology (ETH) since 2001. Exhibition schedule: deSingel, International arts campus, Antwerp, September 18-November 2, 2008 · aut. architektur und tirol, Innsbruck, fall 2009
Now in its second edition: the trailblazing introduction and textbook on construction includes a new section on translucent materials and an article on the use of glass.
1960, following as it did the last CIAM meeting, signalled a turning point for the Modern Movement. From then on, architecture was influenced by seminal texts by Aldo Rossi and Robert Venturi, and gave rise to the first revisionary movement following Modernism. Bringing together leading experts in the field, this book provides a comprehensive, critical overview of the developments in architecture from 1960 to 2010. It consists of two parts: the first section providing a presentation of major movements in architecture after 1960, and the second, a geographic survey that covers a wide range of territories around the world. This book not only reflects the different perspectives of its various authors, but also charts a middle course between the 'aesthetic' histories that examine architecture solely in terms of its formal aspects, and the more 'ideological' histories that subject it to a critique that often skirts the discussion of its formal aspects.
Exploring different, interrelated roles for the architect and researcher The practice of architecture manifests in myriad forms and engagements. Overcoming false divides, this volume frames the fertile relationship between the cultural and scholarly production of academia and the process of designing and building in the material world. It proposes the concept of the hybrid practitioner, who bridges the gap between academia and practice by considering how different aspects of architectural practice, theory, and history intersect, opening up a fascinating array of possibilities for an active engagement with the present. The book explores different, interrelated roles for practicing architects ...
EL CROQUIS 224 presenta el trabajo del estudio del arquitecto suizo Christian Kerez que, además de mostrar los proyectos y obras más relevantes realizados por su estudio desde 2015, la monografía incluye dos conversaciones, una entre Christian Kerez y Smiljan Radic y otra con Stephan Trüby.
Most of the embodied energy can be saved in the load-bearing structure! Conceptual Design of Structures is working at the interface between structural engineering, architecture, and art. The book seeks to answer the complex question of what needs to be considered when conceiving a building structure. What influences the process of conceptual thinking? How do space and structure interact? In what ways do architects and engineers work together? The book thus sheds light on the topic of multidisciplinary interrelationships in design, showing numerous different perspectives. Renowned practitioners and researchers from architecture and engineering share their insights, as do artists and historians who cross the disciplinary boundaries. Furthermore, this book also provides an outlook on possible future developments and aspects of sustainable design and construction. Bridging practice, academic, and research Holistic perspectives through contributors from different disciplines Numerous essays, interviews and project reviews provide direct insights Selected works from engineering, architecture, and art
Although the disciplines of architecture and structural engineering have both experienced their own historical development, their interaction has resulted in many fascinating and delightful structures. To take this interaction to a higher level, there is a need to stimulate the inventive and creative design of architectural structures and to persua
Digital technologies have profoundly impacted the arts and expanded the field of sculpture since the 1950s. Art history, however, continues to pay little attention to sculptural works that are conceived and ‘materialized’ using digital technologies. How can we rethink the artistic medium in relation to our technological present and its historical precursors? A number of theoretical approaches discuss the implications of the so-called ‘Aesthetics of the Digital’, referring, above all, to screen-based phenomena. For the first time, this publication brings together international and trans-historical research perspectives to explore how digital technologies re-configure the understanding of sculpture and the sculptural leading into the (post-)digital age. Up-to-date research on digital technologies’ expansion of the concept of sculpture Linking historical sculptural debates with discourse on the new media and (post-)digital culture