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God Being Nothing
In this long-awaited work, Ray L. Hart offers a speculative theology that profoundly challenges traditional understandings of God. Drawing on a lifetime of reading in philosophy and religious thought, Hart unfolds a vision of God perpetually in process: an unfinished God. Breaking out of the classical doctrine of divine persons, Hart reimagines Trinity as composed of theogony, cosmogony, and anthropogony an emerging Godhead in relation to origins, temporal creation, and human existence. The book s ultimate import is that all of Being and Nonbeing emerges together in interrelation and interdependence. This divine reality, Hart explains, is unfinished, imperfect, still in the course of a livin...
Faith Thinking
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Affecting Grace
Affecting Grace examines the importance of Shakespeare’s poetry and plays within German literature and thought after 1750 – including its relationship to German classicism, which favoured unreflected ease over theatricality. Kenneth S. Calhoon examines this tension against an extensive backdrop that includes a number of canonical German authors – Goethe, Schiller, Herder, Lessing, von Kleist, and Nietzsche – as well as the advent of Meissen porcelain, the painting of Bernardo Bellotto and Francesco Guardi, and aspects of German styles of architecture. Extending from Shakespeare’s The Merchant of Venice (c. 1597) to Kleist’s The Broken Jug (1806), this study turns on the paradox that the German literary world had begun to embrace Shakespeare just as it was firming up the broad but pronounced anti-Baroque sensibility found pivotally in Lessing’s critical and dramatic works. Through these investigations, Calhoon illuminates the deep cultural changes that fundamentally affected Germany’s literary and artistic traditions.
Affecting Grace
Affecting Grace examines the importance of Shakespeare's poetry and plays within German literature and thought after 1750 including its relationship to German classicism, which favoured unreflected ease over theatricality. Kenneth S. Calhoon examines this tension against an extensive backdrop that includes a number of canonical German authors Goethe, Schiller, Herder, Lessing, von Kleist, and Nietzsche as well as the advent of Meissen porcelain, the painting of Bernardo Bellotto and Francesco Guardi, and aspects of German styles of architecture. Extending from Shakespeare's The Merchant of Venice (c. 1597) to Kleist's The Broken Jug (1806), this study turns on the paradox that the German literary world had begun to embrace Shakespeare just as it was firming up the broad but pronounced anti-Baroque sensibility found pivotally in Lessing's critical and dramatic works. Through these investigations, Calhoon illuminates the deep cultural changes that fundamentally affected Germany's literary and artistic traditions.
Rhetoric and Renaissance Culture
Since Jacob Burckhardt's Kultur der Renaissance in Italien (1869) rhetoric as a significant cultural factor of the renaissance has largely been neglected. The present study seeks to remedy this deficit regarding the arts by concentrating on literary theory and its aspects of imagination (inventio), genre (dispositio of the genera), style (elocutio), mnemonic architecture (memoria) and representation (actio), with illustrative examples taken from Shakespeare's works, but also on the intermedial rhetoric of painting and music. Particular attention is given to the rhetorical ideology of the Renaissance.
Anti-Corruption Generation: The Voice of Young Civil Servant in Transformation
As Nelson Mandela said, "Education is the most powerful weapon we can use to change the world." This book is part of the education we provide to young civil servants, which provides an in-depth understanding of the dangers of corruption and the importance of integrity. This book will also inspire current and future generations, reminding us that eradicating corruption is not just the government's task but also the responsibility of all of us.
Fracture and Fragmentation in British Romanticism
This book explains why 'fracture' and 'fragmentation' are two critical concepts that are particularly suited to understanding what is special about Romanticism. The book also discusses how Romanticism comes to be both an historical as well as a philosophical category, and offers new readings of key Romantic writers.
The Art of Reconciliation
Dag Petersson offers a comprehensive critique of the philosophy that has dominated 200 years of modern thought, politics, economy, and culture. The basic question is this: why does dialectical metaphysics fail to keep what it promises? What is it about dialectics, that makes it fall into irreducibly distinct variations of itself, when all it promises is to synthesize, to reconcile and make whole what is fragmented and alien to itself? An undisciplined creativity intrinsic to completing reason comes to light through analyses of how dialectical systems begin. Every dialectical philosophy must account for its own birth, and it is at this point, when it also articulates its promise of universal synthesis, that the book discovers a desire for light-writing, or photography. Only the most immediate element light can mediate the necessary self-determination of thought at its origin. Light must begin to write. A philosophical critique of dialectics is therefore also a point of departure for a new aesthetic ontology of photography.
The Game of Probability
There exist literary histories of probability and scientific histories of probability, but it has generally been thought that the two did not meet. Campe begs to differ. Mathematical probability, he argues, took over the role of the old probability of poets, orators, and logicians, albeit in scientific terms. Indeed, mathematical probability would not even have been possible without the other probability, whose roots lay in classical antiquity. The Game of Probability revisits the seventeenth and eighteenth-century "probabilistic revolution," providing a history of the relations between mathematical and rhetorical techniques, between the scientific and the aesthetic. This was a revolution th...
Crafting Flesh, Crafting the Self
This book analyzes wounded human bodies in early nineteenth-century German literature and traces their connection to changing philosophical models of the self. It argues that literary representations and metaphors of violence against the body not only offer powerful physical referents for a concept of self, but that they also define violence as an integral component of the self.
