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This revision of Professor Goodman's earlier work, The Dutch Impact on Japan, originally published in 1967, was brought up-to-date with much new information in 1986 in response to renewed interest in the Dutch influence on Japan during the so-called 'closed centuries' between 1640 and 1853. Professor Goodman explains the circumstances of the Dutch in Japan during the seventeenth century, and the historical and intellectual milieu within which 'Dutch studies' were nurtured. He traces the initial interest of the Shogun government in European astronomy and medicine, and the gradual development of interest to wider spheres of Western knowledge and culture. First published in 1986, this title is part of the Bloomsbury Academic Collections series.
This is the history of Dutch influence on Japan during the so-called 'closed centuries' between 1640 and 1853. Dutch maritime traders provided the only commercial link which Japan maintained with the west, and were thus the sole channel for western ideas and knowledge to reach neo-Confucian society. Professor Goodman explains the circumstances of the Dutch themselves in Japan during the seventeenth century, and the historical and intellectual milieu within which 'Dutch studies' were nurtured. He traces the initial interest of the Shogun government in European astronomy and medicine, and the gradual development of interest in wider spheres of western knowledge and culture.
This collection of fourteen essays by distinguished art and cultural historians examine points of similarity and difference in British and American art collecting. Half the essays examine the trends that dominated the British art collecting scene of the nineteenth century. Others focus on American collectors, using biographical sketches and case studies to demonstrate how collectors in the United States embellished the British model to develop their own, often philanthropic approach to art collecting.
De Covid-19 pandemie heeft laten zien dat volksgezondheid niet altijd heilig is voor gelovige burgers. Er bestaat bij gelovigen een zekere spanning tussen de religieuze loyaliteiten en hun verantwoordelijkheid voor de volksgezondheid. Pandemieën en protestanten laat vanuit historisch perspectief zien wat de epi- en pandemieën in de afgelopen tweehonderd jaar ons vertellen over de plek van religie in de samenleving. Het laat zien hoe gelovigen en protestanten in het bijzonder worstelden met de relatie tussen hun geloof en hun burgerlijke verantwoordelijkheden ten aanzien van de volksgezondheid.
Issued in connection with an exhibition held Oct. 5, 2010-Jan. 17, 2011, Metropolitan Museum of Art, New York, and Feb. 23-May 30, 2011, National Gallery, London (selected paintings only).