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Steeped in the Catholic spiritual tradition, The Sacramentality of Music argues that musical experience, in its appeal to the entirety of the human person, can serve as a locus of encounter with the divine and an occasion of God’s self-revelation in love, with spiritually nurturing, ultimately transformative, ends. Christina Labriolacontends that this dynamic might most aptly be understood as sacramental, an all-encompassing perspective of the cosmos permeated by the divine creative, salvific, sustaining presence. Through its participation in the mysteries of beauty and creativity, its bodily and affective engagement, and impact on the inner life, music operates sacramentally: manifesting ...
Clear and well-defined identities are hard to sustain in a rapidly shifting world. Peoples, goods, and cultures are on the move. The internet and other technologies increase the amount, the speed, and the intensity of cultural exchanges. Individuals, organizations, and nations develop complex identities out of many traditions, different ideals, various ways of life, and many models of organization. Religious traditions both collide and interact, with spiritual journeys crossing religious boundaries. In this book, more than 20 contributors from different backgrounds and academic disciplines offer an array of practical theological perspectives to help understand these complex identities and negotiate this shifting world. (Series: International Practical Theology - Vol. 17) [Subject: Religious Studies, Cultural Studies]
Hymns and the music the church sings in worship are tangible means of expressing worship. And while worship is one of, if not the central functions of the church along with mission, service, education, justice, and compassion, and occupies a prime focus of our churches, a renewed sense of awareness to our theological presuppositions and cultural cues must be maintained to ensure a proper focus in worship. Hymns and Hymnody: Historical and Theological Introductions is a sixty-chapter, three-volume introductory textbook describing the most influential hymnists, liturgists, and musical movements of the church. This academically grounded resource evaluates both the historical and theological per...
Reflecting on the particular challenges facing a schoolgirl of the 1950s attracted to the possibility of going to university to read theology, and on her path to becoming the first woman to be given a personal Chair at the University of Durham, professor emerita of divinity at the same, an honorary professor at the University of St. Andrews, and a CBE for "services to theology," Ann Loades introduces some of the key tenets of her theological thinking, including about theodicy, women in theology, worship, engagement with actual living, and biography and theology in various writers. In the My Theology series, the world's leading Christian thinkers explain some of the principal tenets of their theological beliefs in concise, pocket-sized books.
This book examines how the writings of the thirteenth-century nun Gertrude the Great of Helfta articulate an innovative relationship between a person's eucharistic devotion and her body. It attends to her references to the biblical, monastic, and theological traditions, including attitudes and ideas about the spiritual and corporeal senses, in order to illuminate the affirmative role Gertrude assigns to the body in making spiritual progress. Ultimately the book demonstrates that Gertrude leaves behind the dualistic aspect of the Christian intellectual and devotional tradition while exploiting its affirmative concepts of bodily forms of knowing divine union.
Exploring the nexus of music and religious education involves fundamental questions regarding music itself, its nature, its interpretation, and its importance in relation to both education and the religious practices into which it is integrated. This cross-disciplinary volume of essays offers the first comprehensive set of studies to examine the role of music in educational and religious reform and the underlying notions of music in early modern Europe. It elucidates the context and manner in which music served as a means of religious teaching and learning during that time, thereby identifying the religio-cultural and intellectual foundations of early modern European musical phenomena and their significance for exploring the interplay of music and religious education today.
Christian Sacred Music in the Americas explores the richness of Christian musical traditions and reflects the distinctive critical perspectives of the Society for Christian Scholarship in Music. This volume, edited by Andrew Shenton and Joanna Smolko, is a follow-up to SCSM’s Exploring Christian Song and offers a cross-section of the most current and outstanding scholarship from an international array of writers. The essays survey a broad geographical area and demonstrate the enormous diversity of music-making and scholarship within that area. Contributors utilize interdisciplinary methodologies including media studies, cultural studies, theological studies, and different analytical and ethnographical approaches to music. While there are some studies that focus on a single country, musical figure, or region, this is the first collection to represent the vast range of sacred music in the Americas and the different approaches to studying them in context.
Captures the multiple voices of Christian theology in a diverse and interconnected world through in-depth studies of representative figures and overviews of key movements Providing an unparalleled overview of the subject, The Modern Theologians provides an indispensable guide to the diverse approaches and perspectives within Christian theology from the early twentieth century to the present. Each chapter is written by a leading scholar and explores the development and trajectory of modern theology while presenting critical accounts of a broad range of relevant topics and representative thinkers. The fourth edition of The Modern Theologians is fully updated to provide readers with a clear pic...
Music does not make itself. It is made by people: professionals and amateurs, singers and instrumentalists, composers and publishers, performers and audiences, entrepreneurs and consumers. In turn, making music shapes those who make it—spiritually, emotionally, physically, mentally, socially, politically, economically—for good or ill, harming and healing. This volume considers the social practice of music from a Christian point of view. Using a variety of methodological perspectives, the essays explore the ethical and doctrinal implications of music-making. The reflections are grouped according to the traditional threefold ministry of Christ: prophet, priest, and shepherd: the prophetic ...
James Mark Brown was born August 18, 1955 in Toledo, Ohio. His parents are Jonathan Lee Brown and Betty Ann Shaffer. Cheryl Anne Gustafson was born August 7, 1957 in Meadville, Pennsylvania. Her parents are Everett William Gustafson and Esther Constance Belding. James and Cheryl were married in 1976 in Brockway, Pennsylvania. Traces their ancestors and living relatives in Virginia, Ohio, Pennsylvania, North Carolina, Kentucky, Massachusetts and elsewhere.