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Gender in Hispanic Literature and Visual Arts
Gender in Hispanic Literature and Visual Arts provides an interdisciplinary and multicultural perspective on gender within Hispanic film and literature. The contributors analyze the relationship between the historical and social contexts of various Hispanic countries—including Argentina, Colombia, Chile, Guatemala, Nicaragua, Mexico, Peru, Puerto Rico, Spain, and Uruguay—and the effects of their contexts on their representations of gender. This book examines gender-based violence, transvestism, lesbianism, (mis)representation, indigenism, dissent, identity, and voice as a means of better understanding the meaning and implications of gender within the diversity of people and cultures that comprise the Hispanic world.
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Beyond Intimacy
The ethos of poetry and its social efficacy cannot be underestimated in the quest for a fair society. The works of three contemporary Mexican poets – Abigael Bohórquez, Myriam Moscona, and Gloria Gervitz – offer models for examining important philosophical and literary questions that explore the relationship between art and the enactment of justice. Beyond Intimacy returns lyric poetry to the centre of struggles for justice within concrete historical frameworks, highlighting gender, ethnic, and cultural tensions. Through an analysis of works by these three poets, Christina Karageorgou-Bastea reveals the far-reaching social transcendence of poetry; she shows that lyric poetry invites a p...
Tejiendo El Mito
En este libro, el segundo del Seminario Permanente sobre Literatura y Mujer, se estudian e interpretan textos pertenecientes a gran variedad de literaturas y géneros que reflejan diversos mitos desde perspectivas peculiares, para intentar comprender, a través de la relación entre mito y mujer, la mentalidad de nuestra época y su forma de enfrentarse a "verdades" heredadas y establecidas en el pasado.
Libre Acceso
Analyzes the diverse roles and pervasive presence of disability in Latin American literature and film. Libre Acceso stages an innovative encounter between disciplines that have remained quite separate: Latin American literary, film, and cultural studies and disability studies. It offers a much-needed framework to engage the representation, construction, embodiment, and contestation of human differences, and provides tools for the urgent resignification of a robust and diverse Latin American literary and filmic tradition. The contributors discuss such topics as impairment, trauma, illness and the body, performance, queer theory, subaltern studies, and human rights, while analyzing literature and film from Argentina, Brazil, Chile, Colombia, Cuba, Mexico, and Peru. They explore these issues through the work of canonical figures Jorge Luis Borges, Gabriel García Márquez, João Guimarães Rosa, and others, as well as less well-known figures, including Mario Bellatin and Miriam Alves.
Sex, Drugs, and Fashion in 1970s Madrid
During the last decade of Franco’s repressive rule, the Spanish outlook on sex, drugs, and fashion shifted dramatically, creating a favourable cultural environment for the return of democracy. Exploring changes in urban planning, narratives of sexual and gender identity, recreational drug use, and fashion design during the seventies, Sex, Drugs, and Fashion in 1970s Madrid argues that it was during this decade that the material and emotional conditions for the groundbreaking transition to democracy first began to develop. Thanks in part to a mass media saturated with international trends, citizens of Madrid began to adopt practices, behaviours, and attitudes that would ultimately render Franco’s military dictatorship obsolete. This cultural history examines these modest but irreversible changes in the way people lived and thought about their lives during the last decade of the regime’s creed. Not a revolution necessarily, but transformational nevertheless, these changes in collective sensibility eased the political transition to democracy and the emergence of the 1980s’ cultural movement la Movida.
Intermittences
The construction of memory entails a battle not only between memory and forgetting but also between different memories. There are multiple constructions of memory, and in the dispute between them, some become hegemonic, while others remain in the margins. Ana Forcinito explores the intermittences of transitional justice and memory in post-dictatorship Uruguay. The processes of building memory and transitional justice are repetitive but inconstant. They are contested by both internal and external forces and shaped by tensions between oblivion and silence. Forcinito explores models of reconciliation to present an alternative narrative of the past and to expose the blind spots of memory.
The Biopolitics of Disability
Theorizing the role of disabled subjects in global consumer culture and the emergence of alternative crip/queer subjectivities in film, fiction, media, and art
