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This book examines how Shakespeare’s plays resurface in current complex TV series. Its four case studies bring together The Tempest and the science fiction-Western Westworld, King Lear and the satirical dynastic drama of Succession, Hamlet and the legal thriller Black Earth Rising, as well as Coriolanus and the political thriller Homeland. The comparative readings ask what new insights the twenty-first-century remediations may grant us into Shakespeare’s texts and, vice versa, how Shakespearean returns help us understand topical concerns negotiated in the series, such as artificial intelligence, the safeguarding of democracy, terrorism, and postcolonial justice. This study also proposes that the dramaturgical seriality typical of complex TV allows insights into the seriality Shakespeare employed in structuring his plays. Discussing a broad spectrum of adaptational constellations and establishing key characteristics of the new adaptational aggregate of serial Shakespeare, it seeks to initiate a dialogue between Shakespeare studies, adaptation studies, and TV studies.
Henry the heron couldn't stand still. He was always moving, and it drove everyone crazy. All herons have to stand still to catch their food, so how would Henry ever be able to eat on his own? Henry learns a valuable lesson from the King of Camouflage, which teaches the importance of just being still. Includes "For Creative Minds" educational section.
Gram Hatter and Kat set off on an adventure. Gram quickly folds up a pirate hat and places it on Kat’s head and they begin their mission to help clean up the city park. Volunteering turns into a treasure hunt as Kat finds pennies, nickels, dimes, quarters and even a dollar. With each discovery Kat gets a new hat and Gram Hatter teaches Kat how to count her coins as they pick up litter at the park. When Kat adds up her money, there’s enough for ice cream. Or should she donate the money to support the park instead?
"Text written from the animal's perspective helps teach kids about life as a crocodile"--
Few migrations are as visually stunning as that of the Christmas Island crab. Crawl alongside one particular crab as it makes its way to the water's edge, and marvel at this small creature's big, life-changing journey.
Takes young readers on an educational journey through one red bat's seasonal dilemma of hibernating or migrating. Includes "For Creative Minds" section.
Tennessee Williams' characters set the stage for their own dramas. Blanche DuBois (A Streetcar Named Desire), arrived at her sister's apartment with an entire trunk of costumes and props. Amanda Wingfield (The Glass Menagerie) directed her son on how to eat and tries to make her daughter act like a Southern Belle. This book argues for the persistence of one metatheatrical strategy running throughout Williams' entire oeuvre: each play stages the process through which it came into being--and this process consists of a variation on repetition combined with transformation. Each chapter takes a detailed reading of one play and its variation on repetition and transformation. Specific topics include reproduction in Sweet Bird of Youth (1959), mediation in Something Cloudy, Something Clear (1981), and how the playwright frequently recycled previous works of art, including his own.
Dark Matter maps the invisible dimension of theater whose effects are felt everywhere in performance. Examining phenomena such as hallucination, offstage character, offstage action, sexuality, masking, technology, and trauma, Andrew Sofer engagingly illuminates the invisible in different periods of postclassical western theater and drama. He reveals how the invisible continually structures and focuses an audience’s theatrical experience, whether it’s black magic in Doctor Faustus, offstage sex in A Midsummer Night’s Dream, masked women in The Rover, self-consuming bodies in Suddenly Last Summer, or surveillance technology in The Archbishop’s Ceiling. Each discussion pinpoints new and striking facets of drama and performance that escape sight. Taken together, Sofer’s lively case studies illuminate how dark matter is woven into the very fabric of theatrical representation. Written in an accessible style and grounded in theater studies but interdisciplinary by design, Dark Matter will appeal to theater and performance scholars, literary critics, students, and theater practitioners, particularly playwrights and directors.
There are numerous ways to understand failure in literature: failure to produce a work of demonstrable literary merit, or failure to publish a work despite such merit; failure to see something translated, adapted or performed adequately, or indeed to see it translated, adapted or performed at all; failure to establish a connection with the contemporary reading public, failure to please critics, or to charm readers and hence the failure to achieve substantial sales. An author or a literary wor...
Move over Bre'r Rabbit, there's a new trickster in town! When hungry Deer asks Possum how he stays so plump during the long dry season, the sly marsupial gets an idea. It wouldn't take much for Possum to help Deer; he could just climb that ol' persimmon tree and knock down the fruit. But Possum is just plain lazy and he'd rather trick Deer into doing the work for both of them. Once Possum decides to take advantage of his starving neighbor they both become marked forever.