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Nineteenth-Century British Travelers in the New World
With cheaper publishing costs and the explosion of periodical publishing, the influence of New World travel narratives was greater during the nineteenth century than ever before, as they offered an understanding not only of America through British eyes, but also a lens though which nineteenth-century Britain could view itself. Despite the differences in purpose and method, the writers and artists discussed in Nineteenth-Century British Travelers in the New World-from Fanny Wright arriving in America in 1818 to the return of Henry James in 1904, and including Charles Dickens, Frances Trollope, Isabella Bird, Fanny Kemble, Harriet Martineau, and Robert Louis Stevenson among others, as well as artists such as Eyre Crowe-all contributed to the continued building of America as a construct for audiences at home. These travelers' stories and images thus presented an idea of America over which Britons could crow about their own supposed sophistication, and a democratic model through which to posit their own future, all of which suggests the importance of transatlantic travel writing and the ’idea of America’ to nineteenth-century Britain.
Spacesteader One
Welcome aboard Spacesteader One, humankinds last refuge from extinction. Thrust from a dying Earth, this first of thirteen planned missions left our solar system carrying teams of cryogenically stored spacesteaders expecting eons of peaceful sleep. Instead, Commander Anna Martinez awakens to a blaring alarm and a dozen brutal murders. Is this sabotage by the two cult members suspected of posing as spacesteaders, a faction hell bent on preventing humankind from polluting other worlds? Or is it a burgeoning mutiny by the powerful mobile androids, aka mandroids, a dexterous ensemble left tending the ship in solitude for nearly seventy years as the crew lay sleeping? These two devoted factions may even share a common goal. Find out as you venture the depths of human conflict aboard Spacesteader One.
Victorian Environmental Nightmares
The twelve essays in Victorian Environmental Nightmares explore various “environmental nightmares” through applied analyses of Victorian texts. Over the course of the nineteenth century, writers of imaginative literature often expressed fears and concerns over environmental degradation (in its wide variety of meanings, including social and moral). In some instances, natural or environmental disasters influenced these responses; in other instances a growing awareness of problems caused by industrial pollution and the growth of cities prompted responses. Seven essays in this volume cover works about Britain and its current and former colonies that examine these nightmare environments at home and abroad. But as the remaining five essays in this collection demonstrate, “environmental nightmares” are not restricted to essays on actual disasters or realistic fiction, since in many cases Victorian writers projected onto imperial landscapes or wholly imagined landscapes in fantastic fiction their anxieties about how humans might change their environments—and how these environments might also change humans.
The Future is Now
The Future is Now: A New Look at African Diaspora Studies is an exciting collection of essays representative of new voices in this ever-expanding field. Writing in English, Spanish, French, and Haitian Creole, the volume’s contributors look at the fields of art, literature, film, and music. From the Hispanophone, Francophone, and Anglophone Caribbean to the United States and Europe, the scholars here interrogate themes of memory, power, gender, identity, race, and religion. In so doing, they uncover forgotten episodes of history previously lost to hegemonic tellings of the past. Here, readers will find studies on Haitian documentary, Puerto Rican art, Trinidadian calypso, Colombian poetry, the African-American novel, and African photography and collage. The Future Is Now serves as a celebration of the contributions made by peoples of African descent, providing a glimpse at the breadth of cultural offerings to be found throughout the African Diaspora in the Americas and Europe.
What's Divine about Divine Law?
How ancient thinkers grappled with competing conceptions of divine law In the thousand years before the rise of Islam, two radically diverse conceptions of what it means to say that a law is divine confronted one another with a force that reverberates to the present. What's Divine about Divine Law? untangles the classical and biblical roots of the Western idea of divine law and shows how early adherents to biblical tradition—Hellenistic Jewish writers such as Philo, the community at Qumran, Paul, and the talmudic rabbis—struggled to make sense of this conflicting legacy. Christine Hayes shows that for the ancient Greeks, divine law was divine by virtue of its inherent qualities of intrin...
Losing Time
Industrial policy reform, Otis Graham argues, is an important part of a public-private set of remedies, but it hinges upon an improved use of policy history and of historical perspective generally. He proposes an explicit if minimalist approach by the federal government that would unify and reform our de facto industrial policies in order to equip the United States with the institutional capacity to formulate industrial interventions guided by strategic vision and bipartisan participation by labor and management.
Framed
Framed uses fin de siècle British crime narrative to pose a highly interesting question: why do female criminal characters tend to be alluring and appealing while fictional male criminals of the era are unsympathetic or even grotesque? In this elegantly argued study, Elizabeth Carolyn Miller addresses this question, examining popular literary and cinematic culture from roughly 1880 to 1914 to shed light on an otherwise overlooked social and cultural type: the conspicuously glamorous New Woman criminal. In so doing, she breaks with the many Foucauldian studies of crime to emphasize the genuinely subversive aspects of these popular female figures. Drawing on a rich body of archival material, ...
Sex Expression and American Women Writers, 1860-1940
American women novelists of the late nineteenth and early twentieth centuries registered a call for a new sexual freedom, Dale Bauer contends. By creating a lexicon of "sex expression," many authors explored sexuality as part of a discourse about women's needs rather than confining it to the realm of sentiments, where it had been relegated (if broached at all) by earlier writers. This new rhetoric of sexuality enabled critical conversations about who had sex, when in life they had it, and how it signified. Whether liberating or repressive, sexuality became a potential force for female agency in these women's novels, Bauer explains, insofar as these novelists seized the power of rhetoric to establish their intellectual authority. Thus, Bauer argues, they helped transform the traditional ideal of sexual purity into a new goal of sexual pleasure, defining in their fiction what intimacy between equals might become. Analyzing the work of canonical as well as popular writers_including Edith Wharton, Anzia Yezierska, Julia Peterkin, and Fannie Hurst, among others_Bauer demonstrates that the new sexualization of American culture was both material and rhetorical.
2015 U.S. Higher Education Faculty Awards, Vol. 2
Created by professors for professors, the Faculty Awards compendium is the first and only university awards program in the United States based on faculty peer evaluations. The Faculty Awards series recognizes and rewards outstanding faculty members at colleges and universities across the United States.
Toward a Whole-of-Europe Approach
With her research, Svenja Post offers an in-depth analysis of the implementation of the Comprehensive Approach in international crisis management both on EU and on member state national level. The author demonstrates in detail which steps have been taken on conceptual and on structural level by the EU and its member states Great Britain, Germany and Sweden to organize and realize crisis management coherence. In addition to identifying challenges involved actors are confronted with, Svenja Post also points out a set of recommendations for future efforts to close the gap between aspiration and reality of comprehensive European crisis management.
