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Women in Abstraction
A groundbreaking study of the women of abstract art and their works, presented as a richly illustrated visual history. Women in Abstraction reevaluates the work of women abstract artists, changing the story of modern and contemporary art. A tie-in catalog to a major exhibition at Paris’s Centre Pompidou, this volume explores the fundamental role women artists played in the development of abstract art in the twentieth century. In this rich, sweeping collection, editors Christine Macel and Karolina Lewandowska bring together more than one hundred artists in painting, sculpture, dance, applied arts, photography, film, and performing arts. Understanding that abstract art must be looked at in t...
Rainier Lericolais
Cette monographie est publiée à l'occasion de l'exposition qui s'est tenue au domaine départemental de Chamarande, centre d'art contemporain du24 octobre 2010 au 20 février 2011. Ouvrage monographique, bilingue français-anglais, qui présente l'ensemble du travail plastique et musical de Rainier Lericolais, artiste français né en 1970. Avec les contributions suivantes : - préface de Judith Quentel, directrice artistique du domaine départemental de Chamarande, - essai critique de Julie Ramos, maître de conférence à l'université de Paris I Panthéon-Sorbonne, - entretien avec Christine Macel, conservatrice au musée national d'Art moderne, Centre Pompidou, - texte de David Sanson, musicien (That Summer) et ancien rédacteur en chef de la revue Mouvement.
Paris
Whether you are planning a weekend break, a longer trip or just want to get to know the contemporary art scene in the city, this series has something for everyone.
Takesada Matsutani
Accompanying a major survey of Takesada Matsutani?s work at the Centre Pompidou in Paris from 26 June to 23 September 2019, this catalog fully illustrates the exhibition?s artworks ranging from 1958 to 2019, and features multiple texts. Beginning with an introduction from Centre Pompidou Director Bernard Blistène and President Serge Lasvignes, the book continues with an essay by the museum?s Chief Curator Christine Macel. Valérie Douniaux, who has been working with the artist?s archives since 2014, overviews the ?Stream? works, a series of activated performance pieces begun in 1980. Writer Yves Peyré offers a poetic view of the artist?s practice in relation to Japanese traditions. Finally, Toshio Yamanashi, Director of the Osaka National Museum of Art, contributes an essay focusing on the main gestures in Matsutani?s work.00Exhibition: Centre Pompidou, Paris, France (26.06. - 23.09.2019).
Collected by Thea Westreich Wagner and Ethan Wagner
Published on the occasion of an exhibition celebrating the Wagners' promised gift of more than 850 works of art to the Whitney Museum of American Art, New York, and the Musaee national d'art moderne, Centre Pompidou, Paris, held at the Whitney Museum of American Art, November 20, 2015-March 6, 2016, and at the Centre Pompidou, June 16, 2016-January 2017.
Dionysiac
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JEAN-MARC BUSTAMANTE
After working with American photographer and filmmaker William Klein, Bustamante held his first exhibition in 1982 and met the sculptor Bazile. They collaborated for three years, which lead Bustamante to experiment with other media. He advocates a reciprocal relationship between artist and spectator, in which both parties engage in the aesthetic definition of a piece. He rejects notions of documentary and fixed aesthetics, relying instead on the fluid and meditative nature of art. Bustamante is internationally acclaimed; his work has been exhibited at the Tate Gallery, the Jeu de Paume, and the Documenta. In 2003, Bustamante represented France at the 50th Venice Biennial.
Philippe Parreno
This monograph offers a first inventory of Philippe Parreno's work since the end of the 1980s. It explores problematics such as memory, presence, real time, and narration, and covers his multiform production, from his early performance to cinema (Zidane: A 21st Century Portrait, with Douglas Gordon, 2006), and spectacle (Il Tempo del Postino, with Hans Ulrich Obrist, 2007). Edited by Christine Macel with the assistance of Karen Marta, this book offers the first complete list of works and chronology, fully illustrated and accompanied by notices. It also includes critical and fictional texts by Maria Lind, Charles Arsène-Henry, Enrique Juncosa, Beatrix Ruf, and Simon Critchley as well as an interview by Hans Ulrich Obrist. Designed by M/M, the book is published with the Centre Pompidou, Paris; the Kunsthalle Zürich, Zurich; the Irish Museum of Modern Art, Dublin; and the CCS, Bard College, New York. English text.
Anamnesia
Memory has always been crucial to French literature and culture as a means of mediating the relationship between perception and knowledge of the individual coming to terms with his identity in time. Relatively recently, memory has also emerged as the key force in the creation of a collective consciousness in the wider perspective of French cultural history. This collection of essays, selected from the proceedings of a seminar on 'Memory' given by Dr Emma Wilson at the University of Cambridge, offers a fresh evaluation of memory as both a cultural and an individual phenomenon in modern and contemporary French culture, including literature, cinema and the visual arts. 'Anamnesia', the book's title, develops the Aristotelian concept of anamnesis: recollection as a dynamic and creative process, which includes forgetting as much as remembering, concealment as much as imagination. Memory in this extremely diverse range of essays is therefore far from being presented as a straightforward process of recalling the past, but emerges as the site of research and renegotiation, of contradictions and even aporia.
