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Caps Off . . .
Throughout the entire world, Auschwitz has become known as the Concentration Camp (KZ) in which the bureaucratic, alarmingly and perfectly organized mass exterminations of human beings found its abysmal culmination. Less well known is the first period of Auschwitz in which this Concentration Camp (KZ) was different from many others because Polish people had to live and die there. This book makes unambiguously clear that Auschwitz remains, in the memory of many Poles, a martyrology of its people. Caps Off . . . is the first ever English translation of Mutzen ab . . ., a report about the experiences in the Punishment Company (SK) of the KZ Auschwitz by the Polish journalist and prisoner Zenon ...
Between Folk and Liturgy
Between Folk and Liturgy, the title of this collection, should not be understood to refer to some fixed point, some stable place between the two extremes of an illiterate and a literate culture. Rather, the title flags the wide and colourful spectrum of medieval dramatic possibility. Perhaps except one, none of the ten essays published here deal with a drama existing purely at either end of this scale. They add to our impression of the teaming fecundity and hybridism of early European drama, an impression that grows apace once we start to consider dramas situated Between Folk and Liturgy. The geographical terrain that the essays traverse ranges from the British Isles in the west to Poland in the east. The suppleness of the approaches taken here is the minimum critical requirement of anyone wanting to do justice to so complex and multifold a phenomenon as is early European drama.
The Relationship Between the Church and the Theatre
This work has grown out of the question regarding the negative relationship of the Church Fathers toward the Roman theatre and the apparent subsequent theatre vacuum of over 400 years (ca. 530 AD to 930 AD). This is considered to be the time which lies between the end of the Roman theatre and the appearance of the quem quaeritis tropes. This work moves between these two poles: on the one hand, between the polemics against the pagan Roman theatre which the Church Fathers described as a theatrum daemonicum and on the other hand, the appearances of dramatic-liturgical configurations in the Christian Church. This work attempts to connect these two opposite poles instead of separating them. This study begins with an examination of documents dealing with the patristic polemic. This is followed by an examination in chronological sequence of the development of the liturgical dramatic manifestations from Jerusalem to Amalarius of Metz. It also examines the allegorical method connected with this development. In conclusion the argument is maintained that aside the theatrum daemonicum, a theatrum infictitium et sapirituale is beginning to develop.
The Mythological Traditions of Liturgical Drama
This unique, comprehensive work tackles questions posed by the polemics of the Church Fathers against the Roman theater and explores the subsequent developments of Western liturgical drama as a continuation of the Roman theater up to the time of Amalarius of Metz in the ninth century.
Order of Learning
The Order of Learning considers the problems facing higher education by focusing on main underlying factors: the relationship of higher education to government, academic freedom, and the responsibilities of the academic profession, among others. Edward Shils argues that higher education has a central role in society, and that distractions, such as pressures from government, disinterest of students and faculty in education, and involvement of institutions of higher learning in social questions, have damaged higher education by deflecting it from its commitment to teaching, learning, and research. Shils believes that the modern university must be steadfast in its commitment to the pursuit of t...
"The Words of a Wise Man's Mouth are Gracious" (Qoh 10,12)
In this volume of collected papers, acknowledged authorities in Jewish Studies mark the milestones in the development of the Jewish religion from ancient times up to the present. They also take full account of the interactions between Judaism and its ancient and Christian environment. The renowned Viennese scholar Günter Stemberger is honoured with this festschrift on the occasion of his 65th birthday.
The Jesus Handbook
An authoritative handbook on Jesus, his world, the outcomes of his life, and the quests to locate him in history. The Jesus Handbook is an indispensable reference work featuring essays from an international team of renowned scholars on the significance and meaning of the life of Jesus of Nazareth. Rooted in historical-critical methodology, it emphasizes a diversity of perspectives and provides a spectrum of possible interpretations rather than a single unified portrait of Jesus. The Handbook’s dozens of authors—Jewish, Roman Catholic, and Protestant—all remain committed to the principle of interpreting the life of Jesus in context, while also giving due diligence to the implications of...
Reading Religious Ritual with Ricoeur
Reading Religious Ritual with Ricoeur: Between Fragility and Hope creates a dialogue between Ricœur’s hermeneutic philosophy and the interpretation of human ritual practices, especially as such practices are manifested within the context of Christian liturgy. In the first part of the book, Christina M. Gschwandtner shows that Ricœur’s account of religion would be deepened if it were to take into account not only the biblical texts but also forms of liturgical expression and ritual actions. She challenges Ricœur’s early reading of the symbol and second naïveté, broadens his interpretation of biblical texts and faith to consider religious actions more fully, and suggests that ritual...
Living Theodrama
Living Theodrama is a fresh, creative introduction to theological ethics. Offering an imaginative approach through dialogue with theatrical theory and practice, Vander Lugt demonstrates a new way to integrate actor-oriented and action-oriented approaches to Christian ethics within a comprehensive theodramatic model. This model affirms that life is a drama performed in the company of God and others, providing rich metaphors for relating theology to everyday formation and performance in this drama. Different chapters explore the role of the triune God, Scripture, tradition, the church, mission, and context in the process of formation and performance, thus dealing separately with major themes in theological ethics while incorporating them within an overarching model. This book contains not only a fruitful exchange between theological ethics and theatre, but it also presents a promising method for interdisciplinary dialogue between theology and the arts that will be valuable for students and practitioners across many different fields.
Decorating the Lord's Table
Oxbow says: The six essays featured in this study originated as papers given at the 36th International Congress of Medieval Studies at Kalamazoo. The contributors survey the ornate altars produced from the early 8th to 13th century in Europe, with specific examples taken from Italy, Germany and Scandinavia.
