You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A long-overdue publication that restores Wilfred to the art-historical canon Lumia presents a long-overdue reevaluation of the groundbreaking artist Thomas Wilfred (1889-1968), whose unprecedented works prefigured light art in America. As early as 1919, many years before the advent of consumer television and video technology, Wilfred began experimenting with light as his primary artistic medium, developing the means to control and project unique compositions of colorful, undulating light forms, which he referred to collectively as lumia. Manifested as both live performances on a cinematic scale and self-contained structures, Wilfred's innovative displays captivated audiences and influenced generations of artists to come. This publication, the first dedicated to Wilfred in over forty years, draws on the artist's personal archives and includes a number of insightful essays that trace the development of his work and its relation to his cultural milieu. Featuring a foreword by the celebrated artist James Turrell, Lumia helps to secure Wilfred's rightful place within the canon of modern art.
This text offers a critical biography of Patrick Cleburne. It explores the sources of Cleburne's commitment to the Southern cause, his growth as a combat leader from Shiloh to Chickamauga and his emergence as one of the Confederacy's most effective field commanders.
The public increase of interest in the past has not necessarily brought with it a greater understanding about how archives are formed. To this end, Richard Cox takes a serious look at archival repositories and collections. Cox suggests that archives do not just happen, but are consciously shaped (and sometimes distorted) by archivists, the creators of records, and other individuals and institutions. In this series of essays, Cox offers archivists rare insight into the fundamentals of appraisal, and historians and other users of archives the opportunity to appreciate the collections they all too often take for granted.
This book examines the prominent role played by constitutional history from 1870 to 1960 in the creation of a positive sense of identity for Britain and the United States.
In 1927, a group of advisors of King Alfonso XIII of Spain set off a journey to the United States. Their aim was to study the American University as a model for the design of the new University City in Madrid. Using the reconstruction of this cultural event as a guiding thread metaphor, the purpose of the Research Project is to study the roots and historical transformations that the University Space has experimented since its origins, under the impulse of Utopia, making special emphasis in its relation to the City. It will focus on the evolution of essential architectural models, beginning from its medieval germ in Europe: the exodus of the 'seed' of its embodied soul (the quadrangle) to the New World, the birth and diversification of the new model (campus) and, finally, in the early twentieth century, the 'return trip' to Europe of the modern idea, and the prolific heritage that it has generated in the contemporary University since then, from the point of view of the cultural connection between the Unites States and Europe.
In the tumultuous first decade of the Cuban Revolution, Fidel Castro and other leaders saturated the media with altruistic images of themselves in a campaign to win the hearts of Cuba's six million citizens. In Visions of Power in Cuba, Lillian Guerra argues that these visual representations explained rapidly occurring events and encouraged radical change and mutual self-sacrifice. Mass rallies and labor mobilizations of unprecedented scale produced tangible evidence of what Fidel Castro called "unanimous support" for a revolution whose "moral power" defied U.S. control. Yet participation in state-orchestrated spectacles quickly became a requirement for political inclusion in a new Cuba that...
Since its original publication Hunter's manual has been "not only a rich and ready reference tool but also a practical resource for solving problems" (Catholic Library World), and no text has served as a better overview of the field of archives. Newly revised and updated to more thoroughly address our increasingly digital world, including integration of digital records and audiovisual records into each chapter, it remains the clearest and most comprehensive guide to the discipline. Former editor of American Archivist, the journal of the Society of American Archivists (SAA), Hunter covers such keystone topics as a history of archives, including the roles of historical societies and local hist...