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Now perhaps the world's largest participatory art and science project, the Crochet Coral Reef combines mathematics, marine biology, environmental consciousness-raising and community art practice. Almost 8,000 people around the world have contributed to making an ever-evolving archipelago of giant woolen seascapes, which have been exhibited at the Hayward Gallery, the Smithsonian and many other venues. This fully illustrated book, written by the project's creators--Margaret and Christine Wertheim of the Institute For Figuring--brings together the scientific and mathematical content behind the project, along with essays about the artistic and cultural resonances of this unique experiment in radical craft practice. With a wealth of color illustrations, the book serves as a record of the 30-plus Crochet Reefs worldwide and names all 7,000-plus contributors in a specially designed section.
Winner, Euler Book Prize, awarded by the Mathematical Association of America. With over 200 full color photographs, this non-traditional, tactile introduction to non-Euclidean geometries also covers early development of geometry and connections between geometry, art, nature, and sciences. For the crafter or would-be crafter, there are detailed instructions for how to crochet various geometric models and how to use them in explorations. New to the 2nd Edition; Daina Taimina discusses her own adventures with the hyperbolic planes as well as the experiences of some of her readers. Includes recent applications of hyperbolic geometry such as medicine, architecture, fashion & quantum computing.
Although the properties of hyperbolic space were known for 200 years, it was only in 1997 that mathematician Daina Taimina worked out how to make physical models of it. The method she used was crochet. In this book, Margaret Wertheim presents a brief history of hyperbolic space in mathematics and nature, and offers a "field guide" to its crocheted manifestations.
In The Book of Me, Christine Wertheim continues her feral dismantling of text and image as she creates what Donna Haraway has described as "multispecies poetry, a tuning fork for the indexical and iconic in language and politics." Also included is a cultural-poetic manifesto that situates Wertheim's work within a critique of capitalist lyric.
Artists, critics, curators, and scholars develop theories of craft in relation to art, chronicle how fine art institutions understand and exhibit craft media, and offer accounts of activist crafting.
For the past fifteen years, acclaimed science writer Margaret Wertheim has been collecting the works of "outsider physicists," many without formal training and all convinced that they have found true alternative theories of the universe. Jim Carter, the Einstein of outsiders, has developed his own complete theory of matter and energy and gravity that he demonstrates with experiments in his backyard,-with garbage cans and a disco fog machine he makes smoke rings to test his ideas about atoms. Captivated by the imaginative power of his theories and his resolutely DIY attitude, Wertheim has been following Carter's progress for the past decade. Centuries ago, natural philosophers puzzled out the laws of nature using the tools of observation and experimentation. Today, theoretical physics has become mathematically inscrutable, accessible only to an elite few. In rejecting this abstraction, outsider theorists insist that nature speaks a language we can all understand. Through a profoundly human profile of Jim Carter, Wertheim's exploration of the bizarre world of fringe physics challenges our conception of what science is, how it works, and who it is for.
The Birth of Physics represents a foundational work in the development of chaos theory from one of the world’s most influential living theorists, Michel Serres. Focussing on the largest text still intact to reach us from the Atomists - Lucretius' De Rerum Natura - Serres mobilises everything we know about the related scientific work of the time (Archemides, Epicurus et al) in order to demand a complete reappraisal of the legacy. Crucial to his reconception of the Atomists' thought is a recognition that their model of atomic matter is essentially a fluid one - they are describing the actions of turbulence, which impacts our understanding of the recent disciplines of chaos and complexity. It explains the continuing presence of Lucretius in the work of such scientific giants as Nobel Laureates Schroedinger and Prigogine. This book is truly a landmark in the study of ancient physics and has been enormously influential on work in the area, amongst other things stimulating a more general rebirth of philosophical interest in the ancients.
Coral reefs, with their brilliant colours, their interwoven and tangled forms and their curving and rippling surfaces, are the central theme of the Australian sisters Margaret and Christine Wertheim. As scientists, they analyse the aesthetic of mathematical theories and biological phenomena. The Institute for Figuring? (IFF), which they founded in Los Angeles in 2005, aims to promote public understanding for the poetic and aesthetic dimensions of science, mathematics and technology and to simultaneously draw attention to matters involving nature and the environment. The sisters combine the methods of the traditional needlework technique of crocheting with the beauties of maritime ecosystems and their complex algorithmic structures. The result is a participatory, collective total work of art, which at the same time raises awareness for the endangered and hidden beauties of our oceans.00Exhibition: Museum Frieder Burda, Baden-Baden, Germany (29.01. - 26.06.2022).
Catalog of an exhibition held at California State University in Fullerton, Grand Central Art Center, Sept. 6-Oct. 19, 2008
An insightful reflection on the mathematical soul What do pure mathematicians do, and why do they do it? Looking beyond the conventional answers—for the sake of truth, beauty, and practical applications—this book offers an eclectic panorama of the lives and values and hopes and fears of mathematicians in the twenty-first century, assembling material from a startlingly diverse assortment of scholarly, journalistic, and pop culture sources. Drawing on his personal experiences and obsessions as well as the thoughts and opinions of mathematicians from Archimedes and Omar Khayyám to such contemporary giants as Alexander Grothendieck and Robert Langlands, Michael Harris reveals the charisma a...