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Although some portions of Thayer's original text have been deleted because recent Beethoven research has proved them inaccurate, "the majority of the text used consists of the coordinated treatment of Thayer's notes and manuscript by these three editors [H. Deiters, H. Riemann, and H. Krehbiel]" with additions and corrections by the present editor.
Warner Bros. Publications presents a new series featuring the works of Ludwig van Beethoven. Donald Beattie, founder and president of The Beethoven Society for Pianists, along with his wife Delayna, has compiled and edited these collections based on years of teaching experience and their love of Beethoven's works. Each volume offers a comprehensive look into the works of the master. Each volume includes performance notes plus a section entitled "Beethoven As Our Teacher," providing interesting stories about the composer's life -- perfect for recital programs. All pieces have been carefully edited with the student in mind. With this library, students will grow both technically and musically through the powerful pieces of Beethoven. Volume I contains twelve pieces for the early-intermediate student, including numerous dances, folk songs, studies, and a few independent pieces.
The New Illustrated Lives of Great Composers: Ludwig van Beethoven brings to life the works, the key performances and the personal story of one of the world’s greatest composers with rich illustrations. One of the most celebrated and influential composers of all time, Ludwig van Beethoven was a child prodigy, who, At 21, moved to Vienna to study with Joseph Haydn. He would subsequently create a monumental body of work including 9 symphonies, 5 piano concertos, 1 violin concerto, 32 piano sonatas, 16 string quartets, the Missa Solemnis and the opera Fidelio. Yet Beethoven was a troubled man, often intolerant of the intrusions of day-to-day life upon his work and a victim of both chronic abd...
The most informed reference book on nineteenth-century music currently available, this comprehensive overview of music in the nineteenth century draws on the most recent scholarship in the field. Essays investigate the intellectual and socio-political history of the time, and examine topics such as nations and nationalism, the emergent concept of an avant garde, and musical styles and languages at the turn of the century. It contains a detailed chronology, and extensive glossaries.
Following the author's acclaimed biographical dictionaries on Schubert and Mozart, 'Beethoven and His World' offers an extremely comprehensive and up-to-date survey of the composer's relations with a multitude of persons with whom he associated on a personal or professional basis: relatives,friends, acquaintances, librettists, poets, publishers, artists, patrons, and musicians. With more than 450 entries, the dictionary is the result of a wide-ranging examination of primary and secondary sources, and critically assesses the use which scholars have made of the considerabledocumentation now available. In particular, there are numerous references to Beethoven's correspondence and conversation books, which have recently been published in excellent new editions. The book places the composer and his music in a fuller context and a wider perspective than might bepossible in a traditional biography; it will appeal to all music lovers, both the scholar and the non-specilaist alike.
Beethoven's eating habits, his growing deafness and ill-health, his tendency to be suspicious of friends, his daily schedule of work, his famous contempt for etiquette, his daily walks in all weathers, his brilliant abilities as composer and conductor - all these traits and characteristics are described in this book by contemporary friends and acquaintances of the great master. This compilation contains the most interesting, evocative, and amusing sections of letters, diaries, memoirs, etc. describing Beethoven. There are notes on the young Beethoven by his father's landlord, by young Beethoven's piano teacher, by admiring friends, by such musical giants as Rossini, Weber, and Liszt, by the poet Goethe, and by many others. The book is illustrated with sixteen portraits of Beethoven. Arranged chronologically, this engrossing collection presents a remarkably full and convincing picture of Beethoven and his time.
Compiled here are reviews, reports, notes, and essays found in German-language periodicals published between 1783 and 1830. The documents are translated into English with copious notes and annotations, an introductory essay, and indexes of names, subjects, and works. This volume contains a general section and documents on specific opus numbers up to opus 54, with musical examples redrawn from the original publications. ø The collection brings to light contemporary perceptions of Beethoven?s music, including matters such as audience, setting, facilities, orchestra, instruments, and performers as well as the relationship of Beethoven?s music to theoretical and critical ideas of the eighteenth and nineteenth centuries. These documents, most of which appear in English for the first time, present a wide spectrum of insights into the perceptions that Beethoven?s contemporaries had of his monumental music.
"Known for his penetrating books on resilience and suffering, poet, philosopher, and cancer survivor Mark Nepo continues to go deeper into what matters and to sift the wisdom that comes from confronting and recovering from the physical and spiritual challenges of life. In Seven Thousand Ways to Listen, he offers new lessons and insights on the importance of giving our full attention to all that life has to offer. Written in Nepo's beautiful, lyrical style, Seven Thousand Ways to Listen traces the story of his own hearing loss while unfolding a deeper understanding of how to listen to the world around us and to honor its connections to our internal life and callings. A moving exploration of s...
Choral Repertoire is the definitive and comprehensive one-volume presentation of the canon of the Western choral tradition. Designed for practicing conductors and directors, students and teachers of choral music, amateur and professional singers, scholars, and interested vocal enthusiasts, it is an account of the complete choral output of the most significant composers of this genre throughout history. Organized by era (Medieval, Renaissance, Baroque, Classical, Romantic, and Modern), Choral Repertoire covers general characteristics of each historical era; trends and styles unique to various countries; biographical sketches of over 500 composers; and performance annotations of more than 5,000 individual works. This book will be an essential guide to programming, a reference tool for program notes and other research, and, most importantly, a key resource for conductors, instructors, scholars, and students of choral music.
Combining musical insight with the most recent research, William Kinderman's Beethoven is both a richly drawn portrait of the man and a guide to his music. Kinderman traces the composer's intellectual and musical development from the early works written in Bonn to the Ninth Symphony and the late quartets, looking at compositions from different and original perspectives that show Beethoven's art as a union of sensuous and rational, of expression and structure. In analyses of individual pieces, Kinderman shows that the deepening of Beethoven's musical thought was a continuous process over decades of his life. In this new updated edition, Kinderman gives more attention to the composer's early c...