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Spectacles of Empire
The book of Revelation presents a daunting picture of the destruction of the world, complete with clashing gods, a multiheaded beast, armies of heaven, and the final judgment of mankind. The bizarre conclusion to the New Testament is routinely cited as an example of the early Christian renunciation of the might and values of Rome. But Christopher A. Frilingos contends that Revelation's relationship to its ancient environment was a rather more complex one. In Spectacles of Empire he argues that the public displays of the Roman Empire—the games of the arena, the execution of criminals, the civic veneration of the emperor—offer a plausible context for reading Revelation. Like the spectacles...
Jesus, Mary, and Joseph
What was it like in the household of Jesus, Mary, and Joseph? The extracanonical Infancy Gospel of Thomas and the Protogospel of James offer some answers. In stories of household conflict, as well as in scenes of courage and love, ancient Christians learned about human ignorance, divine omniscience, and the worth of family life.
Saving Shame
Virginia Burrus explores one of the strongest and most disturbing aspects of the Christian tradition, its excessive preoccupation with shame. While Christianity has frequently been implicated in the conversion of ancient Mediterranean cultures from shame- to guilt-based and, thus, in the emergence of the modern West's emphasis on guilt, Burrus seeks to recuperate the importance of shame for Christian culture. Focusing on late antiquity, she explores a range of fascinating phenomena, from the flamboyant performances of martyrs to the imagined abjection of Christ, from the self-humiliating disciplines of ascetics to the intimate disclosures of Augustine. Burrus argues that Christianity innovat...
Revelation and the Marble Economy of Roman Ephesus
In an effort to bring the (im)practicalities of John’s command for withdrawal from cultural participation in 18:4 to the forefront of scholarly discourse, this book reconstructs the marble economy of ancient Ephesus and proceeds to read Revelation by foregrounding the daily lives of its marble-workers. This book argues that Ephesus was a major center of the marble economy in the Roman world and that the infrastructure that went into creating, building, and sustaining such an enterprise generated the need for a large workforce. Anna M. V. Bowden further demonstrates that the majority of marble-workers endured poor working conditions and struggled on a daily basis to ensure subsistence. Fina...
Experiencing the Apocalypse at the Limits of Alterity
Applying current narrative criticism to the study of the Apocalypse, Hongisto underscores the oral nature of the narrative vis-à-vis the roles of the readers/listeners. EXPERIENCING THE APOCALYPSE AT THE LIMITS OF ALTERITY probes the interplay of meaning creation as readers/listeners encounter the narrative. The author shows how readers/listeners alike partake in the narrative design and become constructors of the narrative, given their own life experiences. Thus, the overarching reading context assists in the creation of a narrativity for the text. The form of the Apocalypse along with its imagistic quality convey a message that is not primarily cognitive, but is delivered and grasped by a sense of alterity encompassing the imaginary world of the text and the real world of the readers/listeners.
Humor, Resistance, and Jewish Cultural Persistence in the Book of Revelation
Positions Revelation within an ancient Jewish context and demonstrates how the author used humor to resist Roman power.
Rethinking Early Christian Identity
Maia Kotrosits challenges the contemporary notion of “early Christian literature,” showing that a number of texts usually so described—including Hebrews, Acts, the Gospel of John, Colossians, 1 Peter, the letters of Ignatius, the Gospel of Truth, and the Secret Revelation of John—are “not particularly interested” in a distinctive Christian identity. By appealing to trauma studies and diaspora theory and giving careful attention to the dynamics within these texts, she shows that this sample of writings offers complex reckonings with chaotic diasporic conditions and the transgenerational trauma of colonial violence.
A Feminist Companion to the New Testament Apocrypha
The eleventh volume in this series examines New Testament Apocryphal texts, including the Acts of Paul and Thecla, the Acts of John, the Gospel of Thomas, the Gospel of Peter, the Martyrdom of Perpetua, the Acts of Xanthippe and Polyxena, the Acts of Andrew, the Acts of Thomas, and the Apocalypse of Peter, as well as Joseph and Asenath, the Irish apocrypha, and the Greek novels. In this diverse collection the contributors utilize a variety of approaches to explore topics such as the construction of Christian identity, the Christian martyr, heterodoxy and orthodoxy, conjugal ethics and apostolic homewreckers, trials and temptations, the rhetoric of the body, asceticism, and eroticism.
The Lure of the Dark Side
Demons, devils, spirits and vampires are present throughout popular Western culture in film, music and literature. Their religious significance has only recently begun to be explored. 'The Lure of the Darkside' brings together the work of some of the most important and creative scholars in the field of Biblical and Religious Studies. The essays explore demonology in popular culture from a range of perspectives: Satanism within contemporary music; the relationship between hymn and horror film; the career of Hannibal Lecter; the portrayal of Satan in films about Christ; and spiritual perversion in the Harry Potter Stories. This fresh and ground-breaking volume will be of interest to students of religious studies and theology, as well as literary and popular culture.
Armageddon
A “humane, thoughtful, and intelligent” (The New York Times Book Review) bestselling Biblical scholar reveals why our popular understanding of the Apocalypse is all wrong—and why that matters. You’ll find nearly everything the Bible says about the end in the Book of Revelation: a mystifying prophecy filled with bizarre symbolism, violent imagery, mangled syntax, confounding contradictions, and very firm ideas about the horrors that await us all. But no matter what you think Revelation reveals—whether you read it as a literal description of what will soon come to pass, interpret it as a metaphorical expression of hope for those suffering now, or only recognize its highlights from po...
