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The Art of David Ireland
A critically acclaimed practitioner of conceptual and installation art, David Ireland has taken the concept of art itself as one of his subjects. This book accompanies a full-scale retrospective of his work and offers an overview of more than 30 years ofhis accomplishments.
Public Works
The short fictions collected in Public Works explore the extremes of human nature and literary technique. From the manic, single-sentence fiction "Public Sentence" to the carefully structured and plot-twisting "We Stand Here, Swinging Cats," Grimes' stories have an idiosyncratic and associative quality-nothing follows predictably from anything, and beginnings never foreshadow ends. While reading, one has the sense that, despite recognizable voices and themes, this imagination seems alien, as though divvying up and parceling out the world by its own rules. In "Glue Trap," a one-legged shopkeeper offers expert instruction in the art of one-on-one combat with a rat. In "Making Love: a Translation," the stream of consciousness creates a fiction as simple as Hemingway, as wistful and dissociative as Julio Cortazar. Ultimately, Grimes' stories question the grids and schemas we impose on "reality." His is a formal defiance of the tyranny of traditional narrative, expressed with a thematic daring that moves between the contemplation of ordinary buckets and high art.
Departures
Lisa Lyons, guest curator for Los Angeles's Getty Museum, chronicles a series of commissioned works in an array of media by eleven acclaimed artists in response to objects at the Getty. Fine bandw illustrations. Annotation copyrighted by Book News, Inc., Portland, OR
A World Made for Money
A spirited and incisive survey of economic geography, A World Made for Money begins with the author stopped at a red light in Norman, Oklahoma. Observing the landscape of drugstores and banks, and for that matter the stoplight and roads themselves, Bret Wallach observes, “Everything I see has been built to make money” or, at the very least, to facilitate making money. This, he argues, is a global phenomenon that nonetheless has occurred only within the past hundred years or so. Although guidebooks and culture brokers often disparage these landscapes of commerce, Wallach—recipient of a MacArthur “genius grant”—argues that we would do well to pay them close attention. A World Made ...
Los Angeles Magazine
Los Angeles magazine is a regional magazine of national stature. Our combination of award-winning feature writing, investigative reporting, service journalism, and design covers the people, lifestyle, culture, entertainment, fashion, art and architecture, and news that define Southern California. Started in the spring of 1961, Los Angeles magazine has been addressing the needs and interests of our region for 48 years. The magazine continues to be the definitive resource for an affluent population that is intensely interested in a lifestyle that is uniquely Southern Californian.
UNLEASHED
One summer, two men, one woman and the ultimate betrayal. Who will Meghan decide to settle down with? Do, she truly loves her college mate or was it just sexual pleasure? Everything was fun and games until the college mate became bait for other women. Feeling betrayed Meghan strays to a coworker who offered her companionship. But is he the one or is he just like the other men she has invited into her life? Time will tell as a trip to Boston opened Meghan’s eyes to her true feelings and desires. A road full of twist and turns leaves Meghan confused. Will she ever get it together or will they unleash the beast that is growing inside her?
The Problem of the Media
The symptoms of the crisis of the U.S. media are well-known—a decline in hard news, the growth of info-tainment and advertorials, staff cuts and concentration of ownership, increasing conformity of viewpoint and suppression of genuine debate. McChesney's new book, The Problem of the Media, gets to the roots of this crisis, explains it, and points a way forward for the growing media reform movement. Moving consistently from critique to action, the book explores the political economy of the media, illuminating its major flashpoints and controversies by locating them in the political economy of U.S. capitalism. It deals with issues such as the declining quality of journalism, the question of ...
Twisted
The publication of Twisted: Urban and visionary landscapes in contemporary paintingcoincides with the exhibition of the same name, and features the work of fifteen young, international painters. These artists are defined by the figurative visual language they use, a language that does not refer to what we might normally think of as physical reality, but instead looks to the reality manifest in video and computer games, television, film, advertising, and other media. Exploring this man-made "hyperreality," the works included here are characterized by "artificial" use of color, the "sampling" of disparate elements, and quasi-abstract patterns--presenting the viewer with a world that tends to exalt its very impermanence. The artists included are John Currin, Dexter Dalwood, Sharon Ellis, Chris Finley, Lisa Yuskavage, Michael Raedecker, David Thorpe, Takashi Murakami, Sarah Morris, Nancy Hobermann, L.C. Armstrong, Hans Broek, Damian Loeb, Jack Hallberg, Fred Tomaselli, and Paul Morrison.
Buckeye Flyer
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Lina Bo Bardi
Lina Bo Bardi (1914-1992) is renowned for her boldly modernist designs like the São Paulo Museum of Art and the culture and leisure center SESC Pompéia. An artist, architect, designer, writer, and activist, she was a tireless champion for local craft and materials. Her democratic designs were inclusive and stood as an open invitation to those typically excluded from elitist institutions, embodying an aesthetic that stood out among the modernist movement in Brazil and abroad. This collection of essays presents new perspectives on Bo Bardi from leading contemporary artists, architects, curators, and scholars. Contributors engage with the conceptual, social, and political philosophies latent in the architectural materials she chose -- from her application of concrete to her implementation of nature and her reuse of vernacular materials.
