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In 1937, Canadian Prime Minister Mackenzie King travelled to Nazi Germany in an attempt to prevent a war that, to many observers, seemed inevitable. The men King communed with in Berlin, including Adolf Hitler, assured him of the Nazi regime's peaceful intentions, and King not only found their pledges sincere, but even hoped for personal friendships with many of the regime's top officials. Four Days in Hitler's Germany is a clearly written and engaging story that reveals why King believed that the greatest threat to peace would come from those individuals who intended to thwart the Nazi agenda, which as King saw it, was concerned primarily with justifiable German territorial and diplomatic readjustments. Mackenzie King was certainly not alone in misreading the omens in the 1930s, but it would be difficult to find a democratic leader who missed the mark by a wider margin. This book seeks to explain the sources and outcomes of King's misperceptions and diplomatic failures, and follows him as he returns to Germany to tour the appalling aftermath of the very war he had tried to prevent.
Filling a gap in literature and fulfilling the need for trans-focused work, TransNarratives is an interdisciplinary collection featuring narratives of transgender experiences, providing a sourcebook of a range of trans perspectives, writing styles, and trans methodological fields of applicability. The works included transcend disciplinary boundaries in the pursuit of academic knowledge and creativity, actively deconstructing binaries wherever they begin to appear, whether with regard to gender, race, ability, or sexuality, or to the binary divisions that can sometimes separate academic and creative production. Calling attention to transgender writers, this unique and timely text showcases a ...
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Some vols. include supplemental journals of "such proceedings of the sessions, as, during the time they were depending, were ordered to be kept secret, and respecting which the injunction of secrecy was afterwards taken off by the order of the House."
The short story and the short story cycle have long been considered a marginal genre, free to make room for fresh or risk-taking voices. But in thematizing masculinity in crisis, the genre uses the premise of the marginal to elevate recuperative masculinity politics and nostalgia for traditional patriarchy. Despite the scholarly tendency to link marginal genres and marginalized voices, features of the CanLit infrastructure – including genre criticism and literary prize culture – are complicit in normalizing hegemonic masculinity and the Settler colonial project. Bearers of Risk examines how male Canadian writers mobilize the early twenty-first-century short story cycle as an illustration...
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