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Much of the New Testament was written in urban settings, in which the Christian communities had to deal head-on with issues such as race, equality, justice, sexuality, money, and economics. But much of today’s apologetics (engagement with the questions that people are asking about Christianity) come from suburban churches and academic studies. Urban believers—those who live and minister in America’s inner cities—often face unique issues, not often addressed by the larger Christian community. These questions aren’t neat or easy to answer but need to be addressed by applying biblical truth in the culture and challenges of urban life. Author Chris Brooks has ministered for years in the urban environment as well as received extensive theological training. In Urban Apologetics, he seeks to connect the riches of the Christian apologetic tradition with the issues facing cities—such as poverty, violence, and broken families. He brings an urban rhythm and sensitivity to the task of demonstrating the relevance of faith and the healing truth that Christ provides.
Beyond Postmodernism: Onto the Postcontemporary is a collection designed to provide the reader with an alternative to viewing the world through the lens of Postmodernism. Contributors to this collection utilize and define such critical tools as transhumanism, post-post theory, posthumanism, and postcontemporary theory. Other essays focus on interpreting texts or genres, yielding impressive conclusions that were “beyond” the scope of postmodern discourse. Eclectic in nature, while examining works as diverse as Julia Ward Howe’s The Hermaphrodite and Salman Rushdie’s Satanic Verses, yet unified in a commonsensical statement that postmodernism has perhaps ruled too long in critical discussions, this collection is also designed to attract those seeking or awaiting something new in critical methodology to consider joining in the postcontemporary dialogue.
Joinings and Disjoinings illustrates the importance of marriage or singleness in short stories and novels and suggests the diverse perspectives the topic can provide on specific works and on analysis of the cultural importance of marriage and marital status. Essays discuss canonical and lesser-known works, providing social, historical, and literary context.
The idea that actors are hypocrites and fakes and therefore dangerous to society was widespread in the seventeenth and eighteenth centuries. Fangs of Malice examines the equation between the vice of hypocrisy and the craft of acting as it appears in antitheatrical tracts, in popular and high culture, and especially in plays of the period. Rousseau and others argue that actors, expert at seeming other than they are, pose a threat to society; yet dissembling seems also to be an inevitable consequence of human social intercourse. The “antitheatrical prejudice” offers a unique perspective on the high value that modern western culture places on sincerity, on being true to one's own self. Taki...
First published in 2004. English stage comedy has weathered centuries of social and theatrical change. How did it survive? English Stage Comedy 1490–1990 is a unique and beautifully written study of the comedy of the English stage from the Tudor period to the late twentieth century. Organized thematically, it shows how this remarkably enduring genre has dealt with the tensions of social life, using its conventions as tools for social inquiry. Through an examination of comedy Alexander Leggatt demonstrates that an approach through genre, neglected in recent criticism, can have much to say about our current concerns with the relations between literature and society. English Stage Comedy 1490–1990 surveys five centuries of classic comic drama, focusing on major playwrights such as: Shakespeare, Jonson, Etherege, Wycherley, Congreve, Vanbrugh, Goldsmith, Sheridan, Wilde, Shaw, Coward, Orton, Ayckbourn and many lesser-known figures.
Examines how and why marriage plots became the English novel's most popular form in the eighteenth century. This book will be of interest to students and researchers of eighteenth and early nineteenth-century English literature and culture as well as feminist literary history.
Creating Democracy brings into dialogue for the first time two important theorists of democracy: Hannah Arendt (1906–75) and Mikhail Bakhtin (1895–975). Their shared conception of democracy stemming from their encounters with totalitarian governments – Nazi Germany for Arendt and Stalinist Russia for Bakhtin – and the rise of authoritarian populism in both Europe and America make their ideas more relevant than ever. Charles Hersch contends that Arendt and Bakhtin have a unique vision of democracy that centers on creation and creativity. These two thinkers imagine a world that both makes room for the cultivation and expression of each person’s individuality and facilitates healthy i...
Shortlisted for the AATSEEL 2022 Award for Best Edited Multi-Author Scholarly Volume (AATSEEL is The American Association of Teachers of Slavic and East European Languages) Theory in the "Post" Era brings together the work and perspectives of a group of Romanian theorists who discuss the morphings of contemporary theory in what the editors call the “post” era. Since the Cold War's end and especially in the third millennium, theorists have been exploring the aftermath - and sometimes just the “after” - of whole paradigms, the crisis or “passing” of anthropocentrism, the twilight of an entire ontological and cultural “condition,” as well as the corresponding rise of an antagoni...
Life After Death shows how representations of the widow in theeighteenth-century novel express attitudes toward emerging capitalismand women's participation in it. Authors responded to the century'sinstability by using widows, who had the right to act economically andself-interestedly, to teach women that virtue meant foregoing theopportunities that the changing economy offered. Novelists thus helpedto create expectations for women that linger today, and established thenovel as a cultural arbiter. The first study of widows in the developingnovel, Life After Death also takes the next step in merging genre, gender, and economic criticism
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