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operation of the Parliamentary Standards Act 2009 : First report of session 2010-12, Vol. 2: Oral and written Evidence
Presents a radical new reading of how Christian history was rewritten in the fourth century to suit its circumstances under Rome.
No people is nameless, and lists of words are as old as writing systems. And yet, both subjects can appear unpromising to historians. This volume shows the contrary by examining the various meanings and functions of ethnonyms in Late Antiquity: added to catalogues of provinces, they reflect the political messages and the regulating power of the imperial bureaucracy; included in schoolbooks, they mirror educational practices and reveal the geographical and ethnic landscapes taught at school; placed on a map, they help make sense of the world in times of transition.
Drawing on over a quarter of a century of the author's research and experience, this book focuses on the man and his life for scholars, students, and those interested in Roman imperial, early Christian, and Byzantine imperial history. It is illustrated with ninety-two photographs and eight maps.
'Adult' isn't a noun; it's a verb. Just because you don't feel like an adult doesn't mean you can't act like one. And it all begins with this funny, wise, and useful book. Based on Kelly Williams Brown's popular blog, ADULtING makes the scary, confusing 'real world' approachable, manageable - and even conquerable. this guide will help you to navigate the stormy Sea of Adulthood so that you may find safe harbour in Not Running Out of toilet Paper Bay, and along the way you will learn: What to check when renting a new apartment - not just the nearby bars, but the taps and stove, among other things. How to avoid hooking up with anyone in your office - imagine your co-workers having plastic, featureless doll crotches. It helps. When a busy person can find time to learn about the world - it involves the intersection between public radio and hair-straightening.
Sensing Greek Drama explores ancient Greek tragedy and comedy through the lens of the senses. It works within and beyond a number of recent developments in the scholarship of Classics and related fields. The individual chapters engage with the senses in drama in manifold ways: through various theoretical frameworks borrowed from kindred fields in the humanities and sciences – postmodernism, humanism, feminism, phenomenology, cognitive theory and neuroscience, to name a few – as well as through the more traditional approaches within Classics, including philology, historicism, performance studies and reception. Above all, Sensing Greek Drama serves as a call to “to recover our senses”, as Susan Sontag wrote in her famous essay “Against Interpretation”, in a modern age characterized by sensory overload and deprivation.