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The concept of fetishism has long been a window through which philosophers, psychoanalysts and cultural anthropologists have looked in order to critically examine the nature of beliefs, sexual interests and material values, and it remains today a vital interpretive paradigm. The enduring interest in fetishism gives testimony to the fact that its status and significance have yet to be fully resolved. In the attempt to further clarify this ambiguous and often mystifying phenomenon, the contributors to Everyday Extraordinary: Encountering Fetishism with Marx, Freud and Lacan have taken a fresh look at the fundamental dynamic of fetishism through the lenses of its most influential interpreters?n...
Although often considered an esoteric figure occupying the dark fringes of twentieth-century thought, Georges Bataille was a pivotal precursor to a generation of poststructuralist and postmodern thinkers—including Baudrillard, Derrida, Foucault, Lacan, and Lyotard. The Sunday of the Negative provides the most extensive English-language investigation of Bataille's critical treatment of the thought of Hegel, focusing on the notions of subjectivity, desire, self-consciousness, knowledge, and the experience of the divine. The book spans all of Bataille's writings, patiently navigating even the most obscure texts. The author explains how Bataille's notion of self-consciousness both derives from, and is an alternative to, that of Hegel. Disclosing the origins of Bataille's most influential concepts, the book moves across philosophy proper to include reflections on anthropology, economics, cultural criticism, poetry, eroticism, mysticism, and religion.
From trauma to postmodernism and gender theory, this guide surveys a full range of critical perspectives on three of Palahniuk's major novels, including Fight Club.
In this volume, renowned experts in psychoanalysis reflect on the relationship between psychoanalysis and religion, in particular presenting various controversial interpretations of the question if and to what extent monotheism semantically and structurally fits psychoanalytic insights. Some essays augment traditional religious critiques of Freudianism with later religio-philosophical theories on, for example, femininity. Others explore the relation between psychopathology and morality from the Freudian premise that psychopathology shows in an excessive way aspects or mechanisms of the human psyche that constitute our subjectivity, moral capacities, and behavior.Contributors: Andreas De Bloc...
The different psychopathologic syndromes show in an exaggerated and caricatural manner the basic structures of human existence. These structures not only characterize psychopathology, but they also determine the highest forms of culture. This is the credo of Freud's anthropology. This anthropology implies that humans are beings of the in-between. The human being is essentially tied up between pathology and culture, and 'normativity' cannot be defined in a theoretically convincing manner. The authors of this book call this Freudian anthropology a patho-analysis of existence or a clinical anthropology. This anthropology gives a new meaning to the Nietzschean dictum that the human being is a 's...
The first English-language translation of an essential, early work key to understanding the French philosopher's later thought. In the decade prior to the publication of Inner Experience (L’expérience intérieure), the twentieth-century French philosopher Georges Bataille produced a nascent masterwork containing some of his most original and extensive reflections on a range of subjects. With thoughts on ritual sacrifice and military conquest, the nature of laughter, and the mechanisms of capitalism, The Limit of the Useful, as Bataille had planned to title the work, illuminates the philosopher’s later corpus, yet it remained unfinished and unpublished in his lifetime, and untranslated u...
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This book approaches the construction of complex and transgressive ‘pervert’ characters in mainstream (not ‘art’), adult-oriented (not pornographic) cinema. It deconstructs an episteme on which to base the construction of characters in screenplays, in a way that acknowledges how semiotic elements of characterisation intersect. In addition, it provides an extended re-phrasing of the notion of ‘the pervert’ as Feiticiero/a: a newly-coined construct that might serve as an underpinning for complex, sexual filmic characters that are both entertaining and challenging to audiences. This re-phrasing speaks to both an existential/phenomenological conception of personhood and to the scholarly tradition of the ‘linguistic turn’ of continental philosophers such as Foucault and Lacan, who represent language not primarily as describing the world but as constructing it. The result is an original and interdisciplinary volume that is brought to coherence through a queer, post-humanist lens.
Consuming the Body examines contemporary consumerism and the commodified construction of ideal gendered bodies, paying particular attention to the new forms of interaction produced by social networking sites. Describing the behaviours of an ideal neoliberal subject, Woolley identifies modes of discipline, forms of pleasure, and opportunities for subversion in an examination of how individuals are addressed and the ways in which they are expected to respond. Key modes of address that compel the consumer to consume are: sadistic commands communicated in adverts, TV programmes and magazine articles; a fetishistic gaze that dissects the body into parts to be improved through commodification; and...
Sex, Gender, and Sexualities in the Plays of Edward Albee contains a general introduction and eleven essays by American and European Albee scholars on Albee’s depictions of gender relations, sexual relations, monogamy, child-rearing, and homosexuality. The volume includes close readings of individual plays and more general theoretical and historical discussions. Contributors: Henry Albright, Mary Ann Barfield, Araceli Gonzalez Crespan, Andrew Darr, John M. Clum, Paul Grant, Emeline Jouve, T. Ross Leasure, David Marcia, Cormac O’Brien, Donald Pease, Valentine Vasak