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Christopher Michael Jones shares the parallel wisdom learned from the worlds of hip hop and church: the good news of "Can't stop, won't stop" preached by hip hop in the ashes of Reagan-era turbulence, and the good news of God's faithfulness to teach resilience in the wake of radical disruption. "I was pulled back to a time when black youth and young adults like Biggie and I expressed our creative genius through a cultural movement that arose out of the ashes of poverty: hip hop. To us, hip hop was the church. The MC was the preacher. The DJ was the worship host. The B-Boys, breakdancers, and pop-lockers were the liturgical dancers. The journalists and graffiti artists were the scribes. The concert arena was a sanctuary. The bodies who danced to rhythmic anthems of classics like "La Di Da Di," "Oh, My God!, " "I Know You Got Soul," and "Fight the Power" were its members."
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The fossil fuel revolution is usually a tale of advances in energy production. Christopher Jones tells a tale of advances in energy access—canals, pipelines, wires delivering cheap, abundant power to cities at a distance from production sites. Between 1820 and 1930 these new transportation networks set the U.S. on a path to fossil fuel dependence.
Offers Christian-based advice for African-American college students; discussing friendships, study habits, healthy eating, dating, choosing a major, connecting to a community, options after graduation, and other related topics.
This collection contains photocopies of the compiled writings of designer J. Christopher Jones. The collection includes copies of published articles, unpublished manuscripts, internal reports, and proposals concerning such subjects as streamlining, implications of automation, human error and accidents, and mechanization and design. The fifth volume in the series, titled "Dear Architects," consists of a set of open letters in which Jones addresses questions raised by students during his time as a visiting scholar at Virginia Polytechnic Institute and State University's College of Architecture and Urban Studies.
Constitutional Idolatry and Democracy investigates the increasingly important subject of constitutional idolatry and its effects on democracy. Focussed around whether the UK should draft a single written constitution, it suggests that constitutions have been drastically and persistently over-sold throughout the years, and that their wider importance and effects are not nearly as significant as constitutional advocates maintain. Chapters analyse whether written constitutions can educate the citizenry, invigorate voter turnout, or deliver ‘We the People’ sovereignty.
Christopher Michael Jones shares the parallel wisdom learned from the worlds of hip hop and church: the good news of “Can’t stop, won’t stop” preached by hip hop in the ashes of Reagan-era turbulence, and the good news of God’s faithfulness to teach resilience in the wake of radical disruption. "I was pulled back to a time when black youth and young adults like Biggie and I expressed our creative genius through a cultural movement that arose out of the ashes of poverty: hip hop. To us, hip hop was the church. The MC was the preacher. The DJ was the worship host. The B-Boys, breakdancers, and pop-lockers were the liturgical dancers. The journalists and graffiti artists were the scribes. The concert arena was a sanctuary. The bodies who danced to rhythmic anthems of classics like “La Di Da Di,” “Oh, My God!,” “I Know You Got Soul,” and “Fight the Power” were its members."
Frances Hodgson Burnett was the highest paid and most widely read woman writer of her time, publishing more than fifty novels and thirteen plays.
First full-scale account of the use of the Arthurian legend in the long twelfth century.
Heroes and heroines in antiquity inhabited a space somewhere between gods and humans. In this detailed, yet brilliantly wide-ranging analysis, Christopher Jones starts from literary heroes such as Achilles and moves to the historical record of those exceptional men and women who were worshiped after death. He asks why and how mortals were heroized, and what exactly becoming a hero entailed in terms of religious action and belief. He proves that the growing popularity of heroizing the dead—fallen warriors, family members, magnanimous citizens—represents not a decline from earlier practice but an adaptation to new contexts and modes of thought. The most famous example of this process is Hadrian’s beloved, Antinoos, who can now be located within an ancient tradition of heroizing extraordinary youths who died prematurely. This book, wholly new and beautifully written, rescues the hero from literary metaphor and vividly restores heroism to the reality of ancient life.