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African Theatre
Compelling inside views of what characterises opera and music theatre in African and African diasporic contexts.
Culture, Performance and Identity. Paths of Communication in Kenya
This book brings together essays which cover a number of key areas: Gender, Disability, Media, Sports, Literature, Religion, Land and Youth, Music. Through an examination of the situation in Kenya, the essays opens new ways of understanding forms of local.
Tracks and Traces of Violence
Tracks and Traces of Violence explores the social conditions, political contexts, and cultural spaces of violence in Africa. It is comprised of accounts that underpin the visible and hidden 'tracks and traces' of violence in the memories of traumatized individuals and groups. It also interrogates the gaps, silences, and vacuities of/in these memories, as well as the role they play in shaping the facial contours of our modern societies. Weaving together views from literature, anthropology, art, cultural studies, and museum studies, this book provides deeper insight into the meanings of violent socialities, spatialities, and temporalities, as well as into how they materialize in poetry, fiction, art, and popular culture. (Series: Contributions to African Research / Beitrage zur Afrikaforschung, Vol. 80) [Subject: African Studies, Sociology, Art, Literature, Anthropology]
History and Violence in Contemporary Kenyan Fiction
This book is a collection of essays on Yvonne Owuor’s writings, mainly her most acclaimed novel, Dust as well as Dragonfly Sea and her short story “Weight of Whispers”. While the chapters in this book grapple with diverse themes, they generally converge on Owuor’s preoccupation with different forms of violence that has dominated Kenya’s postcolonial experiences, especially those around the politics of power and the roles of regional, ethnic, and gender identities in influencing such politics. Many of the chapters in this book problematize the violence of genocide, trauma, and flight as they are variously and singularly underpinned by silences that signal the failure of adequate avenues for articulation of what impact such violence has on its victims. Other chapters focus on the style of Owuor’s writing, thereby highlighting the many literary innovations that Owuor crafts in order to effectively carry the weight of her concerns. This book will be of interest to scholars and advanced students of Literature, Politics, History, and Sociology. It was originally published as a special issue of the journal Eastern African Literary and Cultural Studies.
Drama and Theatre with Children
Drama as a process-centred form is a popular and valued methodology used to develop thinking and learning in children, while theatre provides a greater focus on the element of performance. In recent years, offering drama and theatre as a shared experience is increasingly used to engage children and to facilitate learning in a drama classroom. Using drama and theatre as a central component with children, this book is an amalgamation of theory, research and practice from across the globe offering insights into differing educational contexts. Chapters provide an exploration of the methodologies and techniques used to improve drama in the curriculum, and highlight the beneficial impact drama has...
Re-writing Pasts, Imagining Futures
The papers in this volume focus on fiction and theatre in their traditional forms as well as in their encounters with novel and innovative forms and avenues of dissemination. As a cultural practice that emerged from a process of protest and contestation of hegemony, it is understandable that one main concern in African literature and literary criticism is the resistance against the emergence of marginalizing centers in formerly or currently marginalized societies with regard to discourses, aesthetics and media of creation. These new centers that sometimes undermine the strategic/tactical exploitation of the relative advantage procured by each medium run the risk of leading to new forms of st...
