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List of IllustrationsAcknowledgmentsIntroduction- Thin Blue Lines: Police Power and Cultural Storytelling1. "The Machinery of a Finished Society": Stephen Crane, Theodore Roosevelt, and the Police2. ..".and the Human Cop": Professionalism and the Procedural at Midcentury3. Blue Knights and Brown Jackets: Beat, Badge, and "Civility" in the 1960s4. Hardcovering "True" Crime: Cop Shops and Crime Scenes in the 1980s5. Framing the Shooter: The Globe, the Police, and the StreetsEpilogue- Police BluesNotesIndex Copyright © Libri GmbH. All rights reserved.
In White Collar Fictions Christopher P. Wilson explores how turn-of-the-century literary representations of "white collar" Americans--the "middle" social strata H.L. Mencken dismissed as boobus Americanus--were actually part and parcel of a new social class coming to terms with its own power, authority, and contradictions. An innovative study that integrates literary analysis with social-history research, the book reexamines the life and work of Sherwood Anderson and Sinclair Lewis--as well as such nearly forgotten authors as O. Henry, Edna Ferber, Robert Grant, and Elmer Rice. Between 1885 and 1925 America underwent fundamental social changes. The family business faded with the rise of the ...
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Patrick deWitt meets Catch 22, when a guileless young boy gets mixed up in Stalin's inner circle. There are certain things that Yuri Zipit knows: 1. That being official food-taster for the Great Leader of the Soviet Union requires him to drink too much vodka for a twelve-year-old. 2. That you do not have to be an Elephantologist to see that the Great Leader is dying. 3. Yuri's father is somewhere here in the Dacha. 4. It's a crime to love your family more than you love Socialism, the Party or the Republic. 5. That, because of his damaged mind, everyone thinks Yuri is a fool. But Yuri isn't. He sits quietly through excessive state dinners and witnesses it all--betrayals, body doubles, buffoonery. He's starting to get the hang of this politics thing, but there's so much to learn. Who knew that a man could be in five places at once? That someone could break your nose as a sign of friendship? That people could be disinvented? The Zoo is a cutting satire, told through the refreshing voice of one gutsy boy who will not give up on hope.
In the three decades after 1885, a virtual explosion in the nation's print media—newspaper tabloids, inexpensive magazines, and best-selling books—vaulted the American writer to unprecedented heights of cultural and political influence. The Labor of Words traces the impact of this mass literary marketplace on Progressive era writers. Using the works and careers of Jack London, Upton Sinclair, David Graham Phillips, and Lincoln Steffens as case studies, Christopher P. Wilson measures the advantages and costs of the new professional literary role and captures the drama of this transformative epoch in American journalism and letters.
From his Icelandic father Lee Cotton gets his marble skin and blue eyes. From his mixed-race mother he gains his black identity. From his Mambo grandmother he inherits forebodings about his future. It's a combination that sets Lee apart from the other black kids growing up in Eureka, Mississippi. It marks Lee out as slightly odd. And very white. If childhood was confusing, adolescence proves life changing when Lee falls in love with the sublime Angelina. It's also life threatening: Angel's father is a freelance shooter for the Klan, who doesn't take kindly to his daughter's boyfriend. An act of appalling violence leaves Lee far from home with a new identity, a draft card, a memory that operates in flashback and a mental illness that makes him a sort of genius. He also has a reputation, back home, for being dead. Nobody (except possibly his grandmother) could envisage that Lee's rebirth is a headstart and not a handicap. His role in a quite remarkable journey through life will be to transform others as he has transformed himself...
This impeccably researched and “adventure-packed” (The Washington Post) account of the obsessive quest by Christopher Columbus’s son to create the greatest library in the world is “the stuff of Hollywood blockbusters” (NPR) and offers a vivid picture of Europe on the verge of becoming modern. At the peak of the Age of Exploration, Hernando Colón sailed with his father Christopher Columbus on his final voyage to the New World, a journey that ended in disaster, bloody mutiny, and shipwreck. After Columbus’s death in 1506, eighteen-year-old Hernando sought to continue—and surpass—his father’s campaign to explore the boundaries of the known world by building a library that wou...
Legendary director, actor, author, and provocateur Werner Herzog has incalculably influenced contemporary cinema for decades. Until now there has been no sustained effort to gather and present a variety of diverse philosophical approaches to his films and to the thinking behind their creation. The Philosophy of Werner Herzog, edited by M. Blake Wilson and Christopher Turner,collects fourteen essays by professional philosophers and film theorists from around the globe, who explore the famed German auteur’s notions of “ecstatic truth” as opposed to “accountants’ truth,” his conception of nature and its penchant for “overwhelming and collective murder,” his controversial film pr...
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'What the doctor ordered . . . a fiercely funny novel.' Sunday Times It is the year of our Lord 1349 and it is the season of the Plague. Novice friar Brother Diggory, now sixteen, has lived in the Monastery of the Order of St Odo at Whye since his eighth birthday. But his life is about to change. The sickness is creeping ever closer and the monks must attend to the victims. When Brother Diggory is nominated to tend to those afflicted, he realises he is about to meet the Plague, and that it is more powerful than him. What he doesn't realise is that encountering an illness and understanding it are two quite different things. An uproarious and uplifting novel about sickness and health, the fashions of 14th Century medicine, and how perhaps we're never quite as cutting-edge as we might like to believe.