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For many centuries, the Western imagination has picture the medieval period as a kind of odyssey: a journey that took Mankind to a strange country and ended in the Renaissance with his homecoming and the restoration of his inheritance. In this stimulating and provocative book, Christopher Pageexplores the kinds of generalization that we habitually make about `the Middle Ages' and which, whether we know it or not, sustain the false image of medieval odyssey. In chapters that proceed chronologically from the thirteenth century to the fifteenth, he examines what we suppose to be theserenity of medieval reflection on such matters as the `numerical' explanation of musical beauty, and he questions the modern tendency to regard Ars antiqua motets as music for `an intellectual elite'. Turning to the Ars nova and beyond, he discusses the relation between fourteenth-centuryinnovations and contemporary science. A final chapter explores the powerful influence on Joan Juizinga's classic The Waning of the Middle Ages, upon musicology. Page's lively prose if full of ideas, is based upon first-hand learning, and is enriched by an uncommonly deep experience of medievalmusic.
A Performer's Guide to Medieval Music is an essential compilation of essays on all aspects of medieval music performance, with 40 essays by experts on everything from repertoire, voices, and instruments to basic theory. This concise, readable guide has proven indispensable to performers and scholars of medieval music.
The guitar is the most played instrument in the West. This is the first account of its rise in Stuart England.
Essays on important topics in early music.
This volume presents a list of more than 10,000 indentured servants who embarked from the British port of Bristol for Virginia, Maryland, New England, and other parts between 1654 and 1685, giving information on the passengers' origin and destination. Records the name of practically every person who left England for Virginia, Maryland, and the West Indies for the period covered.
"Beginning in the time of the New Testament, when Christians began to develop an art of ritual singing with an African and Asian background, Christopher Page traces the history of music in Europe through the development of Gregorian chant--a music that has profoundly influenced the way Westerners hear--to the invention of the musical staff, regarded as the fundamental technology of Western music. Page places the history of the singers who performed this music against the social, political and economic life of a Western Europe slowly being remade after the collapse of Roman power"--Provided by publisher.
An examination of if and how medieval romance was performed, uniquely uniting the perspective of a scholar and practitioner. Although English medieval minstrels performed gestes, a genre closely related to romance, often playing the harp or the fiddle, the question of if, and how, Middle English romance was performed has been hotly debated. Here, the performance tradition is explored by combining textual, historical and musicological scholarship with practical experience from a noted musician. Using previously unrecognised evidence, the author reconstructs a realistic model of minstrel performance, showing how a simple melody can interact with the text, and vice versa. She argues that elements in Middle English romance which may seem simplistic or repetitive may in fact be incomplete, as missing an integral musical dimension; metrical irregularities, for example, may be relics of sophisticated rhythmic variation that make sense only with music. Overall, the study offers both a more accurate comprehension of minstrel performance, and a deeper appreciation of the romances themselves. Linda Marie Zaerr is Professor of Medieval Studies at Boise State University.
When a runway model in 1940s Hollywood makes a split-second decision intended to protect those she loves, she triggers a cascade of secrets that threatens to upend her daughter’s life decades later. After winning a prestigious fashion design contest in 1948, Aster Kelly flees the world of modeling in New York and arrives in Beverly Hills to claim her prize: a design apprenticeship with Fernando Tivoli. But Fernando has no such job available. He’s busily preparing for the opportunity of a lifetime—proving to Galaxy Studios that he is the perfect couturier for their A-list stars. The moment he meets Aster, though, he knows she’s the missing ingredient he needs and asks her to be his st...