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This book comprises an introduction to information as an external commodity; a data base that can be manipulated, retrieved, transmitted, and used. It is useful at an introductory undergraduate level and also for anyone who is new to the field of Information Science.
From the appearance of Bound to Violence in the late 1960s, Yambo Ouologuem has been one of Africa's most controversial writers. For some critics, the young Malian signaled an entirely new direction for African letters: a fiercely courageous postindependence literature. For others, his novel revealed too much, bringing to light horrors many preferred to ignore. Today Ouologuem is credited with delivering the final death-blow to Senghorian negritude, thus clearing the way for a more honest literature divested of the longing for a false African past. This book gathers the most important essays on Ouologuem from critics on three continents. Wise also includes his recent interviews with the reclusive author and a companion essay on Ouologuem's present life among the Tidjaniya Muslims of northern Mali.
Against the Postcolonial is at once a study of five writers from lands formerly or currently ruled by France (Algeria, Cambodia, Guiana, Madagascar, and Mali) and an interrogation of the relevance of postcolonial theory, criticism and studies to these writers. The authors are necessarily placed against the background of postcolonial studies, but since they have radically different backgrounds, histories, and careers, Serrano argues against the relevance of a homogenizing critical practice most interested in replicating itself.
How was modernism shaped, from its beginning, by intellectual property law? What role did the law's imperial and transatlantic asymmetries play in modernism's dissemination? How did various modernists exploit, reform, anoint, and evade copyright? And how is the study of modernism today being affected by expanding copyright regimes?Modernism and Copyright is the first book to take up these questions. A truly multi-disciplinary study, it brings together essays by scholars of literature, theater, cinema, music, and law as well as by practicing lawyers and caretakers of modernist literary estates. Its contributors' methods are as diverse as the works they discuss: Ezra Pound's copyright statute and Charlie Parker's bebop compositions feature here, as do early Chaplin films, EverQuest, and the Madison Avenue memo. As our portrait of modernism expands and fragments, Modernism and Copyright locates works such as these on one of the few landscapes they all clearly share: the uneven terrain of intellectual property law.
This important work has the names of nearly 15,000 Lancaster County residents who left wills or died intestate, 1729-1850. Arranged in two alphabets, the full name of the deceased is given, as well as the year, the book volume and page wherein the records are to be found. There is also a brief history of the early inhabitants of the area, and a classified bibliography.