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The exhibition "Beyond Babylon : Art, Trade, and Diplomacy in the Second Millennium B.C.," held in 2008 - 2009 at The Metropolitan Museum of Art, demonstrated the cultural enrichment that emerged from the intensive interaction of civilizations from western Asia to Egypt and the Aegean in the Middle and Late Bronze Ages. During this critical period in human history, powerful kingdoms and large territorial states were formed. Rising social elites created a demand for copper and tin, as well as for precious gold and silver and exotic materials such as lapis lazuli and ivory to create elite objects fashioned in styles that reflected contacts with foreign lands. This quest for metals--along with ...
Getz-Gentle (an independent scholar) has seen many of the examples that exist in the course of her career studying Cycladic sculpture. She presents in this volume a catalog of Cycladic sculpture which she has organized into stylistic categories based on formal analysis. The methods she used to arrive at her conclusions, as well as her theory of how the sculptures were produced are discussed at length. Annotation copyrighted by Book News Inc., Portland, OR
Women's and men's worlds were largely separate in ancient Mediterranean societies, and, in consequence, many women's deepest personal relationships were with other women. Yet relatively little scholarly or popular attention has focused on women's relationships in antiquity, in contrast to recent interest in the relationships between men in ancient Greece and Rome. The essays in this book seek to close this gap by exploring a wide variety of textual and archaeological evidence for women's homosocial and homoerotic relationships from prehistoric Greece to fifth-century CE Egypt. Drawing on developments in feminist theory, gay and lesbian studies, and queer theory, as well as traditional textual and art historical methods, the contributors to this volume examine representations of women's lives with other women, their friendships, and sexual subjectivity. They present new interpretations of the evidence offered by the literary works of Sappho, Ovid, and Lucian; Bronze Age frescoes and Greek vase painting, funerary reliefs, and other artistic representations; and Egyptian legal documents.
Joseph and Maria Shaw received the Archaeological Institute of America's Gold Medal for a lifetime of outstanding achievement in January of 2006. This volume is a collection of the papers presented at the Gold Medal Colloquium held in their honor during the 2006 Annual Meeting of the Archaeological Institute of America in Montreal, Quebec. Additional articles have also been written for this volume. Many of the articles pertain to different aspects of Aegean Bronze Age architecture, harbors, frescoes, and trade, which are all keen interests of the Shaws.
In this book, Vallianatos paints a picture of freedom in Greek history and civilization. Freedom for the Greeks, he says, has been like breathing air. He documents how freedom gave birth to the great achievements of Greek civilization. The Greeks repeatedly defeated large invading Persian armies in early fifth century BCE. Those heroic victories secured Greek and Western civilization. Modern Greeks also won over large Turkish forces in the 1820s, thus establishing the independence of Greece. In 1940, the Greeks defeated a large Italian army, winning the first victory of WWII. The result of the triumph of freedom, especially in ancient Greece, Vallianatos says, was an explosion of light. Civi...
The Greek Bronze Age, roughly 3000 to 1000 BCE, witnessed the flourishing of the Minoan and Mycenean civilizations, the earliest expansion of trade in the Aegean and wider Mediterranean Sea, the development of artistic techniques in a variety of media, and the evolution of early Greek religious practices and mythology. The period also witnessed a violent conflict in Asia Minor between warring peoples in the region, a conflict commonly believed to be the historical basis for Homer's Trojan War. The Oxford Handbook of the Bronze Age Aegean provides a detailed survey of these fascinating aspects of the period, and many others, in sixty-six newly commissioned articles. Divided into four sections...
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First Published in 2004. Routledge is an imprint of Taylor & Francis, an informa company.