Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Something Will Happen, You'll See
Raymond Carver meets William Faulkner in this “pitch-perfect” short story collection that captures the hopes and fears of working-class Greeks during the country’s economic crisis (Los Angeles Review of Books) Ikonomou’s stories convey the plight of those worst affected by the Greek economic crisis—laid-off workers, hungry children. In the urban sprawl between Athens and Piraeus, the narratives roam restlessly through the impoverished working-class quarters located off the tourist routes. Everyone is dreaming of escape: to the mountains, to an island or a palatial estate, into a Hans Christian Andersen story world. What are they fleeing? The old woes—gossip, watchful neighbors, t...
Good Will Come From the Sea
A collection of blistering, darkly humorous stories that upend the idyllic image of the Greek holiday island. Seeking to escape the paralyzing effects of the Greek economic crisis, a group of Athenian friends move to an Aegean island in the hopes of starting over. Viewed with suspicion and disdain by the locals, they soon find themselves enmeshed in the same vicious cycle of money, power, and violence they thought they had left behind.
Warte nur, es passiert schon was
Griechenland befindet sich seit Jahren in einer wirtschaftlichen Depression. Das war nicht immer so; die Menschen wissen, dass es ihnen besser gehen könnte. Die Erzählungen von Christos Ikonomou spielen in Piräus, rund um den großen Hafen. Sie machen die Atmosphäre heute im Land spürbar, zeigen Menschen, die mit verschiedenen existenziellen Nöten zu kämpfen haben und ihrer irgendwie, und sei es durch Warten, Herr zu werden versuchen. Ikonomou kennt das Leben seiner Landsleute, kennt ihre Welt, die Straßen und die Docks, die ihr Zuhause bilden, diese Ecken Athens, die eigentlich grau sind und doch eine eigene Schönheit haben. Seine Figuren leben in Mietskasernen, arbeiten im Hafen. ...
Good Will Come From the Sea
A collection of blistering, darkly humorous stories that upend the idyllic image of the Greek holiday island. Seeking to escape the paralyzing effects of the Greek economic crisis, a group of Athenian friends move to an Aegean island in the hopes of starting over. Viewed with suspicion and disdain by the locals, they soon find themselves enmeshed in the same vicious cycle of money, power, and violence they thought they had left behind.
An Untouched House
A blisteringly powerful classic war story from one of the Netherlands' greatest writers WITH AN AFTERWORD BY CEES NOOTEBOOM 'The Dutch have hailed him as their greatest novelist, and now, slowly, Europe is getting to know him' Milan Kundera, Le Monde 'Bleak, hilarious, angry, ruthless... Hermans is as alarming as a snake in the breadbin... hugely entertaining' Scotsman Towards the end of the Second World War, a weary partisan fighting with the Red Army in Germany comes across a grand, abandoned house, seemingly untouched by the devastation sweeping the country. Exhausted, he falls asleep in the living room, but wakes to find a German patrol marching up the garden path. His only hope is to po...
Before Lyricism
Before Lyricism includes six book-length poems: 'The Forest' (1954), 'Plant Upbringing' (1956), 'Diary of Age' (1958), 'Description of the Body' (1959), 'The Meaning of the Blind' (1962), and 'Our Way of Being in Danger' (1966). Each of these, apart from 'Plant Upbringing,' was published as a separate book, which Vakalo herself designed. ('Plant Upbringing' was originally included in the volume Wall Painting, of which Vakalo later repudiated all but this single long poem.) For Vakalo, these poems formed a larger, accretive whole, which she titled Prin Apo Ton Lyrismo (Before Lyricism). By bringing these poems together under a single cover, Before Lyricism allows us to see the complex web of intertextual relations that bind these books together. Meanwhile, by bringing these poems into English, this volume will enrich not only our knowledge of this key period in Vakalo's career, but English-language readers' understanding of modern Greek poetry as a whole.
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Greece
Essays, investigative journalism, literary reportage, and visual narratives in order to tell the story of Greece and to portray its shifting culture and identity, its public debates, the sensibilities of its people, its burning issues, conflicts, and open wounds
Languages of Resistance, Transformation, and Futurity in Mediterranean Crisis-Scapes
This collection rethinks crisis in relation to critique through the prism of various declared ‘crises’ in the Mediterranean: the refugee crisis, the Eurozone crisis, the Greek debt crisis, the Arab Spring, the Palestinian question, and others. With contributions from cultural, literary, film, and migration studies and sociology, this book shifts attention from Europe to the Mediterranean as a site not only of intersecting crises, but a breeding ground for new cultures of critique, visions of futurity, and radical imaginaries shaped through or against frameworks of crisis. If crisis rhetoric today serves populist, xenophobic or anti-democratic agendas, can the concept crisis still do the work of critique or partake in transformative languages by scholars, artists, and activists? Or should we forge different vocabularies to understand present realities? This collection explores alternative mobilizations of crisis and forms of art, cinema, literature, and cultural practices across the Mediterranean that disengage from dominant crisis narratives. Chapter 1 is available open access under a Creative Commons Attribution 4.0 International License via link.springer.com.
Suppose a Sentence
A captivating meditation on the power of the sentence by the author of Essayism, a 2018 New Yorker book of the year. In Suppose a Sentence, Brian Dillon, whom John Banville has called “a literary flâneur in the tradition of Baudelaire and Walter Benjamin,” has written a sequel of sorts to Essayism, turning his attention to the oblique and complex pleasures of the sentence. A series of essays prompted by a single sentence—from Shakespeare to James Baldwin, John Ruskin to Joan Didion—this new book explores style, voice, and language, along with the subjectivity of reading. Both an exercise in practical criticism and a set of experiments or challenges, Suppose a Sentence is a polemical and personal reflection on the art of the sentence in literature.
