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Imagine The Sopranos, with snakes! The Lizard King is a fascinating account of a father and son family business suspected of smuggling reptiles, and the federal agent who tried to take them down. When Bryan Christy began to investigate the world of reptile smuggling, he had no idea what he would be in for. In the course of his research, he was bitten between the eyes by a blood python, chased by a mother alligator, and sprayed by a bird-eating tarantula. But perhaps more dangerous was coming face to face with Michael J. Van Nostrand, owner of Strictly Reptiles, a thriving family business in Hollywood, Florida. Van Nostrand imports as many as 300,000 iguanas each year (over half the total of America's most popular imported reptile), as well as hundreds of thousands of snakes, lizards, frogs, spiders, and scorpions. Van Nostrand was suspected of being a reptile smuggler by Special Agent Chip Bepler of the U.S. Fish and Wildlife Service, who devoted years of his life in an obsessive quest to expose The Lizard King's cold-blooded crimes. How this cat-and-mouse game ended is engrossing and surprising.
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Allen Stouffer's analysis of Ontario's response to the freedmen reveals a virulent strain of racism that helps to explain why British North Americans were slow to join their British and American counterparts in the North Atlantic antislavery triangle. After exploring the Canadian churches' mixed reaction to antislavery, he applies cliometrics to draw a socio-economic profile of Canadian antislavery's leaders and followers. Employing British, American, and Canadian primary sources, Stouffer has written this study the first book-length examination of Canadian antislavery from a British North American perspective. Earlier studies concluded that Canadian anti-slavery was largely the result of Canada's proximity to the United States, a proximity which precluded Canada's ignoring the situation. While Stouffer recognizes the importance of the American influence, he shows that the leaders of Canadian anti-slavery were immigrants from Britain who had been deeply involved in antislavery in their homeland.
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Colton H. Bryant grew up in Wyoming and never once wanted to leave it. Wyoming loved him and he loved it back. Two things helped Colton get through school and the neighbourhood bullies: his best friend Jake and his favourite mantra: Mind over matter-- which meant to him: if you don't mind, it don't matter. Colton and Jake grew up wanting nothing more that the freedom to sleep out under the great Wyoming night sky, and to be just like Jake's dad, Bill, a strong, gentle man of few words who can ride rodeo like nobody's business. When Colton started work as a driller on a rig, despite his young wife begging him to quit, he claimed it was in his blood. Colton did die young and he died on the rig -- falling to his death because the oil company neglected to spend the $2,000 on safety rails. His family received no compensation. The strong, sad story of Colton H. Bryant's life could not be told without the telling of the land that grew him, where there are still such things as cowboys roaming the plains, where it is relationships that get you through and where a simple, soulful and just man named Colton H. Bryant lived and died.
Art Law in a Nutshell presents an overview of the legal issues concerning art. It covers the definition of art, and the theft and movement of art in wartime and peacetime. It examines the business of art for artists, dealers, museums, and collectors, including art as an investment, auctions, authentication, insurance, tax issues for artists and collectors, working artist issues, and aid to the arts. It also explains the intellectual property issues of copyright, trademark, moral rights and economic rights, right of publicity, and First Amendment freedom of expression rights. The latest introduction was written by a Ninth Circuit Court of Appeals judge who actually wrote at least one of the opinions discussed in the book.
I have completed this manuscript Just Remember This, or as American Pop Singers 1900-1950+, about music before the 1950s in America. It perhaps offers knowledge and insights not previously found in other musical reference books. I have moreover been working on this book very meticulously over the past twelve-plus years. It started as a bit of fun and gradually became serious as I began to listen along with the vocalists of popular music, of the era before 1950, essentially just before the dawn of rock and roll. If you can call it that! Indeed genre and labeling of American music started here, and then from everywhere. While the old adage of always starting from somewhere could be noted in every century, the 1900s had produced the technology. Understanding the necessity, more so, finds a curiosity on the part of a general public hungry for entertainment, despite 6 day work weeks, World War I, the Great Depression, and World War II.
Gale Anning lives a life of extreme, archaic secrecy. Each night is filled with a fatalistic risk at every turn. Deadly creatures, unseen by the common eyes of mankind, are merely prey to her. For ages, a blood-feud has raged in the shadowy recesses of the world. The constant bearing of war and dark secrets has brought her anguish, causing ill-content with her own kind. She decides to flee, leaving behind her labyrinthian past. As Gale begins her new life, she travels to the home of her parents on an island in Ohio-a territory ruled by her father and safe from any pursuit. During her stay, she rides a ferry that charters between her parent's home on Kelleys Island, to the quaint town of Port...