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Textual Patterns of the Eight-Part Essays and Logic in Ancient Chinese Texts
This book systematically depicts the theory of textual patterns (chengshi) of the eight-part essays and logic in ancient Chinese texts. With the rare materials, it covers all the basic and important aspects of the whole process and values of chengshi, such as the transformation of different parts and the coherent expression of the doctrines, the planning of writing, and the application to the aesthetic and pedagogic fields. It also explores the similarities and disparities of logical patterns between ancient Chinese and Western texts. Though entirely fresh and tentative, the contrastive studies get new insights into the logic and philosophical concepts hidden in the writings for better understanding of the uniqueness and richness implied in Chinese culture.
Emotion, Cognition, and Their Marvellous Interplay in Managerial Decision-Making
How do affect, cognition, and their interplay influence managerial decision-making at the individual, group, and organizational levels? How can these influences be fostered or reduced? This book conceptually and empirically answers such questions, and considers important theoretical issues for future research about the complex functioning of the human mind in managerial decision-making.
Xi Jinping
With the rise to power of the fifth generation in 2012, Xi Jinping became the undisputed leader of China. For the first time, the descendant of a Communist hero, a “red princeling,” has reached the highest rungs of power in the Middle Kingdom. His personality a study in contrasts, Xi is the archetypal “son of” the lost generation. A chaotic path has led him from the sweetness of Zhongnanhai, the seat of Chinese political power, to the horrors of the Cultural Revolution. He experienced both honors and disgraces in his succession to the head of the Party. Xi’s return to Zhongnanhai raises many questions. Will he be an “ephemeral” president? Will he give priority to Reform, turn toward a Western form of government or fall in line with the approach of his elders? As he begins his first term, Xi Jinping knows that many challenges lie ahead, with the absolute imperative to keep China “as stable as Mount Taishan.”
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Historical Dictionary of Chinese Theater
There is a sense of timelessness in the Chinese theater: ever since its maturation, its format has not changed in any significant way. Chinese Theater matured into its final format in the 13th century and flourished during the Yuan, Ming, and Qing Dynasties. It is a unique, exclusive, and self-sufficient system, whose evolution has received little influence from the West and whose influence on Western theaters has been minimal and often misinterpreted. It is essentially a performer's theater; the actors attract the audience with splendid performances perfected through many years of rigorous training. This second edition of Historical Dictionary of Chinese Theater contains a chronology, an introduction, and an extensive bibliography. The dictionary section has over 1,500 cross-referenced entries on performers, directors, producers, designers, actors, theaters, dynasties, and emperors. This book is an excellent resource for students, researchers, and anyone wanting to know more about Chinese theater.
A History of Chinese Theatre in the 20th Century III
The twentieth century was a dynamic period for the theatrical arts in China. Booming urban theatres, the interaction between commercial practice and theatre, dramas staged during the War of Resistance against Japan and a healthy dialogue between Western and Eastern theatres all contributed to the momentousness of this period. The four volumes of A History of Chinese Theatre in the 20th Century display the developmental trajectories of Chinese theatre over those hundred years. This volume examines national policies developed for the culture industry and practice of Chinese theatre from 1949 to the period of "the Great Leap Forward". The author highlights the tension between the new nation’s principle of "letting one hundred flowers bloom" and the theatrical industry as a tool for ideological propaganda. He argues that the transition from war-time conditions to the new social structure of peace time was far from thorough and stable. Scholars and students in the history of the arts, especially the history of Chinese theatre, will find this book to be an essential guide.
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