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Ireland in the Newsreels
Before the advent of television in the 1950s, the newsreels were the only visual news medium available to the Irish public. This title tells the story of how the newsreels depicted the Irish as violent, insular and backward, as well as enterprising, plucky and an asset to Britain, depending on the political climate.
Small-Gauge Storytelling
What do you understand by the term 'home movie'? Do you imagine images of babies-on-the lawn, sandcastles on the beach, or travels with the family? Did you know that amateur filmmakers have also explored fictional genres as diverse and fascinating as their professional counterparts, that specific amateur film studios have risen and fallen, or that household-name directors owe their origins and inspirations to the amateur film movement? Across a range of settings from the Canadian north-west to the Russian far-east, this book offers an introduction to the amateur maker of film comedies, thrillers, adaptations and sci-fi. It records the ambitions and achievements of enthusiasts struggling to emulate the mainstream and tell their own stories, armed with limited resources and endless initiative.
The Crimson Witch
" She will make them pay, even if it destroys her. The Crimson Witch is determined to free her undead army and wreak havoc on the world, both seen and unseen. Death would be too kind a mercy for those faerie traitors compared to the torment she has endured. And she will get her vengeance, no matter the cost. Four enchanted objects, each sealed by dark blood and ancient magic, have bound her. But they also hold the power to set her free once and for all. After being captured and imprisoned in the Black Lake, Enya and the others must find a way to undo the wicked damage done once they escape, even if that means uniting feuding faerie courts, runaway royals, and rival gangs. Deals have been made in the shadows, each at an impossible cost. But with lies and secrecy around every turn and two more hidden relics remaining, Enya can't be sure whose word she can trust, if anyone's. With everything hanging in the balance, can unlikely alliances keep the world from falling into darkness? Fans of Six of Crows by Leigh Bardugo, Throne of Glass by Sarah J. Maas, and The Wicked King by Holly Black can't get enough of this action-packed story! "
Expanding media histories
Contemporary media history is a rapidly growing field that extends far beyond traditional studies of technology or institutions such as radio, film, and television. This volume expands the scope further still to analyze ephemeral, mundane phenomena long overlooked by media historiography. In eight original essays, the volume demonstrates the strengths of a broad concept of the media. The first part centers on media systems and media events, with studies of spiritist séances, Gallup polls, the mediated persona of Kaiser Wilhelm II, and the burial of a Swedish elder statesman in 1915. The second part focuses on media materialities and infrastructure such as art replicas, ring binders, tourist guidebooks, and media technology in the IKEA home. Aimed at students and academics alike, Expanding Media Histories offers new empirical research, which engages critically with key concepts in media history today.
The Death of Hamlet
This book is an intervention in Hamlet scholarship. In Thus Spake Zarathustra (1885), Nietzsche famously posited the death of God, taken to mean the dissolution of all horizons within which human beings construct a plausible ontology that gives words significance. The idea of God, as a transcendental signified (to borrow from Derrida), underwrites meaning and values. Socrates placed knowing as the highest philosophical good over two millennia ago; however, once we find that God (i.e. any transcendental signified) is unknowable, the world vanishes. In a world bereft of concepts and meaning, Nietzsche’s philosophical project becomes one of “redeeming” pure willing as itself constitutive ...
The Interwar World
The Interwar World collects an international group of over 50 contributors to discuss, analyze, and interpret this crucial period in twentieth-century history. A comprehensive understanding of the interwar era has been limited by Euro-American approaches and strict adherence to the temporal limits of the world wars. The volume’s contributors challenge the era’s accepted temporal and geographic framings by privileging global processes and interactions. Each contribution takes a global, thematic approach, integrating world regions into a shared narrative. Three central questions frame the chapters. First, when was the interwar? Viewed globally, the years 1918 and 1939 are arbitrary limits,...
The Ascendant: Tales of Pern Coen
Start your next adventure with this Celtic inspired epic romantic fantasy featuring political intrigue, dark magic, a potentially deadly sibling rivalry, wolves, found family, and a friends to lovers low spice romance. Defeating the Raven Spirit will cost them everything. After fleeing Castle Ciall, Ciara has chosen to remain at the side of the rightful Ri of Blaidd, even though Niall's future is uncertain. The two of them have finally confessed the truth of their feelings, but she still struggles to gain his complete trust, no matter how hard she tries. Niall knows he cannot abandon his people, but he also knows they greatly fear his power. To regain control of the clan, he must reveal his ...
Sound Design is the New Score
The practice of blurring the line between score and sound design has transformed contemporary film soundscape by challenging not only the long-established hierarchical relationships between dialogue, music, and sound effects, but also the modes of perception shaped by classical soundtrack practices. The methods of this new trend rely on the language of contemporary popular and art music, producing soundtracks in which it is difficult to tell the difference between score and ambient sound, where pieces of electroacoustic music are merged with diegetic sound, sound effects are absorbed into the score or treated as music, and diegetic sound is treated as musique concr�te. In Sound Design is t...
Creative Research Methods for Critical Event Studies
This timely and innovative book offers an introduction to a range of creative methods, providing both empirical and conceptual guidance. Based upon existing empirical work and richly illustrated throughout, each chapter carefully examines creative methodology and/or methods within an event and festival context. International case studies are incorporated throughout, providing real-world examples of how these methods have been used in practice, as well as highlighting potential ethical issues. Each chapter includes a concise ‘how to’ set of guidelines to help researchers and students employ creative methods in their own work, as well as a series of ‘think points’ to help develop ethical practices. Chapters illustrate new pathways or lessons learned from research during the pandemic and other challenging landscapes. This significant volume offers festival and event researchers and students a different approach to their work that could result in better research, reaching hidden and marginalised groups.
Dramatizing the Political: Deleuze and Guattari
This is an in-depth analysis of dramatization as method in the work of Deleuze and Guattari. It provides an account of the value of this method for the study of the political with particular emphasis on the relationship between politics and art.
