You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
Cornélio Penna (1896-1958) e Clarice Lispector (1920-1977) não são exatamente da mesma geração de escritores, mas são de gerações que se conheceram e compartilharam certo intimismo, um gosto pela introspecção, um interesse por refletir menos sobre fatos e mais por estados mentais. Ambos escreveram romances nos quais prevalece um olhar sobre as mulheres, mulheres que flutuam entre a realidade e a loucura – uma loucura que às vezes é libertação e em outras é prisão. A menina morta (1954), o romance de Cornélio Penna aqui analisado, realiza a loucura em diversas dimensões: da metafórica, passando pela patológica e atingindo a própria narração. Portanto, está além de u...
"A radiant beauty of a writer."—The Los Angeles Times The Foreign Legion is a collection in two parts, gathering both stories and chronicles, and it offers wonderful evidence of Clarice Lispector's unique sensibility and range as an exponent of experimental prose. It opens with thirteen stories and the second part of the book presents her newspaper crônicas, which Lispector said she retrieved from a bottom drawer.
Discusses life, time, beauty, experience, meaning, music, and art.
Four beguiling tales for children of all ages. A surprising new facet of Clarice Lispector’s genius “That woman who killed the fish unfortunately is me,” begins the title story, but “if it were my fault, I’d own up to you, since I don’t lie to boys and girls. I only lie sometimes to a certain type of grownup because there’s no other way.” Enumerating all the animals she’s loved—cats, dogs, lizards, chickens, monkeys—Clarice finally asks: “Do you forgive me?” “The Mystery of the Thinking Rabbit” is a detective story which explains that bunnies think with their noses: for a single idea a bunny might “scrunch up his nose fifteen thousand times” (he may not be t...
Clarice Lispector's masterly second novel, now available in English for the first time 'She found the best clay that one could desire: white, supple, sticky, cold ... She would get a clear and tender material from which she could shape a world' Like the clay from which she sculpts figurines as a girl, Virginia is constantly shifting and changing. From her dreamlike childhood on Quiet Farm with her adored brother Daniel, through an adulthood where the past continues to pull her back and shape her, she moves through life, grasping for the truth of existence. Illuminating Virginia's progress through intense flashes of image, sensation and perception, The Chandelier, Lispector's landmark second novel, is a disorienting and exhilarating portrait of one woman's inner life. 'Utterly original and brilliant, haunting and disturbing' Colm Tóibín Translated by Benjamin Moser and Magdalena Edwards
"Mariano, who has lived in the city from an early age, is summoned back to his village to attend his grandfather's funeral. But when he arrives, he discovers two things: firstly, that he has been nominated by his grandfather to take over the running of the family affairs, secondly that his grandfather has not died completely, but is in that frontier space between life and death. In traditional belief, he has died 'badly', and something must happen in order for him to be laid to rest." "Mariano starts to receive letters supposedly written by his grandfather, telling him about the family. Through this strange relationship, he discovers the true secret of his own birth, while also cleansing his grandfather's conscience."--BOOK JACKET.
This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work. This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This book contains "critical essays along with a catalogue raisonné of the Fundação José e Paulina Nemirovsky's art assets"--p. 35.
In this book the author critiques the work of various writers within the framework of a globalized study of the Americas.