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Cornélio Penna (1896-1958) e Clarice Lispector (1920-1977) não são exatamente da mesma geração de escritores, mas são de gerações que se conheceram e compartilharam certo intimismo, um gosto pela introspecção, um interesse por refletir menos sobre fatos e mais por estados mentais. Ambos escreveram romances nos quais prevalece um olhar sobre as mulheres, mulheres que flutuam entre a realidade e a loucura – uma loucura que às vezes é libertação e em outras é prisão. A menina morta (1954), o romance de Cornélio Penna aqui analisado, realiza a loucura em diversas dimensões: da metafórica, passando pela patológica e atingindo a própria narração. Portanto, está além de u...
"A radiant beauty of a writer."—The Los Angeles Times The Foreign Legion is a collection in two parts, gathering both stories and chronicles, and it offers wonderful evidence of Clarice Lispector's unique sensibility and range as an exponent of experimental prose. It opens with thirteen stories and the second part of the book presents her newspaper crônicas, which Lispector said she retrieved from a bottom drawer.
Discusses life, time, beauty, experience, meaning, music, and art.
"Brazil was the leading world producer of gold and of diamonds between the mid-18th century and the mid-19th century. At the present time, it is the leading world producer of iron ore, tin and niobium, and an important producer of manganese, aluminium, silicon, tantalum, rare earths, graphite, magnesite and countless other ores.....Brazil is the leading world producer of tourmaline (of all colors), of quartz (colorless, rutilated, amethyst and agate), of beryl (aquamarine, morganite and heliodore, and the second ranking world producer of emerald), of topaz (imperial, blue and colorless), alexandrite, euclase, phenakite and many others" INTRODUCTION.
Widely considered the greatest genius of all time, Albert Einstein revolutionised our understanding of the cosmos with his general theory of relativity and helped to lead us into the atomic age. Yet in the final decades of his life he was also ignored by most working scientists, his ideas opposed by even his closest friends. This stunning downfall can be traced to Einstein's earliest successes and to personal qualities that were at first his best assets. Einstein's imagination and self-confidence served him well as he sought to reveal the universe's structure, but when it came to newer revelations in the field of quantum mechanics, these same traits undermined his quest for the ultimate truth. David Bodanis traces the arc of Einstein's intellectual development across his professional and personal life, showing how Einstein's confidence in his own powers of intuition proved to be both his greatest strength and his ultimate undoing. He was a fallible genius. An intimate and enlightening biography of the celebrated physicist, Einstein's Greatest Mistake reveals how much we owe Einstein today - and how much more he might have achieved if not for his all-too-human flaws.
"Mariano, who has lived in the city from an early age, is summoned back to his village to attend his grandfather's funeral. But when he arrives, he discovers two things: firstly, that he has been nominated by his grandfather to take over the running of the family affairs, secondly that his grandfather has not died completely, but is in that frontier space between life and death. In traditional belief, he has died 'badly', and something must happen in order for him to be laid to rest." "Mariano starts to receive letters supposedly written by his grandfather, telling him about the family. Through this strange relationship, he discovers the true secret of his own birth, while also cleansing his grandfather's conscience."--BOOK JACKET.
Four beguiling tales for children of all ages. A surprising new facet of Clarice Lispector’s genius “That woman who killed the fish unfortunately is me,” begins the title story, but “if it were my fault, I’d own up to you, since I don’t lie to boys and girls. I only lie sometimes to a certain type of grownup because there’s no other way.” Enumerating all the animals she’s loved—cats, dogs, lizards, chickens, monkeys—Clarice finally asks: “Do you forgive me?” “The Mystery of the Thinking Rabbit” is a detective story which explains that bunnies think with their noses: for a single idea a bunny might “scrunch up his nose fifteen thousand times” (he may not be t...
Clarice Lispector's masterly second novel, now available in English for the first time 'She found the best clay that one could desire: white, supple, sticky, cold ... She would get a clear and tender material from which she could shape a world' Like the clay from which she sculpts figurines as a girl, Virginia is constantly shifting and changing. From her dreamlike childhood on Quiet Farm with her adored brother Daniel, through an adulthood where the past continues to pull her back and shape her, she moves through life, grasping for the truth of existence. Illuminating Virginia's progress through intense flashes of image, sensation and perception, The Chandelier, Lispector's landmark second novel, is a disorienting and exhilarating portrait of one woman's inner life. 'Utterly original and brilliant, haunting and disturbing' Colm Tóibín Translated by Benjamin Moser and Magdalena Edwards
This book contains "critical essays along with a catalogue raisonné of the Fundação José e Paulina Nemirovsky's art assets"--p. 35.
This novel is a masterpiece of Brazilian literature. Written by Julia Lopes de Almeida, one of the most important Brazilian writers of the 19th century, it tells the story of Ana Rosa, a young widow who struggles to find her place in a society dominated by men. The book explores themes of gender, class, and identity, and offers a vivid portrait of Brazil in the late 19th century. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.