You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
None
Examines the importance of Pierrot, as an image of marginality and failure and a symbol of hidden sexuality, in García Lorca's imagery and literary and personal life.
A collection of plays by the ancient Greek playwright Euripides, translated into English by Frederick Apthorp Paley in the mid-19th century. The plays, which include such classics as 'Medea', 'Hippolytus', and 'Electra', are known for their complex characters, intense emotional drama, and sophisticated use of language. Paley's translations are highly regarded for their accuracy and faithfulness to the original Greek. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
This is the first English edition of the prize-winning writings of Portugal's premiere writer, who has been nominated twice for the Nobel Prize for Literature.
Over 50 papers, first presented at the international congress ‘Greek Art in Motion’ (Lisbon, 2017) in honour of Sir John Boardman’s 90th Birthday, are collected here under the following headings: Sculpture, Architecture, Terracotta & Metal, Greek Pottery, Coins, Greek History & Archaeology, Greeks Overseas, Reception & Collecting, Art & Myth.
The Kumulipo is the sacred creation chant of a family of Hawaiian alii, or ruling chiefs. Composed and transmitted entirely in the oral tradition, its 2000 lines provide an extended genealogy proving the family's divine origin and tracing the family history from the beginning of the world.
In this brutal dissection of guilt, victimhood, self-hatred, betrayal, and atrocities both political and domestic, Antunes proves once more that he is the foremost stylist of his generation, a fearless investigator of the worst excesses of the human animal.
Portrayals of Antigone in Portugal gathers a collection of essays on the Portuguese drama rewritings of this Theban myth produced in the 20th and 21st centuries. For each of the cases analysed, the Portuguese historical, political and cultural context is described. This perspective is expanded through a dialogue with coeval European events. As concerns Portugal, this results principally in political and feminist approaches to the texts. Since the importation of the Sophoclean model is often indirect, the volume includes comparisons with intermediate sources, namely French (Cocteau, Anouilh) and Spanish (María Zambrano), which were extremely influential on the many and diversified versions written in Portugal during this period.
As a didactic explanation of pagan ancient Greek culture to Orthodox Christians, John Tzetzes's Allegories of the Iliad is deeply rooted in the mid-twelfth-century circumstances of the cosmopolitan Comnenian court. As a critical reworking of the Iliad, it is part of the millennia-long global tradition of Homeric adaptation.
Either as insider or as sensitive observer, Plutarch provides us with exceptional evidence to reconstruct the spiritual and intellectual atmosphere of the first centuries CE. This collection of articles sheds important light on the religious and philosophical discourse of Late Antiquity.