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Spira 1
  • Language: el
  • Pages: 162

Spira 1

  • Type: Book
  • -
  • Published: 1992
  • -
  • Publisher: Unknown

None

Círculo de Bellas Artes
  • Language: es

Círculo de Bellas Artes

  • Type: Book
  • -
  • Published: 1986
  • -
  • Publisher: Unknown

None

A arte do circo na América do Sul
  • Language: pt-BR
  • Pages: 522

A arte do circo na América do Sul

Desde o circo itinerante, montado sob lonas e que passava de geração em geração, muitas mudanças ocorreram, com uma tensão positiva entre a tradição e a inovação. Este livro busca, por meio de ensaios e reflexões, contribuir para a valorização do gênero, bem como de suas formas de expressão contemporâneas. Assim, participam da obra acadêmicos, pesquisadores, pensadores, gestores, críticos e artistas do Brasil, Chile, Argentina e Uruguai, além de um autor convidado da França. São abordados questões dramatúrgicas, análises históricas e estéticas, a ressignificação da corporalidade e da técnica, processos de ensino, espaços e iniciativas de promoção cultural da arte circense, entre outros.

A Colón el Círculo de Bellas Artes 1492-1892
  • Language: es
  • Pages: 73

A Colón el Círculo de Bellas Artes 1492-1892

  • Type: Book
  • -
  • Published: 1892*
  • -
  • Publisher: Unknown

None

Alfredo Boulton and His Contemporaries
  • Language: en
  • Pages: 396

Alfredo Boulton and His Contemporaries

  • Categories: Art

Alfredo Boulton (1908-1995) was Venezuela's foremost cultural and aesthetic observer of the 20th century. An art critic, cultural historian and photographer, he was highly influential in the development of modernist art and discourse, and of cultural self-definition, in Venezuela and the surrounding region. Boulton's diverse contributions serve as a point of departure in this remarkable selection of art-historical and critical texts by many of the prominent Latin American thinkers of this period, figures whose works and ideas helped to shape the face of contemporary Venezuela. Through the manifestos, correspondences and critical writings of these notable voices of the day, this anthology traces Venezuela's struggle toward modernity and toward a successful, autonomous identify on the international cultural scene. In addition to historical writings, the volume includes newly written critical and explanatory essays by contemporary scholars, providing context and insight to these significant texts that have become constant reference points for generations of artists, critics and art historians.

The Rough Guide to Spain
  • Language: en
  • Pages: 1176

The Rough Guide to Spain

Presents a guide to traveling in Spain, providing an introduction to the country with advice on planning a visit, and discussing the attractions, restaurants, accommodations, shopping, and entertainment venues of Madrid and other cities and regions. Includes maps and photographs.

Purity Is a Myth
  • Language: en
  • Pages: 338

Purity Is a Myth

  • Categories: Art

Presenting new scholarship, this publication is an innovative technical study of the Concrete art movement in Latin America. Purity Is a Myth presents new scholarship on Concrete art in Argentina, Brazil, and Uruguay from the 1940s to the 1960s. Originally coined by the Dutch artist Theo van Doesburg in 1930, the term concrete denotes abstract painting with no reference to external reality. Van Doesburg argued that there was nothing more real than a line, color, or plane. Artists such as Willys de Castro, Lygia Clark, Waldemar Cordeiro, Hermelindo Fiaminghi, Judith Lauand, Raúl Lozza, Tomás Maldonado, Hélio Oiticica, and Rhod Rothfuss would reinvent this concept in postwar Latin America. ...

Minutes of the Meeting of February 15-16, 1940
  • Language: en
  • Pages: 46

Minutes of the Meeting of February 15-16, 1940

  • Categories: Art
  • Type: Book
  • -
  • Published: 1940
  • -
  • Publisher: Unknown

None

Venezuela
  • Language: en
  • Pages: 288

Venezuela

A Stanford University Press classic.

Soviet Influence on Cuban Culture, 1961–1987
  • Language: en
  • Pages: 247

Soviet Influence on Cuban Culture, 1961–1987

This book examines the ways in which the Cuban-Soviet relationship was expressed in the cultural sphere between 1961 and 1987. It specifically focuses on the theater and the visual arts to analyze the ways in which the culture became a means of asserting the Cuban Revolution’s independence.